Weekly round-up: 4 November 2011

Hope Painting (2008) by William McKeown (1962-2011)

Happy Friday! It’s nice to be back.

Yesterday’s symposium at the National Gallery of Ireland (‘Future Gazing’) was enjoyable & enlightening, with lots of folks in the room contributing & following on the live stream. If you missed it, you can read some of the Twitter feed of the event, or check out some of the ‘Ten Beautiful Things’ digital media projects mentioned by speaker Hugh Wallace (Head of Digital Media at National Museums Scotland).

The Arts Council has launched an intriguing microsite ‘Supporting the arts – Stories from our archive‘ that draws upon digitised versions of key policy documents/images to tell the story of the evolution of State cultural policy. Structured across decades, one of the first installments (the 1950s) has been written by my colleague Pat Cooke from UCD.

A blow to contemporary art in the North: Ormeau Baths Gallery in Belfast has closed due to financial difficulties, bringing to an end two decades of exhibitions & programming. The Gallery was beset by financial and administrative problems over the past few years, and despite earlier indications it had turned a corner, its board has decided operations are unsustainable. This is a real loss to the visual arts community in Belfast, and perhaps the biggest casualty in the vis arts in recent years.

The inaugural VUE National Contemporary Arts Fair is on now at the RHA (through 6 November), with works for sale from most of Ireland’s top contemporary galleries.

The National Dance Archive has been launched at University of Limerick, filling a serious void in our performing arts archival records — it looks to be a fab resource for students & scholars of dance!

The Dublin Contemporary reached its expiration date on 31 October, and Aidan Dunne in the Irish Times penned an extensive and insightful reflection on its genesis and outcomes: highly critical of curator Jota Castro’s own participation in an event he curated, and of the likely shortfall in anticipated visitor numbers, he nonetheless reaches a cautiously optimistic conclusion.

The Glucksman Gallery is hosting its annual Craft Fair from today until Sunday — a great opportunity to start the Christmas shopping early!

A new website for the National Arts & Health initiative has been launched, with lots of resources for practitioners, artists, and others interested in related policy, opportunities and case studies.

If you’ve an interest in the humanities and inter/transdisciplinary digital initiatives: Professor Michael Shanks of Stanford University has been visiting UCD’s Humanities Institute of Ireland to speak about his work in archaeology, pedagogy & new media and his role running the Stanford Humanities Lab and the groovy research studio and lab Metamedia. He’ll be presenting two public lectures entitled Collaborative innovation networks: how to be interdisciplinary (Nov 8th) and What it is to be human: archaeological perspectives on human creativity (Nov 9th) — download details here.

Congrats to Temple Bar Gallery & Studios on winning Best Arts Website at the 2011 Irish Web Awards! Other nominees included nch.ie, fringefest.com, irishtheatremagazine.ie, axis-ballymun.ie and ewaneumann.com (although that last one is a total mystery to me).

We may have lost out on our bid to be 2014 World Design Capital (curse you, Cape Town!) but there’s still time to catch some design action at Limerick Design Week!

Last year I took part in World Book Night UK/Ireland and had the chance to give away 30 free copies of a book I love (Beloved by Toni Morrison) — the new books have been announced for 2012, but word is that applications to be an Irish giver will be different this year (check here for updates).

I was terribly sad to hear of the untimely passing of Co Tyrone-born artist William McKeown. I visited Willie in his Edinburgh studio some years ago while writing an article on his 2008-9 IMMA exhibition for Irish Arts Review (read it here). He was a lovely, gentle and very talented painter; we talked about many things, including our mutual interest in Brueghel — I later sent him a copy of William Carlos Williams’ wonderful book of poetry Pictures from Brueghel, some of which perhaps captures a bit of what Willie’s work felt like for me, too:

The living quality of
the man’s mind
stands out

and its covert assertions
for art, art, art!
painting

that the Renaissance
tried to absorb
but

it remained a wheatfield
over which the
wind played

(from ‘Haymaking’, William Carlos Williams)

Weekly update: 10 October 2011

The new WorldIrish.com site, one of the diaspora initiatives launched last week

Feedback on the arts/culture dimension of the recent Global Irish Economic Forum at Dublin Castle has been buzzing since  Saturday, with a subsequent article in the IT on corporate sponsorship & the arts (also predated last week by an article on foreign bank subsidizing of recent arts activity). I admit to some scepticism regarding the notion of a mass ‘homecoming’ event (will there be cheerleaders & tailgates?), but it was heartening to see the cultural agenda as a central part of the discussions. (on a side note, it’s a pity that the live feed of the event hasn’t been archived!!)

