Category: Visual Arts

Weekly round-up: 1 June 2011

March 1966 - the theft of Nelson's head (image from the Evening Press)

Last night on the telly Whose Art is It Anyway? hosted by Joe Duffy explored public art in Ireland (catch it on RTE player). I found it disappointing and very narrow in its coverage of the range of work produced across the country, though people keep telling me I should be grateful they had any programme on the subject at all. Balderdash — we should (and I do!) expect more from our national broadcaster.

Still on the public art tip — on the back of last night’s programme I was sent a link to artist Sean Lynch’s online piece on a few of Dublin’s dismantled public monuments (written to accompany his public artwork Me Jewel & Darlin’) — some fantastic images there (including the one above)!

Although I missed the Queen in Cork, a visit to the new Triskel Arts Centre more than compensated — a beautiful exhibition by Vivienne Roche was there consisting of drawings, photographs, projections and some delicate glass pieces — we also ogled the new Christchurch performance space (fab!!) and envied folks attending the Cork Midsummer Festival (11-26 June) who will be able to see Laurie Anderson and Brad Meldhau there (in addition to the other great acts on the programme). We wrapped up the weekend with a wet and windy visit to the Glucksman Gallery at UCC , and finally a trip to Lismore Castle Arts in Waterford. LCA is such a stunning day out — wonderful art space, amazing gardens and public sculptures (missed the David Nash piece last time I was there, and the temp installation by Richard Wright was groovy). They’ve now taken over a small disused church in the village centre (St Carthage Hall) where we viewed a hypnotic and lyrical video piece by Martin Healy — one of the best days out we’ve had in a while (and even my toddler loved it)!

The Irish Pavilion at the 54th annual Venice Biennale featuring artist Corban Walker is opening to the public on 4 June. Looks like a stunning installation — I’m looking forward to hearing back from the lucky ducks headed over this summer.

The juggernaut that is Imagine Ireland rolls onward, with the new programme launched in the wake of Obama’s visit to Ireland (that’s me! By the Thomas Davis Statue! Did you see me waving Barack??) Plaudits for the management, scope and delivery of this initiative have been loud & plentiful — it is probably the most significant cultural initiative of the last year, and a major achievement for the lean machine that is Culture Ireland.

The programme for the 2011 PhotoIreland festival (now in its second iteration) has been announced. Aside from the great list of exhibitions & talks, I’m hankering after the workshops teaching collodion photography & other 19th c techniques (I have a weakness for 19th c. photography, especially stereoscopy!)

The unresolved saga of opera in Ireland continues with the news that the ‘Irish National Opera Company’ has been wrapped up; it was meant to be filling the shoes of dearly departed Opera Ireland, and pushing forward the production of operas nationwide. Although the remit for opera has now been returned to the Arts Council, it’s unclear who (if anyone) will be picking up the gauntlet.

Following on from two recent conferences on museums & new technology attended by lots of Irish folk (MuseumNext and Rethinking Technology in Museums) — a backlash against social media ‘gurus’ here and here?

The recent session in TBG&S on the subject of visual arts audience development was very interesting (especially the presentation from Pete Gomori, the Tate’s marketing manager ) — what also intrigued was the proportion of the day devoted to discussions of social media. A few days later Una Carmody from Arts Audiences summarised some of the latest data about Irish social media usage – lots of interesting tidbits there (84% of Irish internet users utilize social media, for example).

The RHA’s annual show is on — always one of my favourite arts outings of the year!

Tickets for the Dublin Contemporary have also gone on sale.

Next week is Theatre Forum’s annual conference! More than 250 people already signed up to attend — including me! Meanwhile the conference blog has been posting interesting links (on the recent report from Edinburgh on its festivals’ economic impact, which uses metrics beyond the hackneyed multiplier — Anne Bonnar’s blog has additional commentary).

‘The Art Books of Henri Matisse’ has opened at the Chester Beatty Library — I’ve written a piece on the exhibition for forthcoming Irish Arts Review as well — a great chance to see some brilliant, rarely-exhibited works in Ireland.

IMMA’s left its difficult teenage years behind… a full day of events took place on May 27th for their 20th birthday, but the celebrations continue with their exhibition Twenty, and the Forbidden Fruit festival this weekend (not sponsored by IMMA, but taking place on their grounds).

