Counting down two weeks until the new UCD term begins: autumn is upon us! Which also means the arts scene is warming up again…
The programme for Culture Night is launching today; the growth of this event is nothing short of astonishing; it’s the biggest night of the year for Dublin and many other towns who’ve adopted it. Unmissable.
The Dublin Fringe Festival also recently announced its line-up. As director Roise Goan’s swan song, it’s packed full of treats. So difficult to choose highlights, but I’ll be booking/attending Anu Productions’ Thirteen cycle (13 performances/events reflecting on the Dublin Lockout); Fit/Misfit (collaboration between Mexican and Irish dancers); Lippy by Dead Centre; for a bit of light relief, David O’Doherty and Maeve Higgins both have shows; and Brat Kids Carnival for my kiddies. For starters.
The centenary of the Dublin Lockout is receiving lots of attention at the moment – especially from Anu Productions (both at the Fringe and part of the brilliant, almost sold-out Tenement Experience) – but many other related events are listed at http://1913committee.ie. Some of the most interesting include Pallas Project’s A Letter to Lucy, a response to 1913 by a group of contemporary artists (Anthony Haughey, Deirdre O Mahony, Mark Curran, Deirdre Power, Jennie Guy, Brian Duggan) in a number of locations around Dublin (until 21 September). The Labour and Lockout exhibition at the Limerick City Gallery also looks fascinating (on until 1 October). Finally Temple Bar Gallery & Studios has issued an open call for workshop proposals for its Workers’ Cafe: from 10 October – 2 November, their exhibition space will transform into a participatory venue and cafe, hosting events and workshops connected to the subject of labour, economy and exchange.
We’re smack dab in the middle of Heritage Week – their listing of events is like a phone book! There’s something going on in every corner of the country — check in to your local museum or heritage centre to see what special programmes are on offer this week.
The most recent NCFA research colloquy in Kilkenny last week featured Dave O’Brien from City University London speaking on the evolution of evidence-based policy making in the UK, with a response by John O’Hagan (TCD, Economics). The session made for a lively debate on the pros/cons of evidence gathering methods and their use by decision-makers (some of the debate was captured via twitter – #ncfacolloquy). The next colloquy will take place in October: these are well worth attending if you’ve an interest in the arts sector, policy-making and the role of research.
Who else is worn out from all of the appeals to vote for projects that are part of the Arthur Guinness Project scheme? Their dire daily voting mechanism has been clogging up inboxes and feeds over the past few weeks, but Jim Carroll has a bigger bone to pick in his Irish Times blog. His critique of the scheme has attracted a huge number of comments: well worth a read for the range of arguments coming from all perspectives.
Temple Bar Gallery and Studios is celebrating its 30th anniversary this year with a forthcoming book Generation – 30 years of creativity at Temple Bar Gallery + Studios, which recognizes the important contribution it has made to Ireland’s visual arts community. Its upcoming exhibition False Memory Syndrome proposes a series of alternative histories for TBG&S, touching on institutional memory, archives and materiality.
Heads up: the Arts Council is looking for new Arts Advisers in Architecture; Circus, Street Arts & Spectacle; Film; Opera; Theatre; and Traditional Arts. Applications close on 26 September.
Lots of new listings on the jobs page, but of particular interest may be the facilitator roles for the Turner Prize 2013 in Derry/Londonderry as part of City of Culture. Derry’s been playing a blinder of late, with an estimated 430,000 turning out for the Fleadh last week. Following a tumultuous summer in Northern Ireland, an interesting article on The Detail blog explores why Derry and the CoC events may hold out hope for the continuation of the peace process.
In the category of you-couldn’t-make-it-up, last week the DUP’s Peter Robinson published a rambling open letter on the subject of the controversial re-development of the Maze prison and its proposed ‘Peace Centre’. The satirical website Loyalists Against Democracy were on fine form with a swift response.
Once again, Dublin City Council has announced plans to redevelop Dublin’s Victorian fruit market (located between Capel St and the Four Courts). We’ve heard this plan before over the years — there’s widespread agreement this is a fantastic idea, but with a proposed opening date of 2015, the proof will be in the pudding.
It’s been a bumper summer for Irish Architecture, and both the Irish Architecture Foundation and the Irish Georgian Society have moved into new digs: the former to Hatch Street near the NCH, the latter in the old Civic Museum on South William Street. In related news, Dublin Civic Trust is sponsoring a conference on the future of Dublin’s Georgian Squares (13 September), to be held appropriately in the ballroom of the former Assembly Rooms of the Rotunda Hospital on Parnell Square.
Finally, some great news in the world of open access: the Getty Museum in LA has joined the Rijksmuseum in The Netherlands as one of the world’s major museums now offering open access to a massive number of images of its collection, free of restriction. As the Rijksmuseum’s head of digital collections has remarked, “If they want to have a Vermeer on their toilet paper, I’d rather have a very high-quality image of Vermeer on toilet paper than a very bad reproduction.” Words to warm any art historian’s heart!