More than 350 people have signed the petition launched by IVARO to urge full implementation of the Artists’ Resale Right (as it currently can be availed of by living artists, the petition seeks for the resale rights to extend to deceased artists whose work is still in copyright, thus bringing Ireland in line with EU conventions). Consider clicking through the link & adding your name in support??

To coincide with Dublin Contemporary, Noone Casey are offering a mentorship award worth €10k of sponsorship, financial & strategic planning advice to an emerging arts collective, organisation, etc. (the brief is pretty open!) Deadline is 12th of October.

The Arts Council has recently announced its list of new artform advisers — the folks tasked with viewing & visiting shows/exhibitions/etc. across the country, and assisting with funding applications and grantmaking decisions.

Calling all arts marketers: Una Carmody, director of the Arts Audiences project, is seeking feedback from marketers with respect to the Target Group Index Report (to be released this month)… quite a lot of relevant information and data about arts participation is contained in this report, and Una & co are taking requests for report analysis.

We’ve entered the final week of the Ulster Bank Dublin Theatre Festival… My own viewings have been mixed, from the great (Rian) to the meh (Peer Gynt), but bookings have been very solid and it’s been difficult to source tickets for many shows. The box office has been releasing 10 euro rush tickets the same day as some performances, so it’s worth keeping an eye on their twitter feed or facebook page to snag a deal! (a few interesting and provocative write-ups in the Guardian and Saturday Irish Times, as well)

The annual architectural bonanza known as Open House Dublin began last weekend; if the queues at sites in our neighborhood were representative at all, it’s been a busy launch! So many great programmes and events along with the architectural tours, it’s a must-see.

One helluva white elephant: following accusations of mismanagement the €44 million Niemeyer arts centre in Spain is set to close after opening only 6 months ago. One of our current PhD students in the department is likewise investigating the effects of ‘starchitecture’ in the Rioja region; it would seem the ‘Bilbao effect’ is not all it’s been cracked up to be…

The UK think-tank Demos have recently released a report into the creative industries sector entitled ‘Risky Business‘, suggesting that creative business have proven to be lower-risk than non-creative/cultural ventures, and calling for greater levels of government attention to fostering their growth.

Following its enormously successful application call for its BA in Acting in 2011, the new Lir (Nat Academy for the Performing Arts) has announced it’s accepting applications for its BA In Acting 2012 / Diploma in Stage Management and Technical Theatre 2012.

We knew it was coming, but, alas, IMMA will be closing its main building for refurbishment on 1 November until December 2012. What a buzzkill for all the enthusiasm generated by Dub Contemp 😦 😦

Booking has opened for the International Puppet Festival in the south county Dublin & Wicklow area… a series of free street events will also be taking place in Temple Bar, Bray and Dun Laoghaire on the 23rd of October– it looks like a great programme!

…and if you live in South Dublin, take a moment to complete a public survey on usage of its library systems.

It’s still a few weeks away (9 November), but consider booking in for the Irish Museum Association’s annual lecture — this year featuring Dr Penelope Curtis, Director of the Tate Britain — the tickets generally get snapped up!

Weekly update – 19 September 2011

Back on the grid… and a heck of a week ahead:

The Absolut Dublin Fringe Festival charges into its second (and final) week… I’m looking forward to smooshing in as much as I can over the next few days (and maybe even darning a few socks)!

Culture Night is the other massive event this week – Friday 23 September. The scale of the ever-expanding arts & culture bonanza is truly mind-boggling, and it’s not just Dublin — 30 other regions across Ireland are participating this year. Put on some good walking shoes, plan ahead, and plan for alternatives (since many events get packed out early)!

Nosey nellies will have their prayers answered with the Irish Museum Association’s upcoming members’ trip to the new storehouses of the National Museum in Swords on 24 September. These are new state-of-the-art collections management facilities totaling more than 200,00 sq. feet. Book soon, this is bound to be a popular visit!

The National Campaign for the Arts has a series of key events happening this week: on Wednesday the Minister will be addressing a session of the Seanad (members of the public may attend but must request admission); on Thursday constituency coordinators are meeting in the National Concert Hall to discuss next steps, and on Friday the NCFA is hosting a presidential hustings in the IFI (attendance is free, but arrive early!) Details of all these events (and contact information) is located on the NCFA’s website.

The Contemporary Music Centre’s new music series New Sound Worlds begins Weds. 21 September in the National Concert Hall, the first of eight concerts curated by Siobhan Cleary.

Anyone watching Craft Master on RTE? I’m not usually one for reality shows, but this is a canny way of getting exposure for new craft practitioners (beyond the cheesy Nationwide profile). It started on 6 September but runs until 11 October on Tuesdays at 7 pm.

Taking a page from the UpStart‘s creative General Election poster campaign, Fire Station Artists’ Studio (in collaboration with the Danish collective Kuratorisk Aktion) has commissioned a project and poster campaign entitled ‘Troubling Ireland‘, ongoing in Dublin City Centre until the 23rd of September.

