Guerrillas in our midst

You couldn’t really make it up– in case you missed it, the story on the rogue Brian Cowen nude paintings by Conor Casby that were hung on the walls of the NGI and RHA, guerrilla style:

Of course the silliest aspect is the fact that RTE withdrew the news segment and apologised for it, a decision that’s been condemned by the opposition, ticked off Today FM (gasp!), and already dubbed ‘Portraitgate’ (Or ‘Picturegate’, as Damien Mulley had it: cue groan). However  Vincent Browne begs to disagree…

No doubt this brouhaha will continue longer than it should– but I’m amused by the idea that we now have an Irish entry into the illustrious history of guerrilla art protests. How fortuitous then that one of the best known international guerrilla art groups is making a series of rare Irish appearances at the Milennium Court Arts Centre,  University of Ulster, Glucksman Gallery, Butler Gallery and NCAD — bring on the Guerrilla Girls, to show how it’s done!

guerrilla

ACNI/British Council Young Curators Programme: Call

Fresh from the VAI newsletter— sounds like a terrific opportunity:

The British Council in partnership with the Arts Council of Northern Ireland is inviting applications to the International Young Curators Programme, a unique opportunity for individuals with an interest in developing a career in the visual arts that centres on the 2009 Venice Biennale.

Selected applicants will receive at least four weeks in Venice during the Biennale (1 June to 30 November 2009) as part of a team that will invigilate and maintain Northern Ireland’s exhibition, which this year will be a solo exhibition of new work by Susan Mac William.

Participants in the programme will also have access to the other exhibitions at the Biennale, be provided with return flights and an apartment in the centre of Venice and a stipend.

On return from Venice participants will undertake a two-week placement shadowing a gallery director/curator in Northern Ireland, and take part in a number of study visits to key cultural institutions in Northern Ireland, London and Dublin in spring 2010.

Successful candidates will have a commitment to and vision for pursuing a career in the visual arts, demonstrate motivation, reliability and responsibility, and have good communication skills. More information on the programme, availability and application requirements are available online.

To apply, send your application marked ‘INTERNATIONAL YOUNG CURATORS PROGRAMME APPLICATION’ to:

Colette Norwood, British Council, Norwich Union House, 7 Fountain Street, Belfast
BT1 5EG

www.artscouncil-ni.org/news/2009/new19032009b.html

Deadline for applications: 5pm, 6 April 2009
Interviews: 9 April 2009

Saturday’s Artscape – Gallery amalgamation & Irish Writers’ Centre

Just wanted to tip folks over to Saturday’s installment of Artscape by Deirdre Falvey in the Irish Times– some interesting bits on the subject of the proposed merger of national visual art institutions (Crawford, IMMA and NGI):

One of the intriguing things about the proposed amalgamation of the National Gallery, Imma and the Crawford is how the Minister is increasingly distancing himself from it.

He launched Imma’s 2009 programme on Wednesday, and the question on everyone’s lips was whether he would mention the plan. It had been first mooted in the Budget in October, but it doesn’t make financial sense and has been almost universally pooh-poohed as unworkable.

Imma chairman Eoin McGonigal got his spoke in first to set out the board’s take on the “proposal”, saying how “some, hopefully misplaced, element of uncertainty now hovers on our horizon”. He continued: “We have done our best to engage constructively in the discussions . . . especially with regard to improved efficiencies and possible shared services. The museum, however, is not in favour of an all-out amalgamation.”

He welcomed the Minister’s “assurances that the process can only be undertaken on the basis that it enhances each organisation’s ability to function, and that it maintains the unique identity and philosophy of each institution”.

[read on]

and an update on the status of the forlorn Irish Writers’ Centre:

The saga of the Irish Writers’ Centre continues. Last week its appeal against the decision by the Arts Council to withdraw funding of €200,000 was rejected. Two members of staff (communications manager and accounting/finance officer) have been out of work since February 1st and director Cathal McCabe left on February 28th. The caretaker is in place and the writing classes continue until mid-April. At the moment, aside from the caretaker, the board is running the centre, and chairman Carlo Gébler says it is attempting to raise funds to continue trading – the plan is to run more courses, which would raise some income. There’s a caretaker and cleaner, and a bookkeeping and timesheet system, so things tick over. But in terms of the centre being “a place where there are people, where writers can ring up” for advice, it is not functioning.

[read on]

I’m particularly interested in the amalgamation plans, which struck me as harebrained when they first surfaced, and I remain to be convinced, given the very different nature, scale and programming of these institutions– how could such a thing ever be designed, let alone implemented? It still sounds to me like another way of stripping these institutions of staff when they already run on skeleton crews…

(and just as an aside, Lynn Truss style– the use of lowercase letters in IMMA’s acronym drives me bonkers, although the IT (It?) does it all the time. Am I the only one?)

The masses mass for Picass(o)

picasso-elite-460_1006484c

Having my daily breakfast of espresso and Euronews, I was amazed to see a story on the public response to the Picasso exhibition currently on at the Grand Palais in Paris… the show’s about to close, and tens of thousands of people apparently queued overnight to catch a last glimpse of the works. To facilitate the crowds the Grand Palais hosted a marathon 83-hour viewing session. According to the accompanying article on the Euronews website, more then 700,000 people have visited the exhibition since it opened in October.

And yet the spirit of liberté, égalité, fraternité has not graced all quarters, with detractors late last year describing the populist shows as ‘a cancer’ in the Parisian art world.

Elsewhere the arts democracy has gained stronger footing, as the BBC last Wednesday announced its intent to put 200,000 paintings in public ownership online, and the imminent appointment of a new arts editor and arts board to enhance coverage. This follows on too from the innovative move by the Prado in early January to place some of its greatest paintings on Google Earth in extreme high resolution, allowing online viewers to see the works in astonishing detail.

And yet, I can’t help but feeling a mixture of exhilaration and depression at such news… imagine an RTE arts board? The public queuing for hours to see a National Gallery exhibition? Irish paintings in the public ownership actually (gasp!) online? What happens to a dream deferred…

As clear as the waters of the Liffey…

There’s been a bit of confusion over the massive public sculpture project by Antony Gormley intended for the Dublin Docklands. On the 16th of January the Irish Times ran a story announcing the approval of planning permission for the work by Dublin City Council, only to be followed the next day with news of the project being scrapped due to budget reasons.

eh?

Yesterday’s Sunday Times has refuted the refutation, quoting the sculptor and DDDA arts manager Mary McCarthy as stating the project is still ‘full steam ahead’. The €1.6 million sculpture, nearly always mentioned with reference to its height (‘almost as tall as the Statue of Liberty’, ‘nearly as high as Liberty Hall’, ‘bigger than Rio’s Christ the Redeemer’) apparently may be started as early as the summer, though the DDDA website lists a project completion date of 2012.

Here’s looking forward to the inevitable bestowing of the Dub nickname… the Jock in the Dock? Stud in the Mud? Any suggestions welcome…