Category: Heritage

Artsmanagement.ie round-up: 20 August 2013

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Counting down two weeks until the new UCD term begins: autumn is upon us! Which also means the arts scene is warming up again…

The programme for Culture Night is launching today; the growth of this event is nothing short of astonishing; it’s the biggest night of the year for Dublin and many other towns who’ve adopted it. Unmissable.

The Dublin Fringe Festival also recently announced its line-up. As director Roise Goan’s swan song, it’s packed full of treats. So difficult to choose highlights, but I’ll be booking/attending Anu Productions’ Thirteen cycle (13 performances/events reflecting on the Dublin Lockout); Fit/Misfit (collaboration between Mexican and Irish dancers); Lippy by Dead Centre; for a bit of light relief, David O’Doherty and Maeve Higgins both have shows; and Brat Kids Carnival for my kiddies. For starters.

The centenary of the Dublin Lockout is receiving lots of attention at the moment – especially from Anu Productions (both at the Fringe and part of the brilliant, almost sold-out Tenement Experience) – but many other related events are listed at http://1913committee.ie. Some of the most interesting include Pallas Project’s A Letter to Lucy, a response to 1913 by a group of contemporary artists (Anthony Haughey, Deirdre O Mahony, Mark Curran, Deirdre Power, Jennie Guy, Brian Duggan) in a number of locations around Dublin (until 21 September). The Labour and Lockout exhibition at the Limerick City Gallery also looks fascinating (on until 1 October). Finally Temple Bar Gallery & Studios has issued an open call for workshop proposals for its Workers’ Cafe: from 10 October – 2 November, their exhibition space will transform into a participatory venue and cafe, hosting events and workshops connected to the subject of labour, economy and exchange.

We’re smack dab in the middle of Heritage Week – their listing of events is like a phone book! There’s something going on in every corner of the country — check in to your local museum or heritage centre to see what special programmes are on offer this week.

The most recent NCFA research colloquy in Kilkenny last week featured Dave O’Brien from City University London speaking on the evolution of evidence-based policy making in the UK, with a response by John O’Hagan (TCD, Economics). The session made for a lively debate on the pros/cons of evidence gathering methods and their use by decision-makers (some of the debate was captured via twitter – #ncfacolloquy). The next colloquy will take place in October: these are well worth attending if you’ve an interest in the arts sector, policy-making and the role of research.

Who else is worn out from all of the appeals to vote for projects that are part of the Arthur Guinness Project scheme? Their dire daily voting mechanism has been clogging up inboxes and feeds over the past few weeks, but Jim Carroll has a bigger bone to pick in his Irish Times blog. His critique of the scheme has attracted a huge number of comments: well worth a read for the range of arguments coming from all perspectives.

Temple Bar Gallery and Studios is celebrating its 30th anniversary this year with a forthcoming book Generation – 30 years of creativity at Temple Bar Gallery + Studios, which recognizes the important contribution it has made to Ireland’s visual arts community. Its upcoming exhibition False Memory Syndrome proposes a series of alternative histories for TBG&S, touching on institutional memory, archives and materiality.

Heads up: the Arts Council is looking for new Arts Advisers in Architecture; Circus, Street Arts & Spectacle; Film; Opera; Theatre; and Traditional Arts. Applications close on 26 September.

Lots of new listings on the jobs page, but of particular interest may be the facilitator roles for the Turner Prize 2013 in Derry/Londonderry as part of City of Culture. Derry’s been playing a blinder of late, with an estimated 430,000 turning out for the Fleadh last week. Following a tumultuous summer in Northern Ireland, an interesting article on The Detail blog explores why Derry and the CoC events may hold out hope for the continuation of the peace process.

In the category of you-couldn’t-make-it-up, last week the DUP’s Peter Robinson published a rambling open letter on the subject of the controversial re-development of the Maze prison and its proposed ‘Peace Centre’. The satirical website Loyalists Against Democracy were on fine form with a swift response.