Keep your eyes peeled… Open House Dublin 2011 (themed ‘The Architecture of Change’) runs from 7-9 October; this season’s brochures are scattered round the city & are beautifully designed.

I’ve mentioned it before, but it’s worth saying twice… The Irish Writers’ Centre is launching its Novel Fair Competition on Wednesday 21 September, which will give unknown novelists a chance to compete for big-time exposure and possible contracts.

Lots of interesting board positions have opened up in the North — Northern Ireland Screen (23 Sept deadline), the Arts Council of Northern Ireland (30 September deadline), and the Northern Irish Museums Council (7 October deadline, seeking a Director) are seeking expressions of interest/applications from potential candidates.

The Friends of the National Collections of Ireland have a new website! Founded by Sarah Purser in 1924, the Society still works to donate works of special importance to public collections in Ireland.

MOMA’s increasing its admission price from $20 to $25 — yeowch! Good debate follows in the comments on the NY Times’ opinion piece.

Per Cent for Public Art‘ is the title of an upcoming forum on public art in Ireland on 14 October in Wexford, presented by Articulate (a very motivated & accomplished group of former UCD MA students), and sponsored by the Arts Council, OPW, Wexford local authorities, UCD & others. The keynote speaker is Sara Reisman, director of NYC’s Percent for Art scheme, and the programme of participants looks fantastic for anyone interested in Irish public art.

CREATE (the national development agency for the collaborative arts) is looking for a new director, but they’re also running an upcoming symposium on the Arts and Civil Society at the Triskel Arts Centre in Cork on 20-21 October. Again lots of great speakers, although it’s lamentable a more affordable concession offer is not available, especially given the subject of the event.

Weekly round-up: 22 August 2011

Heritage Week 2011

It’s Heritage Week! There are special events happening at museums & cultural sites across the country — you can download a free iPhone app to keep track of them all, and plan outings until the 28th…

Speaking of iPhone apps.. Irish developer Justin McKeown asked me to have a look at his ArtWorker app, designed to help visual artists in valuing their work, time spent delivering workshops and other services, etc. It’s pretty nifty all right, especially the ability to help folks calculate a daily rate/hourly rate. I think the calculation of artwork value is a little fuzzier (as you’re meant to input your ‘level of recognition’, which can be pretty hard to assess, and has an important impact on price), but no doubt further improvements & refinements will be implemented. Worth a look/download if you’re figuring out how to value your work or time! I’m sure Justin would appreciate any feedback from artists on what other features they’d like to see..

Last week the  impressive programme for the upcoming Belfast Festival was also launched… I’d love to see Cuban ballet sensation Carlos Acosta, the Shipwrecked theatre piece (based on the wreck of the Spanish Armada), and the intriguing-sounding Woyzeck on the Highveld (a collaboration between artist William Kentridge and the Handspring Puppet Company, famed for their London-based War Horse production). The hubs will no doubt make a beeline for Jan Garbarek & the Hilliard Ensemble (one of his favourite pairings). The Festival takes place 13-20th October but many of these events will undoubtedly sell out quickly!

The festivals are still coming thick and fast… this upcoming weekend sees the grassroots effort the Kilmainham Arts Festival, with a great range of music, visual arts, and literaryactivities in the Dublin 8 area on Saturday and Sunday. Here’s the full programme!

Boardmatch.ie has just relaunched its website… if you’ve an interest in joining the board of a nonprofit arts & cultural organisation, it’s a good place to start…

In news that’s received a mixed response (given the impending rise in energy charges), Bord Gáis has struck a naming/sponsorship deal with the Grand Canal Theatre. At least it will be an easy walk from their new premises on Warrington Place

UCD, TCD and the NLI have announced joint plans to develop new preservation & storage spaces to address their collection challenges, sparked by a $50k grant from the Andrew Mellon Foundation. As a frequent user of all these collections I hope the government will see fit to prioritise this initiative, which is absolutely essential for the support of research and public accessibility of these marvellous resources.

Uh oh… the former owners of Bewley’s on Westmoreland Street are in trouble over damage to the historic Joshua Clarke windows (father of Harry) located in the former cafe. It’s terribly sad to see that space still shuttered… I remember many a rainy afternoon ensconced in its gloomy interior when I first moved to Dublin!

Reports of The Gloaming (Irish trad supergroup of Thomas Bartlett, Dennis Cahill, Martin Hayes, Iarla Ó Lionaird & Caoimhín Ó Raghallaigh) are, well, glowing… following their concert last Saturday at the National Concert Hall is a range of dates across the country…  you’d be nuts to miss it if they’re coming to your area!

