NEW: MA in Art History, Collections and Curating to be offered at UCD from 2018

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We are delighted here in the UCD School of Art History and Cultural Policy to announce a new taught postgraduate programme launching in the 2018/19 academic year: the MA in Art History, Collections and Curating. This has been designed to provide advanced academic training in the history of art, with a special focus on collections and curatorial practice. I’m very pleased to be delivering the core Seminar in Collections and Curating which forms part of this exciting new programme — you can download an MA brochure for more details.

Led by MA course director Dr Conor Lucey and involving our full staff, students will benefit from our School’s extensive partnerships with local, regional, and national cultural institutions and gain first-hand exposure to advanced, active research in art history. This MA will provide an excellent foundation for future careers in art historical research and writing, and prepares students for further study in either higher level academic research or specialized curatorial training programmes.

The programme is aimed at postgraduate students of art history and of cognate subjects such as art, architecture and geography. It is also intended for those with experience in the art world and in the cultural heritage sector looking for an opportunity to hone their skills in the interpretation, critique, and analysis of works of art and architecture, developing the knowledge and capacity to pursue careers in academia, research, writing, and curatorship.

The programme includes taught modules, a week-long guided international trip (which in 2018-19 will be to Berlin), and a supervised dissertation. Examples of taught modules include:

  • Approaches to Art History
  • Seminar in Curating and Collections
  • Classical and Early Medieval Collections of Europe
  • Institutional and Private Collecting in the Netherlands in the Early Modern Period
  • Architecture and the Museum
  • Museums and Modernity

For more information about the new MA, and application/deadline details please visit: our MA course blog, or get in touch!

 

 

That Friday feeling: new jobs & and other announcements

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UCD has just announced its 2017-18 Artists in Residence: this programme has gone from strength to strength, and we are delighted to be welcoming these folks to campus soon!

Jobs have just been updated with a new crop of listings; I’d also like to highlight the following opportunities:

  • The Arts Council is sponsoring a Jerome Hynes Fellowship for 2017/18, as part of the Clore Leadership Programme. This is a prestigious opportunity to access leadership training in the UK; deadline is 13 Februrary
  • The Irish Museums Association Board of Directors is recruiting! We have 3 board positions open: this is a hard-working and energetic voluntary board that represents the interests of museums, north and south. Deadline for expressions of interest is 24 February!
  • The Thomas Dammann Junior Memorial Trust awards are open for applications until 10 March; grants up to 5k are offered for projects and research related to the visual arts in Ireland.
  • The Centre for Creative Practices in Dublin (set up by one of our past MA grads Monika Sapielak) has recently launched a new resource, Artconnected, that lists call-outs for creative talent, venues, arts professionals, service & equipment providers — well worth bookmarking & signing up to their newsletter for notifications.

New Art History & Cult. Policy Facebook, Twitter launched

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Here in the School of Art History & Cultural Policy at University College Dublin we’re pleased to announce a new Facebook page and Twitter account. We’ll be posting news, events, and links to items of interest for our students, staff, alumni and wider community. Both accounts will cover topics related to Irish and international art history, arts management and cultural policy.

It’s a really exciting semester for our School, with the launch of the five-volume Art & Architecture of Ireland series this October with the Royal Irish Academy (with heavy editorial and authorial input from the School); and new initiatives forthcoming from our strategic alliance with the National College of Art and Design (more on this soon!). We hope these new channels will be useful for folks who’d like to be updated with School events and activities.

I’ll still be maintaining my own personal take & news on Irish arts management here on this blog — and keeping up the jobs page, of course! — but will also be managing the School’s accounts too for the time being. Should you have any events, announcements, etc. you’d like communicated to our wider School network (beyond the arts management folks) feel free to contact me!

1 week to go! Arts management & policy conference, 25 June (UCD)

We’re getting very excited about hosting next week’s conference ‘Mapping an Altered Landscape: cultural policy and management in Ireland‘ next Wednesday (25 June 2014) in UCD’s beautiful new student centre. Co-sponsored by IADT, the conference is supported by the Arts Council and Heritage Council. The one-day conference features a great line-up of speakers reflecting in an open format on current cultural policies and management practices.

Our main aim of the day is to propose solutions to a problem that perplexes us all: what might a coherent cultural policy look like?

The last cultural policy conference held at UCD was held in 2008 — right before the economic crash — and there’s no better time than the present to take a hard look at what’s changed in the interim, and talk openly about the way forward.

Our capacity is limited, with 100+ confirmed attendees from across the artforms and cultural sector (artists, arts managers, curators, theatre-makers, museum/heritage folks, local authority officers, representatives from the Department, Arts and Heritage Councils, government ministers, students and academics), so please register soon if you’d like to join us on the day! Speaker presentations will be diverse and brief to allow for maximum audience participation.