Once again, Dublin City Council has announced plans to redevelop Dublin’s Victorian fruit market (located between Capel St and the Four Courts). We’ve heard this plan before over the years — there’s widespread agreement this is a fantastic idea, but with a proposed opening date of 2015, the proof will be in the pudding.

It’s been a bumper summer for Irish Architecture, and both the Irish Architecture Foundation and the Irish Georgian Society have moved into new digs: the former to Hatch Street near the NCH, the latter in the old Civic Museum on South William Street. In related news, Dublin Civic Trust is sponsoring a conference on the future of Dublin’s Georgian Squares (13 September), to be held appropriately in the ballroom of the former Assembly Rooms of the Rotunda Hospital on Parnell Square.

Finally, some great news in the world of open access: the Getty Museum in LA has joined the Rijksmuseum in The Netherlands as one of the world’s major museums now offering open access to a massive number of images of its collection, free of restriction. As the Rijksmuseum’s head of digital collections has remarked, “If they want to have a Vermeer on their toilet paper, I’d rather have a very high-quality image of Vermeer on toilet paper than a very bad reproduction.” Words to warm any art historian’s heart!

Weekly update: 11 July 2013

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Dublin Tenement Experience

It’s been a real challenge blogging this past semester – tackling new motherhood, taking over directing our MA in Arts Management at UCD while Pat Cooke is on sabbatical, travelling for my new research project and finishing my first book (in addition to the normal day job of the uni lecturer!) has meant the blog’s been neglected, poor thing. I’ve toyed with the idea of stopping, but I appreciate the messages of support (via email and in person) from folks who find it useful, so I’ll soldier bravely on ahead!

I’ll endeavour to ramp up frequency of postings as we head towards the autumn (with a slight rename) — there’s so much exciting activity on the horizon — with the aim of firing on all cylinders by September.

In the meantime, what’s cooking in the Irish arts world under that hot hot sun?

  • Biggest news yesterday was the launch of Dublin Theatre Festival’s new programme. Still need time to drool over the programme, but so far Neutral Hero by the NYC Players, Rape of Lucrece by the Royal Shakespeare Company, the multimedia piece Germinal, Rough Magic’s The Critic and the Danish children’s show A True Tall Tale are tempting me!! See also Irish Theatre Magazine’s complete review of the programme.
  • So many festivals, so little time — on the agenda this month and next is the Galway Arts Festival and Kilkenny Arts Festival (more Shakespeare!) for starters… Clonmel Junction Festival is on now as well with a great programme (on til the 14th).
  • As a new mum myself for the second time round, I think the Mothership Project is a fab idea – it’s an emerging network for Irish visual artists and arts workers (who are also parents!)
  • Another step in the evolution of the Charities Bill… details of a regulatory body were announced yesterday (sorely needed!) and will be funded by a “modest annual registration fee” paid by charities themselves.
  • These days postgraduate scholarships (particularly for taught MAs) are thin on the ground, so y’all should be jumping on the full scholarships currently on offer at NCAD for their MAs in Art & the Contemporary World / Design History & Material Culture (deadline is 22nd July).
  • Delighted to see the sixth edition of Artefact: Journal of the Irish Association of Art Historians is out! I was part of the team which launched the journal back in 2007, and it’s great to see it alive & kicking.
  • Breac is the new online journal in Irish Studies published by the University of Notre Dame, and their upcoming issue (with a call for papers – deadline 15 June) is on contemporary Irish drama.
  • I’m really looking forward to the Dublin Tenement Experience / Living the Lockout project — it’s on for only 9 weeks this summer at no. 14 Henrietta St. in Dublin. The short-term exhibit and performance tells the story of the 1913 Lockout in collaboration with Anu Productions; the hope is that the project will stimulate interest in a permanent exhibition/site interpreting 19th c./early 20th c. Dublin social history (a subject neglected in our heritage landscape).
  • Athlone Art & Heritage has a wonderful and ambitious exhibition programme this summer – including the multimedia exhibition I Hear a New World featuring ‘contemporary visual music’ in collaboration with graduates from the MPhil in MPhil in Music and Media Technologies (TCD), which sounds just fab.
  • The Irish Museums Association and the International Council of Museums (Irish chapter) are teaming up for the first time to offer a public lecture – Fintan O’Toole will be speaking in Waterford about the project A History of Ireland in 100 Objects on 19 July.