Finally… on 12 June the Dublin City Gallery – The Hugh Lane will be hosting a public conversation with feminist art icon Judy Chicago — bound to be packed, so get there early!

Weekly round-up: 16 May 2011

I’m late this week (or early, depending on your perspective), but exam marking is finished for the year – woo hoo! Lots on the wire over the past few days (and not all Eurovision or Queen-related):

Most intriguing was the news at the weekend that the state is keen to take back Bank of Ireland’s College Green buildings ‘for cultural uses’ on foot of its bailout arrangements with the bank. Apparently the Minister wishes to turn the historic building into a ‘tourist attraction’ of some kind: ‘His plans, which are at a preliminary stage, envisage the conversion of the building into a centre celebrating Dublin’s literary heritage, incorporating an exhibition space and reading rooms as well as a cafe and meeting rooms. Mr Deenihan’s spokeswoman said he was examining a number of venues for a “world literature centre”, but that no decision had been taken yet on a location.’ An interesting proposal — but can or will the government actually stump up for such a large potential development? Such ‘grand gestures’ of the capital kind have been a feature of every government, but it’s the ongoing investment in the arts (and provision of programming, administrative overhead, etc) that’s proven more difficult to source over the years. It will take some delicate negotiation to ensure such a project doesn’t wind up another white elephant, another unsustainable or irrelevant ‘arts centre’, or a further drain on already meagre resources. And frankly, publishing a range of fairly daft public suggestions  in the Irish Times (eh, they’re not knocking it down, folks) — and the short-term memories which appear to have forgotten there WAS an arts centre there until recently! — isn’t quite the discussion this project needs. The prospect exercises me greatly because in my view, this is the most magnificent civic complex in Dublin city centre, and we haven’t a great history of being sympathetic to our architectural heritage.

In further NAMA-related developments, the National Gallery is receiving the gift of a Lavery painting ‘Return from Market’ (cheeky choice!) as a thank-you from the agency for storing works to be resold from Derek Quinlan’s collection. The rest of the collection is supposedly being offered first to the NGI/IMMA/OPW (although their acquisition budgets are tiny, so I’m not sure how this will pan out!) before going to public auction. Note to NAMA: I have a very secure, dry attic, and a Roderic O’Conor would do nicely for our living room wall.

Dublin Dance Festival began on Friday, and continues until May 28th. I’m quite taken with the description of Hiroaki Umeda’s Haptic & Adapting for Distortion (and the graphics remind me of a Peter Kogler exhibition I saw at MUMOK some years ago – most groovous).

Today the National Campaign for the Arts coordinated a series of 40+ ‘meet & greets’ between arts folks and local TDs — Tania Banotti (head of Theatre Forum) was likewise recently profiled in the Irish Times on her involvement with the campaign. It’s great to see ongoing enthusiasm for the campaign — and significant fundraising achieved for their efforts.

Temple Bar Gallery & Studios recently launched its new website — very snazzy — and I’m looking forward to attending their symposium on Visual Arts Audiences on Wednesday.

The Irish Architecture Foundation has launched Architecture Tours Ireland, offering five new ongoing public tours: ‘Dublin Docklands’,’Georgian Dublin’, ‘Temple Bar’, ‘The Living City’, ‘Children’s Activity Tour’. Hopefully they’ll find great success with this initiative; with so much fascinating architectural history condensed in the city centre, it seems a natural fit!

Good news that imprisoned Chinese artist Ai Wei Wei was finally allowed a family visit, although his situation still looks far from encouraging — the amount of public pressure and denouncement of his detention has been quite astonishing, and the Chinese government’s lack of response even more so.

The Contemporary Music Centre will be staging its last new music salon until the fall — the final performance on 25 May sounds intriguing:  ‘a music theatre piece based on the diaries and poetry of Sir Ernest Shackleton and Bill Manhire’.

I received a link today to a new blog focused on studio visits throughout Ireland — From the studio of… — sounds like a great idea, and a promising theme — I’ve got ya bookmarked!

Loughlin Deegan will be leaving the helm of the Ulster Bank Dublin Theatre Festival to take up the juicy post of Director of the Lir, the new national academy for the performing arts envisaged as the RADA of Ireland.