There will also be the opportunity to tour UCD’s new cultural facilities — still unknown to lots of folks, and open for programming and collaborations — including our state-of-the art cinema, black box theatre, dance studio and radio station. An optional screening of the documentary ‘Skin in the Game‘ (on Irish artists & the recession) will be held that evening after the conclusion of the conference in the new cinema.

I hope very much that many of you will be able to join us!

‘Mapping’ 2014 Conference schedule

www.culturalpolicyconference2014.ie

 

Weekly round-up: 25 May 2012

Hans Josephsohn exhibition at Lismore Castle Arts

It’s been extraordinarily busy policy-wise in the arts the last few weeks — this update will be a long one —  I’ll do my best to provide a summary! (p.s. if I’ve gotten anything wrong here, please do write in & correct me! Or feel free to add your impressions/responses in the comments…)

The second meeting of the Visual Arts Workers’ Fourm (kindly hosted by the Glucksman Gallery, UCC) last Thursday 17 May proved a lively & interesting day. So much ground was covered, it’s impossible to do justice to it all — however I found most useful the presentations by Mary McCarthy (from the National Sculpture Factory) and Sarah Glennie (new director of IMMA) providing updates on the status of the Culture Ireland, National Campaign for the Arts and the amalgamations planned for the national cultural institutions. Here’s a breakdown of some of what was discussed (supplemented by a few recent developments):

  • Culture Ireland: The expiration of Eugene Downes’ contract as Director is coinciding with a planned review of Culture Ireland; many in the audience voiced their support for the impact of CI’s contribution to the promotion of Irish culture, and praised Eugene’s contributions in particular. As yet there seems to be little public information on what exactly this review process will entail and when it will take place, with Mary reiterating the importance of remaining vigilant as to developments.
  • National Campaign for the Arts: conversations around advocacy, developing stronger links with policymakers and politicians, and better articulating a collective vision for the purpose and importance of the arts were strong themes recurring throughout the day. Differences between VAI and VAWF were clarified (the former primarily devoted to the support of individual artists, the latter an as-yet loose grouping of the many organisations and individuals broadly included under the ‘visual arts’ banner, to include arts orgs, artists, curators, educators, etc.). Mary provided details of the NCFA’s working process and current status, urging folks to become involved (a very small number of people are making a large difference here), and reiterating the very significant impact its campaigns and outreach efforts have had to date. No consensus emerged out of the day as to how collectively the visual arts community might better organise — in more casual conversations with attendees I found views varied widely as to whether more formal organisation was needed, or whether a more organic approach was appropriate. I think most were in agreement, however, that meetings such as VAWF provided a valuable opportunity for information sharing, networking and getting a sense of the many diverse views and positions active in the visual arts community.
  • National Cultural Institution amalgamation plans: Sarah spent a good deal of time discussing this, stressing that the proposals now on the table differ substantially in nature from those mooted in 2008, which garnered very strong opposition in the sector (voiced during a consultation held in IMMA)– plans that were later shelved. Very little has been made public about this process, so many in the audience were surprised to hear of the speed with which the re-vamped amalgamation plans are progressing — according to Glennie the decision to amalgamate in some form has been made by the Dept. of Public Expenditure and Reform, and is irreversible, with the window for working out the finer details (before a final decision by Cabinet) only about 6 weeks. The word since then is that the directors are collectively engaged in protecting the autonomy of each institution (especially in terms of curatorship and direction) to the greatest extent possible.There were very strong feelings in the audience about the importance of protecting the cultural institutions in a time of slash-and-burn approaches by civil servants with little knowledge of how these organisations actually function, and their already skeletal infrastructure. All of this has been given added momentum in the past few days with Diarmuid Ferriter’s announcement (more here too) he would be resigning from the board of the National Library in protest over the government’s ‘offensive and disingenuous double-speak’ around the cultural institutions (including but not limited to the amalgamation plans — which also have proposed merging the NLI, National Archives and the Manuscripts Commission). The amalgamation plans were further criticised yesterday by Senator Fiach Mac Conghail in the Senate session (here’s the full text of what was said). I believe all of this is extremely useful in highlighting how crucial these decisions are, and what their long-ranging impact will be on cultural institutions many of us take for granted. A lack of transparency over the terms of the proposals is worrying, and with such a short amount of time remaining to voice views on the subject, I hope developments will continue to be publicized widely (and I’ll try my best to do the same!)