In comings & goings…

  • Ireland’s national opera touring company (now known as OTC) has just announced the appointments of Rosemary Collier as the new Executive Director, and Fergus Sheil as Artistic Director.
  • Róise Goan is stepping down as director of the Dublin Fringe Festival (a role she’s occupied since 2008) — and Canadian Kris Nelson is to take her place.
  • Raghnall Ó Floinn was announced as the new Director of the National Museum. As former Head of Collections, his appointment didn’t come as a surprise, and he’ll no doubt be a safe pair of hands as the Museum continues in a difficult funding climate.
  • Whoa nelly: the Chester Beatty Library is hiring two curators – one to manage the East Asian collection, and one for the Western. These jobs are rare as hen’s teeth, and will certainly be sought after.

Scorchio! Get thee into the sunshine.

Weekly round-up: 30 March 2012

I’m headed off to Australia on Sunday for three weeks’ research, so round-ups will resume in late April/early May (I’ll try to keep the jobs board updated as much as possible.)

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The legend that is Tania Banotti has bid farewell to Theatre Forum, after eight years at its helm (while also leading the National Campaign for the Arts) — a lovely farewell video (see above) was put together for her leaving do yesterday evening. She’s transformed that organisation and will be very much missed!

Applications are open again for various postgraduate programmes in arts management, both here and in the UK. Here at UCD we’re accepting applicants for the 2012-13 MA in Arts Management degree— and further to this, a new scholarship scheme supporting MA/MLitt degrees in the College of Arts & Celtic studies is available– deadline for our programme is 16 April; deadline for UCD scholarships is 24 August. The University of Warwick’s highly regarded MA in Intl Cultural Policy & Arts Management is also offering bursaries; and there’s a PhD fellowship on offer in the Museum Studies dept of the University of Leicester, on the subject of ‘Understanding Everyday Participation – Articulating Cultural Values’.

Following on from the very popular visit to the Little Museum of Dublin and the Freemasons’ Lodge, the Irish Museums Association is hosting another museum visit to Rathfarnham Castle and the Berkeley Toy & Costume Collection — they’re meeting tomorrow (Saturday) morning, so email the administrator ASAP if you’re interested in attending.

If that’s not your bag, there’s a public seminar at NCAD tomorrow (Saturday 31 March) entitled ‘What Do You Stand For: Who’s Afraid of Solidarity?‘ looking at alternative/subversive approaches to artistic practices, curation and exhibition in Ireland over the past few decades; Vaari Claffey & Francis Halsall are convening.

The Heritage Council has invited applications to be part of a new Irish National Consultation Panel on Cultural Heritage  — the deadline is today!

The Goethe Institute’s been hosting a series of events on the subject of migration — next up is a panel discussion on culture and migration, on the 26th of April.

Applications are being accepted for the Kennedy Center/DeVos Institute of Arts Management international fellowship programme (deadline 15 April); a number of Irish folks have been selected to be on this programme in the past, and apparently it’s a fantastic opportunity.

In a similar vein — keep your eyes peeled for Business to Arts’ announcement on 9 April for applications to its partnership programme with the DeVos institute, which will be offered to 15-20 organisations here in Ireland — more on this in the last round-up.

Lots of interesting tips on the live chat record at the Guardian Careers Blog, on the subject of finding a job in theatre.

Details of IMMA’s upcoming programme (which will be installed in Earlsfort Terrace while the Royal Hospital undergoes building work) have been announced — work by Alice Maher, Garrett Phelan and a film installation by Neil Jordan all feature.