Gemma Tipton in today’s Irish Times wrote on grassroots/artist-led initiatives in a time of recession (a subject of one of last year’s MA theses, and another this year as well) — in related news the collectively-run space The Complex avoided eviction in the ill-starred Smithfield development this week thanks to the intervention of Minister Deenihan, as reported in Le Cool.

And finally… big congrats to Jessica Fuller, who’s currently upgrading her MA with us — she was the driving force behind the first project to be awarded funding under the National Music Education Programme — known as ‘Music Generation‘ (sponsored by U2 and the Ireland Funds and managed by Music Network), the most important scheme funding music education in the country. Three years of development are now ahead for the Sligo Music Education Programme (SMEP) in partnership with Music Generation — looking forward to great things ahead!

I’m off this weekend to visit Cork, avoid the Queen and check out new stuff at the Glucksman, Triskel and Lismore Castle Arts — may not be back with another update until next week, so behave yourselves in the meantime.

Weekly round-up: 5 May 2011

Photo: Irish Times Online

Feliz Cinco de Mayo! We’ve been up to our ojos interviewing for next year’s MA in arts management class — but here’s the weekly dose of arts goodness:

I was very excited to hear that UCD’s former gaff has been selected as the venue for much of the Dublin Contemporary. Curators will be pulling a PS1 on Earlsfort Terrace and utilising the existing fabric of the building, its long history as an institutional (and indeed exhibition space) becoming a palpable presence in the installations. Of all the news that’s circled round the DC over the past few months, this is by far the most promising! Can’t wait to see what emerges…

What are you doing this evening? First Thursdays at Temple Bar has been expanding, with a great list of venues opening their doors from 6-8 pm tonight.

‘The Fourth Wall’ programme of events on architecture and film began today at the IFI and continues until the 16th — quite a number of interesting screenings will take place over the weekend, and a fab-sounding academic symposium tomorrow.

I missed it last week, but the Triskel Arts Centre in Cork has reopened after a period of refurbishment. Part of the project involved the establishment of a new Theatre Development Centre, of which Corcadorca is the first occupant (a nice feature in Irish Theatre Magazine has details on the company’s recent developments).

An short opinion piece in the Telegraph bemoaned the lack of homegrown senior arts managers in the wake of Martin Roth’s appointment to the helm of the V&A Museum (he’s German)… apart from having the slight whiff of xenophobia, strangely enough this is also a common complaint in the US (ie the very small pool of experienced and available museum directors). It would seem to me the problem is less a British one than an international issue, especially given the natural (and correct) international mobility of folks at this level of seniority. Furthermore it points perhaps to the very demanding number of responsibilities (and often low remuneration) now required of a museum director — perhaps it is now a less appealing position than ever it was.

There was a lovely feature on artist Michael Craig-Martin in the Guardian yesterday… I like his thinking: ‘… making art is about making particulars, and that particular something can be the generator of a generalisation.”

How to support two arts organisations at the same time? Go see Pygmalion (just opened at the Abbey to great notices) and let those royalties from GB Shaw roll in to the National Gallery… there, don’t you feel better now? 🙂

An excellent chance to hear a world expert on intellectual copyright and the Creative Commons is coming up at The Science Gallery: Professor James Boyle from Duke University will be speaking on Thursday the 12th of May, and is unmissable if you’ve an interest in arts law & anything to do with creative copyright!

Weekly round-up: 27 April 2011

Though I’ve been occupied stuffing myself with Easter chocolate, basking in the spring sunshine, and feeling the glow of two long weekends with a royal wedding sandwiched in the middle, it’s time for another round-up…

Jazz-heads are gearing up for a few weeks of delectable treats — Improvised Music Company’s 12 Points! European Jazz festival begins at Project Arts Centre on 4th of May, while the long-running Bray Jazz Festival is this weekend! Lots of chatter meanwhile on Jim Carroll’s recent blogpost on issues surrounding jazz promotion & attendance in Ireland, followed by an article in today’s IT by Laurence Mackin on the changing face of contemporary jazz. Some of the best gigs I’ve been to in Ireland have been jazz — Tomasz Stanko, EST, Bobo Stenson, and Marcin Wasilewski are a few that spring to mind —  and according to my extra-jazzy husband (who co-presents Jazz-o-rama on Dublin City FM), Phronesis is the hot ticket at 12 Points this year.

