That Friday feeling: new jobs & and other announcements

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UCD has just announced its 2017-18 Artists in Residence: this programme has gone from strength to strength, and we are delighted to be welcoming these folks to campus soon!

Jobs have just been updated with a new crop of listings; I’d also like to highlight the following opportunities:

  • The Arts Council is sponsoring a Jerome Hynes Fellowship for 2017/18, as part of the Clore Leadership Programme. This is a prestigious opportunity to access leadership training in the UK; deadline is 13 Februrary
  • The Irish Museums Association Board of Directors is recruiting! We have 3 board positions open: this is a hard-working and energetic voluntary board that represents the interests of museums, north and south. Deadline for expressions of interest is 24 February!
  • The Thomas Dammann Junior Memorial Trust awards are open for applications until 10 March; grants up to 5k are offered for projects and research related to the visual arts in Ireland.
  • The Centre for Creative Practices in Dublin (set up by one of our past MA grads Monika Sapielak) has recently launched a new resource, Artconnected, that lists call-outs for creative talent, venues, arts professionals, service & equipment providers — well worth bookmarking & signing up to their newsletter for notifications.

Happy 2017! 50+ new Irish arts jobs/internships listed

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Here’s to a brighter 2017…

Happy new year to all of my readers! In what must be a record, I’ve just added more than fifty new posts to the jobs page — looks like recruitment in 2017 is on the rise again, which is good news for organisations and jobseekers. Tons of plum roles across artforms, including senior posts at the National Gallery, NCAD, Royal Irish Academy, Galway 2020, EVA International — and plenty of mid- and entry-level posts across the country too. More than 4,000 subscribers get notifications from this blog, so do keep sending in any openings you’d like listed (it’s always free, and I update bi-weekly in general).

Other arts and cultural news that may be of interest:

The Arts Council’s conference on local government & the arts – Places Matter – is taking place tomorrow (12 January) at Dublin Castle (I’ll be there, come say hello!). Unfortunately it’s booked out, but it’s been announced the conference will be live streamed.

Gotta dance?? Dublin Dance Festival is looking for all and any to help perform one of the most famous dance sequences ever produced – Pina Bausch’s ‘Spring, Summer, Autumn, Winter’ from her 1982 piece NELKEN. Instructions for filming & uploading your version are on its website: DDF played a blinder last year (for my money, it had the highest hit rate of any arts festival) and this looks to be a great opener.

Business to Arts has just announced the first round of recruitment for its Fundraising Fellowships, with Helium Arts and Fishamble. These posts (the first 2 of 4) will offer training and mentorship in addition to salaried posts — great opportunities all!

Maria Balshaw has been appointed as new Director of the Tate, replacing Nick Serota. Maria has directed the Whitworth and Manchester Art Gallery for the last decade, and spearheaded Manchester’s cultural revival to great acclaim; she also recently delivered the Irish Museums Association’s James White annual lecture.

The Irish Museums Association’s annual conference is 3 and 4 March, on the subject of cultural tourism – time to get booking! In positive funding news, the annual grant to the IMA from the Department was recently raised to its former level – cause for celebration for this vital support organisation that delivers a huge programme on a tiny budget.

In case you missed it before Christmas, the government launched Creative Ireland 2017-22, the follow-up legacy programme of the 2016 Centenary. It’s a very sophisticated mix of declaration and aspiration, fuelling hopes that its various initiatives will be matched with adequate resourcing. If it’s realised, it’ll be brilliant and the most expansive acknowledgment of the diversity (and importance) of arts and culture we’ve ever had as a nation. However, as with most cultural plans, we will have to wait and see whether actual investment follows the splashy launch.

Milestone for Irish museums: Irish Museums Survey 2016 launched

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Launch of the Irish Museums Survey 2016 / LAMN 1916 Exhibition. From left: Liam Bradley (Curator, Monaghan County Museum); John Rattigan (Chair, Local Authority Museum Network); Minister Heather Humphreys; Brian Crowley (Chair, Irish Museums Association); Dr Sandra Collins (Director, National Library of Ireland); Dr Emily Mark-FitzGerald (UCD School of Art History & Cultural Policy). Photo by Gary O’Neill.

It’s out! Yesterday more than 100 museum professionals gathered at an event in the National Library of Ireland for the launch of the Irish Museums Survey 2016 by Heather Humphreys TD, Minister for Arts, Heritage, Regional, Rural and Gaeltacht Affairs.

This survey is indeed a milestone: it’s the first comprehensive study of the Irish museum sector in a decade. Funded by the Irish Research Council’s ‘Engaging Civic Society’ scheme, it’s the product of a collaboration between the Irish Museums Association and UCD School of Art History and Cultural Policy.

I was the Principal Investigator and author of the report (along with the research team Gina O’Kelly, Dr Colleen Thomas, and Fernando Sanchez), and I’m delighted it’s now available as an online publication.