Last week a fascinating article in the New York Times reviewed cuts to arts funding across Europe, and the impact this has made in touring etc. within the U.S.

Michael Dervan in the Irish Times has offered an overview of new Irish opera productions in the pipeline.

Lismore Castle Arts reopens for the season tomorrow — the first major show opens on 12 May (solo show by Hans Josephsohn) — this space has gone from strength to strength over the past few years, and I’m looking forward to heading down myself in May.

The Crash Ensemble has a groovy concert (‘Free State 7‘) coming up in the National Concert Hall on Thursday 5 April, featuring the work of 11 young Irish composers, and a special appearance by the Dublin Laptop Orchestra!

Finally… thanks to everyone who applied for the Assistant Editor post for the new arts management journal (applications are closed now) — I was really overwhelmed with the response, and the high calibre of the folks who contacted me. More anon…

Weekly round-up: 9 February 2012

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Mad about 'The Artist'? Check out a new site dedicated to Irish silent film legend Rex Ingram!

This will be the last post for a few weeks while I’m away in California (hooray for the homeland, family & Mexican food!)

News that Dublin County Council is creating a registry of vacant properties for creative use met with many a hurrah today! Owners are urged to get in touch with the Council to be added to the registry and be put in touch with folks looking for short term leases for cultural & creative purposes.

I love finding new academic online resources, and Ruth Barton (TCD lecturer) has set up a fascinating site devoted to Irish silent film pioneer Rex Ingram.

I am indeed sad not to be making the launch of the Science Gallery’s ‘Edible’ show tonight (although the pics are slightly grossing this preggo lady out!), and I know I mentioned it already last week, but SERIOUSLY: the SG has outdone itself. Go see (and eat) it.

The annual Irish Museums Association conference is fast approaching! This is always one of the highlights of my year — have a look at the programme and consider joining us in Limerick from 24-26 Feburary for great speakers, networking & museum visits (this year includes the Hunt Museum and Glenstal Abbey).

If you’re a dancer about to graduate in 2012, the Step Up Dance training programme sponsored by Dance Ireland, the Arts Council and University of Limerick sounds like a great opportunity. Deadline is 5 April…

In the meeja this week the disposal of Anglo Irish Bank’s art collection met with a resounding ‘meh’; of greater interest perhaps was IMMA’s acquisition of its headquarter’s signage (although surely the National Museum might have been a more appropriate destination?)

Breathing some new life into Belfast’s cultural scene, the newly unveiled MAC arts centre has announced its first programme of events in theatre and the visual arts.

Just this week Ireland’s creative crowdsourcing site Fundit.ie passed €500k in pledges from nearly 9,ooo peeps! Seriously, you guys (all the punters pledging & the crew from B2A running the joint) are awesome. I just funded their first craft project to celebrate — go on, have a look at all the fab projects currently listed 🙂

Dublin Youth Theatre is staging a groovy-sounding fundraiser in Project Arts Centre on 19 February — the 24 Hour Play Project challenges six directors, six writers and a whole heap o’well known thesps to write, direct and stage a play in a 24 hour period! No doubt this will be a sell-out..

The Thomas Damman Award from the Royal Hibernian Academy offers funding to folks working on academic and creative projects in the visual arts… it’s a great source of support that many colleagues & friends have accessed in the past; application deadline is 2 March.

Notre Dame University has announced the theme and content of its annual Irish Seminar (run in Dublin during June and July): it’s on contemporary Irish theatre! The programme looks great, and bursaries are available to help fund attendance.

One of our MA alumnae has contacted me from her new home in Perth where she’s working with the non-profit FORM — they’re launching an ambitious campaign to secure a $12 million grant that will fund a new digital media hub (‘The Foundry’) in Western Australia, and are seeking any and all expressions of support. With many graduates emigrating to sunnier climes it’s great to stay connected to the wider diaspora of arts management folks — so if you’re interested do sign their online petition!