Mindfield (the ‘international festival of ideas’) begins this Friday in Merrion Square and runs through Sunday. Though to my mind a leetle on the pricey side (69 yo-yos for a full festival pass, or a tenner for each event) there are quite a few free workshops & family events. I’m a fan of the quick-fire Ignite concept of 10 speakers + 20 slides + 5 minutes, but there’s a whole range of interesting talks and hands-on events throughout the weekend.

Seriously digging the idea of Druid staging The Cripple of Inishman on, well, Inis Meáin. Locals have first dibs on tickets for the 26 July performance (sales opened yesterday to Aran Islands residents), with the remainder going on sale to the public on 23 May.

Yesterday’s Irish Times carried a special supplement featuring the programme for the Bealtaine Festival (‘Celebrating Creativity in Older Age’) which begins this Sunday. They’re also currently recruiting for Cultural Companions, a programme which matches seniors with folks interested in accompanying them to cultural events (applications are being accepted for North Dublin and Cork).

On the other end of the age spectrum, Sheila Wayman in the IT wrote yesterday about involving children in arts activities from an early age, citing the importance of introducing them to arts experiences outside of school structure. As the mama to a 18 month old little guy, I found the list of available activities very useful — with the baby boom in Ireland still in full flush, young families will be an important market & audience for arts organisations for some time…

I’ll be popping in to the Science Gallery’s new exhibition HUMAN+ tomorrow — Director Michael John Gorman recently penned a piece on the Guardian’s Science blog about the show that’s sold it to me!

The Galway City Museum is set to be re-furbished; it will be closed until early June to facilitate work, presumably in time for the Galway Arts Festival in July!

A quirky news item in the Independent last week noted that several roadside public sculptures from Kildare and Kerry have been stolen (presumably melted down for scrap). Obviously this is a distressing issue for the county councils and artists involved — though I must admit given the state of some of our public sculptures, these thieves might be doing us a roundabout favour (pun intended).

Temple Bar Cultural Trust is calling for interested participants for Culture Night 2011; deadline for expressions of interest is the 27th of May.

In an expected but warmly welcomed move, Arts Minister Jimmy Deenihan issued a call for interested applicants to apply for board positions at the National Concert Hall, IMMA, Irish Architectural Archive, Arts Council, and Heritage Council. This is part of efforts by the Department to increase transparency as regards governance and recruitment, and to avoid the sinkhole of political appointee-ism that’s plagued some of our cultural institutions. There’s no guarantee appointees will be drawn from this open application process, nonetheless it’s a great step in the right direction. Applications are due May 13th, so get cracking!

The Fundit website’s done extraordinarily well in its first month, raising about 40k! Quite a number of projects have reached their funding targets — but I’d love to see the Irish/Polish Film Project and the Open House Dublin Book Project make it over the line (their funding target has to be met for them to receive any moola) — have a look & consider sending a few euro their way??

The worst news of the past 2 weeks? The closure of the Lighthouse Cinema, after the failure to reach an agreement with the current landlords and the appeal for mediation rejected. I still have difficulty believing there’s no alternative in this case; it makes me physically sick to think of that wonderful facility lying empty. Will this be the final death knell for the Smithfield redevelopment dream?

Weekly round-up: 14 April 2011

The good folks at Arts Audiences were kind enough to give me a preview of their new online training programme (fully launched on Tuesday!) on digital arts marketing — the skinny is that this is a cost-effective (€20 for each module or €95 for all seven) and focused way for folks to up-skill in the following areas:

Search Engine Optimisation ~ Beginners
Search Engine Optimisation ~ Advanced
Best Practice Web Design
Web Analytics
Social Media Marketing
Online Advertising
Email Marketing
Universal Access

Funded by the Arts Council, Temple Bar Cultural Trust and the Department of Arts, Heritage and the Gaeltacht, it’s delivered by Susan Hallam and includes case studies of the ABSOLUT Fringe Festival, the Abbey, Balor Arts Centre in Donegal, Éigse Carlow Arts Festival, and the National Concert Hall. This looks to be a great resource for enhancing your online chops; other offerings from Arts Audiences have been jumped on like office candy, so let me know if you’re liking the look of these too…