Quite a number of folks approached me at VAWF to speak with me after I raised the issue of employment patterns (and specifically unpaid internships) in the arts… of further interest may be a recent report just published in the UK – Intern Culture – that has brought together a whole host of research and information on the current state of UK internships in the visual arts. It’s extremely useful and insightful, and well worth a read — I suspect we will soon reach a stage where more formalised inquiries and guidelines will have to be addressed here in Ireland as well.

Slightly buried in the story on the HEA funding crisis (which made the rounds in print and radio yesterday) was mention of ‘a review of third level creative arts and media courses in Dublin, including those at the National College of Art and Design, Dublin Institute of Technology and Dún Laoghaire Institute of Art, Design and Technology.’ I’ve heard some talk of this, with suggestions there may be plans afoot to rationalize/reduce programmes offered owing to ‘duplication’, but as of yet have heard nothing more concrete. One to keep an eye on…

Did you catch the conclusion of RTE’s ‘Masterpiece: Ireland’s Favourite Painting‘ last night? Not surprisingly, dorm room favourite ‘The Meeting on the Turret Stairs’ by Frederic William Burton at the NGI edged out the competition (with 22% of the vote, followed by the Caravaggio, Leech and Harry Clarke). No small irony that the winner is actually one of Ireland’s least seen paintings (as it’s a watercolour and only on very limited public display). Lots of grumbling amidst art historians about criteria of selection, omission of manuscript painting (and anything non-western), but it’s all been in good fun I think — as host Mike Murphy has pointed out the late night scheduling of the programme by RTE was shameful, but it was great to hear folks debating the merits of the nominated works, and the galleries have reported a noticeable increase in visitor numbers on the back of the programme.

Some very nice coverage (by Aidan Dunne in the IT, and another illustrated review on the Royal Academy site) of the Hans Josephsohn exhibition at Lismore Castle Arts, the opening of which I also attended — it’s a wonderful and eye opening show of an extremely accomplished (if little known) 92 year old Swiss sculptor, and shows off the tremendous development and ambition of this small gallery in the years since its opening.

Music Network has launched details of its nationwide love:live music programme coming up on 21 June — there will be a huge range of live (free) music events of all genres happening across the country, and they are still taking listings for groups wishing to participate in this fab day & looking to link in with their network. They also recently announced the appointment of their new director, Sharon Rollston, so it’s all go in the Carriage House these days!

The RHA’s annual exhibition and sale opens in a few short days — red sticker dots at the ready!

All this sunshine is going to our heads… but a groovy event happening in Dublin this weekend is Block T’s ‘Link Culturefest’ in Smithfield and the surrounding areas: a whole host of exhibitions, screenings, performances, and open houses of cultural organisations — a great way to herald the start of our ‘proper’ summer!

EVA International Biennial of Art also opened in Limerick last week, curated by Annie Fletcher.

The Bealtaine Festival (‘Celebrating Creativity as we Age’) is drawing to a close over the next few days, but there’s still time to catch a few remaining events, or have a look at the presentations made at their conference ‘Creating a New Old’ that were filmed & are available on their website.

Museum peeps: tomorrow (26 May) is the Irish Museum Association’s annual field trip, this year visiting Waterford… a call for submissions is also open for the annual ‘Blow Your Own Trumpet‘ day on 13 July, where museum education programmes and initiatives from across the country are highlighted — deadline is today!

IMMA’s new exhibitions open at Earslfort Terrace/NCH is next Weds (May 30th) — more details on the launch here.

A CFP has been issued for a local symposium entitled ‘Art Without Borders: Cultural Influence and and Exchange in Irish Art History‘, coordinated by a number of postgraduate students from TCD.

Applications for organisations to be involved in this year’s Culture Night are closing on May 31st! Time to get your skates on.

Galway Arts Festival (16-29 July) has launched its programme — impending birth will prevent me from attending this year, but if I were going, I’d be all over the Marina Abramovic exhibition, Druid Murphy cycle, and the West Cork Ukelele Orchestra.

UCC is offering 4-year funded doctoral studentships in digital arts & humanities — tasty — closing deadline is 31 May.

Hotel deals will soon end for Theatre Forum’s all-Ireland annual conference in Belfast on 14-15 June — this is going to be a big one, so get thee to the registrations page.

I was delighted to hear one of our programme alums Monika Sapielak (director of the Centre for Creative Practices) won an Arthur Guinness Fund award for Social Entrepreneurs! Huge congrats!!

Finally… one of the (recurring) cultural events of our time airs tomorrow — I am, of course, talking about the Eurovision Song Contest Final in Azerbaijan. Who will prevail? The Russian grannies? The Jed and their unexpectedly horizontal hair? Don’t pretend you won’t be watching.