Weekly round-up: 4 November 2011

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Hope Painting (2008) by William McKeown (1962-2011)

Happy Friday! It’s nice to be back.

Yesterday’s symposium at the National Gallery of Ireland (‘Future Gazing’) was enjoyable & enlightening, with lots of folks in the room contributing & following on the live stream. If you missed it, you can read some of the Twitter feed of the event, or check out some of the ‘Ten Beautiful Things’ digital media projects mentioned by speaker Hugh Wallace (Head of Digital Media at National Museums Scotland).

The Arts Council has launched an intriguing microsite ‘Supporting the arts – Stories from our archive‘ that draws upon digitised versions of key policy documents/images to tell the story of the evolution of State cultural policy. Structured across decades, one of the first installments (the 1950s) has been written by my colleague Pat Cooke from UCD.

A blow to contemporary art in the North: Ormeau Baths Gallery in Belfast has closed due to financial difficulties, bringing to an end two decades of exhibitions & programming. The Gallery was beset by financial and administrative problems over the past few years, and despite earlier indications it had turned a corner, its board has decided operations are unsustainable. This is a real loss to the visual arts community in Belfast, and perhaps the biggest casualty in the vis arts in recent years.

The inaugural VUE National Contemporary Arts Fair is on now at the RHA (through 6 November), with works for sale from most of Ireland’s top contemporary galleries.

The National Dance Archive has been launched at University of Limerick, filling a serious void in our performing arts archival records — it looks to be a fab resource for students & scholars of dance!

The Dublin Contemporary reached its expiration date on 31 October, and Aidan Dunne in the Irish Times penned an extensive and insightful reflection on its genesis and outcomes: highly critical of curator Jota Castro’s own participation in an event he curated, and of the likely shortfall in anticipated visitor numbers, he nonetheless reaches a cautiously optimistic conclusion.

The Glucksman Gallery is hosting its annual Craft Fair from today until Sunday — a great opportunity to start the Christmas shopping early!

A new website for the National Arts & Health initiative has been launched, with lots of resources for practitioners, artists, and others interested in related policy, opportunities and case studies.

If you’ve an interest in the humanities and inter/transdisciplinary digital initiatives: Professor Michael Shanks of Stanford University has been visiting UCD’s Humanities Institute of Ireland to speak about his work in archaeology, pedagogy & new media and his role running the Stanford Humanities Lab and the groovy research studio and lab Metamedia. He’ll be presenting two public lectures entitled Collaborative innovation networks: how to be interdisciplinary (Nov 8th) and What it is to be human: archaeological perspectives on human creativity (Nov 9th) — download details here.

Congrats to Temple Bar Gallery & Studios on winning Best Arts Website at the 2011 Irish Web Awards! Other nominees included nch.ie, fringefest.com, irishtheatremagazine.ie, axis-ballymun.ie and ewaneumann.com (although that last one is a total mystery to me).

We may have lost out on our bid to be 2014 World Design Capital (curse you, Cape Town!) but there’s still time to catch some design action at Limerick Design Week!

Last year I took part in World Book Night UK/Ireland and had the chance to give away 30 free copies of a book I love (Beloved by Toni Morrison) — the new books have been announced for 2012, but word is that applications to be an Irish giver will be different this year (check here for updates).

I was terribly sad to hear of the untimely passing of Co Tyrone-born artist William McKeown. I visited Willie in his Edinburgh studio some years ago while writing an article on his 2008-9 IMMA exhibition for Irish Arts Review (read it here). He was a lovely, gentle and very talented painter; we talked about many things, including our mutual interest in Brueghel — I later sent him a copy of William Carlos Williams’ wonderful book of poetry Pictures from Brueghel, some of which perhaps captures a bit of what Willie’s work felt like for me, too:

The living quality of
the man’s mind
stands out

and its covert assertions
for art, art, art!
painting

that the Renaissance
tried to absorb
but

it remained a wheatfield
over which the
wind played

(from ‘Haymaking’, William Carlos Williams)