Category: Arts education

Weekly round-up: 12 December 2011

South Dublin County Council's new public art site

The big news last week was of course the budget… the National Campaign for the Arts and Laurence Mackin of the IT have provided the details of cuts to the budget (and full details are available from the Department)… a few key points:

  • Gross funding in 2012 for the Department of Arts, Heritage and the Gaeltacht will be €267 million (plus an extra €8.6 million in funding for the National Gallery.) Note that it’s not possible to assess, strictly speaking, how this compares with previous years, due to the shifts in department make-up.
  • However, overall 49% of the department’s budget (€129.6 million) is being allocated in 2012 to Arts, Culture and Film programme areas. Arts current funding is down 6%: from €124 million to €117 million.
  • The Arts Council is down 3.2%, from €65.16 to €63.1 million.
  • Arts capital funding is the most severely hit — down 34% from €32 million to €21 million. Most of this (13.2 million) is allocated to the Irish Film Board, and constitutes their annual funding (despite the ‘capital’ label)- although their funding is down overall by 14.9%.
  • Culture Ireland will be down 11%.
  • How did the national institutions fare? National Archives (-5%); IMMA, CBL, NCH and the Crawford (-4%); NMI (-5%); NLI (-7%). However these figures don’t count huge drops in capital budgets, which will severely affect the national institutions’ plans for developing infrastructure and other crucial projects.

Although the overall funding picture appears to be better than expected, the national institutions will be hard hit, and there will be other financial implications from ancillary budget measures for arts organisations (the increase in VAT, for example, as well as the decrease in CE funding which many organisations rely upon).

In other news…the Arts Council has announced its 2012 project grant recipients — an interesting look at work which lies ahead!

The new director of the National Gallery was finally announced — and it’s Sean Rainbird, current Director of the Staatsgalerie in Stuttgart, who also worked for many years at the Tate. Word has it that current staff are delighted with the appointment — I think it will be a much-needed breath of fresh air into the gallery, and look forward to his tenure!

South Dublin County Council has unveiled a new public art website — searchable and snazzy — and very useful for students of public art projects.

Fintan O’Toole has blasted the Abbey’s latest production of The Government Inspector, and decried (again) what he perceives is the national theatre’s failure to actively engage with the current breakdown of Irish society.

The Music Generation programme is being expanded to Laois, Wicklow and Cork City — no doubt news of new opportunities will soon follow…

The Jameson Dublin International Film Festival has announced its call for volunteers.

An interesting article in the Guardian (‘Should the arts be more selective about sponsors?‘) canvassed reactions to the withdrawal of two poets from the TS Eliot prize competition over their objections to the award’s sponsorship by a hedge fund.

I’m really digging all the posts at the Guardian’s Culture Professional Network blog… tons of interesting and useful posts there to anyone working in the field.

Not strictly arts-related, but if you are a researcher check out the new British Newspaper Archive project from the British Library (lovingly reviewed by the fantastic Bioscope blog) — it’s gonna rock your world.

And finally… congrats to our fantastic 2011 class of Arts Management & Cultural Policy MA graduates! It was wonderful to see them in the glad rags last week at commencement 🙂 🙂

Hope everyone is enjoying all of the holiday activities across town — such a busy time of year!

All Change – the Dublin Contemporary & me

Still of video I loved at DC: Chen Chieh-jen, 'Empire’s Borders I', 2008-2009

Some of you may know I write a monthly column for the Visual Artists’ News Sheet, usually reflecting on some aspect of recent cultural policy and the visual arts in Ireland… the last issue of the VAN was a special issue anticipating the Dublin Contemporary (which I’ll also be reviewing for Museum Ireland, out this winter), and since it’s not available online I thought I’d include full text of my column here. This was written before the show opened, but on reflection (and following several lengthy visits), I think it’s more than met the expectations expressed here:

All Change (Emily Mark-FitzGerald, Visual Artists News Sheet, May/June 2011)

So the Dublin Contemporary is upon us at last… as Earlsfort Terrace is prepped to become Dublin’s P.S.1, it’s an exciting prospect for UCD’s old stomping ground to host an intriguing and provocative major exhibition. Designated as the ‘critical mass’ site for the DC, much has been made by curators Christian Viveros-Fauné and Jota Castro of the palimpsestic nature of the Terrace, its institutional history dovetailing with the central theme/project ‘The Office of Non-Compliance’. Rather than a gloomy-sounding destination for wayward students, the ‘Office’ is imagined as the engine room of the DC, providing spaces and structures for ideological and practical discussions sparked by the exhibition (one does hope there will be tea.) Continue reading →

Weekly update – 5 August 2011

Kilkenny Arts Festival launches today! Lots in the programme… we’re heading down tomorrow, looking forward to some visual arts, a bit of music and (since it’s Kilkenny, after all!) a bit of craft. My colleague Pat Cooke is also chairing a session tomorrow on the arts in recession.