The results are alternately fascinating, encouraging, and worrying. Here are a few highlights:

  • There are approximately 230 museums in Ireland (north and south); 118 participated in the survey (ranging from independent/community museums to national cultural institutions)
  • 6.1 million visitors were welcomed by Irish museums in 2014: on average museums reported 35% international and 61% domestic visitors.
  • The positive effects of the Museum Standards Programme of Ireland (run by the Heritage Council) over the past decade in enhancing museum practice nationwide were widely observed
  • Provision of educational services has increased from 31% in 2005 to 60% of museums in 2016
  • Digital engagement has risen sharply: museums reported growing levels of collection digitisation, and high levels of engagement on the web and on social media: 98% of museums have a website; 78% are on Facebook; and 40% are on Twitter

… however …

  • 46% of museums have experienced budget decline from 2005-15; this contrasts sharply with 2005 data (when only 7.4% reported a decrease).
  • Museums have experienced drastic reductions to the labour force and increasing reliance on volunteers, interns and community employment schemes: 41% indicated they are ‘very dependent’ on voluntary/unpaid labour, and 17% of museums have no paid employees at all. The majority of museums (77%) are staffed by fewer than 10 paid employees.
  • Comments from participants extensively detailed problems with infrastructure and basic facilities, affecting museums across the country. Cutbacks on every aspect of museum provision (education, programming, conservation, security, etc.) indicate the broad and deep impact of budget reductions and hiring freezes.

The report is chock-full of information and analysis, covering all aspects of museum activity. We hope this report will help inform future programming and planning for museums at national and regional levels. This is especially critical for institutions (large and small) which reported serious problems with infrastructure and facilities in a severe state of disrepair.

Our primary recommendations? In a nutshell:

  1. Establish a research unit to enhance quality and regularity of data collection, based at the Irish Museums Association, the Heritage Council, or the Department of Arts, Heritage, Regional, Rural and Gaeltacht Affairs.
  2. Improve museums’ data collection practices by developing training opportunities for Irish museums, to better support advocacy efforts.
  3. Prioritise, in future policies and programmes, the primary resource needs as identified by museums: (1) capacity (staff, volunteers, time); (2) funding and fundraising support; (3) buildings and storage.
  4. Enhance support of community and independent museums, including a review of supports and the development of a national strategy concerning the needs of small museums.
  5. Offer additional training and resourcing in the areas of digitisation and the development of digital and online strategies.
  6. More detailed research is needed on museum outreach and education, to be further correlated with policy developments such as the Arts in Education Charter.
  7. Low rates of improvement in disabled access since 2005 should be addressed by museums as a priority.

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(version for web viewing)

(version for printing)

Museum of August Destiny comes to Pearse Museum

Launch of The Museum of August Destiny
Thursday 3 November, 5 pm
Pearse Museum, St Enda’s, Rathfarnham

I’m delighted to share news that the contemporary art exhibition I curated this summer at Lismore Castle Arts – The Museum of August Destiny – will have a second showing at the Pearse Museum, St. Enda’s, Rathfarnham, from 4 November 2016 – 8 January 2017.

Featuring artists Aideen Barry, Mark Clare, Amanda Coogan, Anthony Haughey, Dragana Jurisic, and Sarah Pierce, the six new commissioned works offer reflections on the Irish state and the ‘august destiny’ envisioned by the Proclamation of the Irish Republic.

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The exhibition will be launched on 3 November (5 pm) by Professor Sarah Prescott, Principal, UCD College of Arts and Humanities, and on view from 4 November 2016 – 8 January 2017. Admission is free.

Supported by the UCD Decade of Centenaries programme
Initiated & first displayed by Lismore Castle Arts, Co. Waterford
With thanks to the Pearse Museum, Office of Public Works

On now: The Museum of August Destiny

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Dragana Jurisic, Jessie, 2016

I’m very pleased to share details of an exhibition I’ve curated and just opened at Lismore Castle Arts, at St Carthage Hall, in Lismore Co. Waterford

The Museum of August Destiny (17 July – 4 September) features six artists born or working in Ireland and explores the resonance of the Proclamation of the Irish Republic, a century after it was written. The participating artists are Aideen Barry, Mark Clare, Amanda Coogan, Anthony Haughey, Dragana Jurisic and Sarah Pierce.

The exhibition proposes an alternative means of making 1916 again manifest, by creating a ‘capsule’ museum responding to the final line of the 1916 Proclamation:

In this supreme hour the Irish nation must by its valour and discipline and by the readiness of its children to sacrifice themselves for the common good, prove itself worth of the august destiny to which it is called.

The Museum of August Destiny has commissioned each artist to respond to one of six ‘visions’ of Irish destiny set out in the Proclamation: (1) sovereignty and ‘unfettered control of Irish destinies’; (2) religious and civil liberty; (3) equal rights and opportunities for citizens; (4) the pursuit of happiness and prosperity of the whole nation and all of its parts; (5) cherishing the children of the nation; and (6) oblivion of the differences ‘which have divided a minority from the majority in the past’.

Housed within museum cases on loan from the Pearse Museum at St. Enda’s, Rathfarnham, the six artworks present individual meditations (utilizing sounds/objects/images) on the realization or retreat from our ‘august destiny’. A seventh case will host rotating contributions from the residents of Lismore and its surrounds: making visible a range of political, personal, conceptual, utopian, critical, and condemnatory responses.

The essay accompanying the exhibition can be downloaded here.

Lismore Castle Arts
General opening: Monday – Sunday, 10.30 – 5.30
St Carthage Hall opening hours: Friday – Sunday, 1-6 pm
Running: 17 July-4 September
Admission to St Carthage Hall is free