News that BBC4’s schedule and budget will be pared back came as unhappy news to Irish viewers lucky enough to access its fantastic arts programming… there’s nothing on TV like it! Since we don’t pay the license fee it’s difficult to have a direct impact, but you can still sign one of the online petitions to protect its place in the broadcasting schedule.

Missed last night’s live stream of Britten’s opera ‘The Turn of the Screw’ direct from Glyndebourne? By all accounts it was smashing, and still available to view from the Guardian’s website until 12 September.

A lovely article on the United Arts Club on Upper Fitzwilliam Street is in the Irish Times… sounds like a club I’d love to belong to (and membership rates are quite reasonable) — looks like quite a step up from the UCD Faculty Club! 🙂

Finally, CAO offers to first year students have gone out today following release of Leaving Cert results. The annual news rush of stories about subject points gains & declines(arts/business down, science/tech/ag up), the inequities of the Leaving Cert, and what lies ahead for this year’s new student crop has already begun… I’ve already seen a few newbies (and often parents) wandering around the soon-to-be-busy halls of Belfield, and although I won’t be teaching next year, I wish all of them the very best start to their university career!

 

 

 

Weekly round-up: 15 August 2011

New LUAS Heritage posters

Time ran away before I could post on Friday, so here’s a a week’s worth of artscultury goodness for your Monday reading pleasure:

The Kilkenny Festival has wrapped up, but ah, the memories… highlights for me included the artist talk sponsored by Josephine Kelliher of the Rubicon Gallery, the amazing video installation by Jacco Olivier, the quirky and playful show by Ian Burns (still on!) at the Butler Gallery, and Angela O’Kelly’s curated show ‘Modified Expression’ at the National Craft Gallery of delicately crafted paper objects — simply delightful.

Go Karl! A former office-mate of mine from the Humanities Institute of Ireland here at UCD has taken the initiative to develop a series of historical community posters, now adorning a LUAS stop near you (you can see all the posters here). A great heritage initiative that’s very common in other European cities, it’s a wonderful way to share stories and images from archives with the public.

Cork was feeling the love in the Irish Times at the weekend, with a big article on the rebel county’s blossoming arts scene… lots of familiar faces there!

In today’s Irish Times, Michael Dervan pens a hugely depressing account of the failure of the Arts Council or the Department of Arts, Heritage & the Gaeltacht to support Irish opera… a situation which shows no signs of forthcoming improvement.

The Department has also recently published a review of the Irish Heritage Trust, set up in 2006 to help preserve the Big House in Ireland and presumably acquire important properties, but which to date has only managed to conserve and re-present Fota House in Cork. The report is fairly negative about the value elicited thus far from the Trust, and seems to suggest an absorption of its functions into the existing bodies An Taisce, the Irish Georgian Society or the Irish Landmark Trust.

Planning a project with another European arts organisation? No? Well, you should be, cause the European Cultural Foundation has money to give ya! Deadline is Sept. 1st, and this fund tends to be underutilised by Irish arts orgs, so get creative!

Or how about if you have a project taking place within 1 km of the Aviva Stadium (Lansdowne Road!) in Dublin? There’s more funding up for grabs for community, arts & cultural projects…

News of the Dublin Contemporary’s preview dates & launch hit last week, and more details are coming all the time… next month’s Visual Artists News Sheet will have a special focus on the DC as well. I’m particularly keen to see the Willie Doherty retrospective coming up at the Hugh Lane.

Ai Wei Wei has spoken briefly about the conditions of his detention by Chinese officials to the New York Times — the censorship he has faced is still so shocking…

Is art being used as the ‘window dressing’ of the recession? Peter Crawley in the IT thinks so, but I disagree… site specific theatre is such a rich dimension of theatrical experience, and certainly responding to our changed physical environment in such direct ways is the very point and purpose of art?

The Cultúrlann building in Derry by architects O’Donnell Tuomey has been shortlisted for the Stirling Prize, considered the ‘Oscars’ of the architecture world… another kudos for the progressive firm who’ve won loads of acclaim for their arts and cultural buildings, including the new Lyric Theatre in Belfast opened in May, and of course the Glucksman Gallery (shortlisted in 2005 for the Stirling).

We knew it was coming, but still… sigh. IMMA’s announced its closure dates of November 2011-January 2013. The New Galleries will still be open and host small scale shows, but it’s going to be a lean year for visitors to our national visual arts institutions.

I had meant to give a heads up on the talk by my colleague Caoimhín Mac Giolla Léith at Lismore Castle Arts last Friday on their current exhibition ‘Still Life’. Dangit. Go see the exhibition anyway, I thought it was wonderful!

Finally… no word yet on the new director appointment at the National Gallery, but if the gossip is correct there should be white smoke soon…