Business to Arts also held a reception Tuesday night to mark the many new initiatives they’ve recently launched — Fundit (which just had its first project reach 100% funding), New Stream Project, Arts Fund for Ireland, etc. Culture Minister Deenihan was also on hand to say a few words — my notes from his short speech read ‘cultural broker’ ‘private philanthropy’ and ‘Kerry’ (the first two refer to the aspects of his pre-election Arts Plan that have been identified as objectives for the new department; the third was the term of highest spoken frequency). The BtoA core team of Stuart, Rowena and Andrew have done amazing work over the past few years and deserve all the kudos coming their way! I was delighted as well to see Mason Hayes & Curran’s lovely collection of artworks in their offices — particularly the Corban Walker piece in the atrium (he’s the next featured artist for the Irish Pavilion at Venice) and the Rowena Dring textile work I spotted on the first floor (she had a fab exhibition at the Rubicon a few years ago I wrote about).

The third big honking thing to launch on Tuesday was Dublin City Council’s Public Art Programme, detailing plans and themes for the upcoming round of public art projects. The four strands of the programme are (1) Dublin, (2) Interaction with the City, (3) Connecting with the Public, and (4) City Contexts; a call for proposals for Strand 2 is open until 27 June. The launch document also includes a striking series of pinhole photographs taken by young Dubliners, the result of a commission from the Gallery of Photography.

The Art Fund in the UK (the largest public endowment for the arts in the UK, established in 1903) has announced it’s increasing its funding available to museums to purchase new works of art by 50% — that’s in addition to its launch of the ‘National Art Pass‘, which for an annual subscription of £35 (and less for students etc) will offer free admission and discounts to exhibitions in museums across the UK (*wipes drool from keyboard*).

Dublin Contemporary is hiring for five temporary positions — deadline is 22 April (has also been added to the jobs page).

Don’t forget about the Visual Arts Workers’ Forum (‘Work It’) at Project next Weds (20 April) — the schedule & session descriptions have now been posted.

There’s a conference on contemporary cultural policy (with a specific German focus) coming up on 6-7 May: ‘Contemporary German-Irish cultural relations in a European Perspective: Exploring issues in cultural policy and practice‘. The conference is co-organized by the Goethe Institute Dublin and The Centre for Irish-German Studies at the University of Limerick; attendance is free!

NCAD and UCD have entered into an ‘academic alliance‘ (yeah, I wasn’t sure at first what that meant either)– we’ve been having a series of discussions with folks from both institutions about new research strands, collaborative projects, new cross-listed modules, and the possibility of joint MA programmes — the six themes are (1) the studio: from process to product; (2) the expanded academy – college and communities; (3) text and image; (4) the city: urban cultures; (5) culture and institutions; (6) arts and healthcare. I’m particularly keen on numero (5) — lots of enthusiasm and great ideas at our last meeting — on to the achievable objectives, what ho!

I’m currently working on the idea of developing a new upper-BA course on photography (history, development & theory) for UCD in 2012-3; I’ve been in lots of interesting conversations in the past week over directions it could take & possible collaborators/opportunities for cross-listing. Hugh Campbell (prof of architecture over here at the Big B) has been running an MA level module in architecture, space and photography — I’ve been inspired by their class blog ‘Space Framed’ and would be interested to see any other examples of Irish 3rd level class blogs that make good use of the online medium (Blackboard, I’m looking at you.)

I was be/amused yesterday to be contacted by a journo from the Irish Independent researching an article on ‘erotic Irish art’ (!) After ascertaining this was in fact a serious request, I was surprised by how many examples my colleagues and I were able to rustle up (ah, St George Hare of Limerick, we didn’t forget you!) Now I’ve *another* module to start developing… :p

As a coda… thanks also to everyone over the past few weeks I’ve run into who have had nice things to say about the blog! It’s nice (and a little creepy) to think how many of y’all read this every week… hope you find it useful, and I always welcome notices, job announcements, press releases, constructive critique, and chocolate.