Culture Night 2011 will be here before you know it (it’s Sept. 23rd, by the way)! The good folks over at Temple Bar are currently looking for volunteers to assist with the massive culture love-in… find out more about volunteering, and download the application form to send in ASAP!

I’ve just finished updating the jobs page and there’s a remarkable number of posts advertised (including 6 posts at the Arts Council of Northern Ireland) — it’s unusual to see so many jobs in August (usually the slowest month of the year), but promising for all the folks looking to make their next career move.

I mentioned it in last week’s update, but here’s another piece about the training programme in digital media offered by DIT and the Digital Skills Academy at the Digital Hub.

Interesting comments thread over on LinkedIn in response to a media ‘internship’ posting that’s rubbing folks the wrong way (picked up by Broadsheet.ie as well).

Go check our Arthub.ie, a new blog indexing site devoted to Irish blogs on arts and culture.

News that the renovation of Dublin’s Victorian fruit & vegetable market is going ahead & scheduled for a November completion is great news — it’s intended as a showcase for the wonderful small producers locally and from across the country… can we even begin to rival Cork’s English Market?!?

Congratulations to Jo Mangan of the Performance Corporation, who’s been selected as the Jerome Hynes Clore Fellow by the Arts Council!

I was very sorry to hear today of the passing of Eamonn O’Doherty, one of Ireland’s most accomplished sculptors, whose work I’ve written about quite extensively. His work includes the Anna Livia fountain, the James Connolly monument, and my favourite piece, the Westchester Irish Famine Memorial. A great sculptor and a lovely, growly man who will be much missed!!

I’ve recently taken over from Arts Audiences’ James Kelly as the admin for the LinkedIn Arts Ireland group — 560 current members! If you use LinkedIn and work professionally in the arts, join us over there for discussions & interesting postings re: arts & culture in Ireland.

Sharks are pretty awesome (not arts-related strictly speaking, but it is shark week after all).

 

Weekly round-up: 28 July 2011

Ulster Bank Dublin Theatre Festival 2011

It’s been a while, but I missed ya. Here’s the latest round-up:

First Thursdays in Temple Bar (where cultural organizations stay open extra late) keeps getting bigger and bigger – check it out next week if you haven’t already!

While I was away the Arts Council appointed Orlaith McBride as its new director… still no white smoke on the new director of the National Gallery, however!

I was very sorry to hear of the passing of artist Bill Crozier — a lovely man and a wonderful artist, I interviewed him a few years ago for a book on Stoney Road Press and recently enjoyed seeing his work at the RHA Annual Exhibition. He was extremely warm, funny and generous and we had a wonderful time speaking about our shared love of jazz, among other things! His work will be a wonderful legacy of a great personality and aesthetician.

The Music Generation project is underway (with a coordinating post still open in Co Mayo) and a national seminar to alert folks to further funding opportunities and other aspects of the programme will take place in September and is now accepting registrations.

There’s so many folks looking for work out there at the moment (mucho trafico on the jobs & internships page at the minute) – and if you’ve an interest in upskilling in digital media, and have been unemployed for 6 months or more,  the WebElevate programme (in conjunction with DIT and the Digital Skills Academy) is offering 120 funded places on a series of courses to be run in the Digital Hub.

Lots happening in theatreland… Willie White was appointed as the new Artistic Director of the Ulster Bank Dublin Theatre Festival to cheers all round! Congrats to Willie – there will be big shoes to fill at the Project!

Meanwhile both the Absolut Fringe Festival and the Theatre Festival have announced their programmes – with Irish Theatre Magazine providing a cheeky breakdown of Theatre Fest stats for your amusement J

The Everyman Theatre in Cork has also made a major appointment in its new Director Michael Barker-Caven, relocating to the People’s Republic from the UK.

I was delighted to see Thisispopbaby’s production Alice in Funderland is part of the Abbey’s schedule for 2012 – I missed its original staging and heard rave reviews, so it’s great to see there’ll be a second chance!

One great session at the recent Theatre Forum conference was led by John Deely on career management in the arts; he recently forwarded a useful e-workbook on to participants that might be of interest to many readers – it can be downloaded here.

The Guardian recently featured a polemic blog post on lack of women working in UK theatre – many of the comments are actually better (and more focused) than the original posting, but it makes for a really interesting read.

Festival season is in full swing and this weekend (and my family!) will see the Spraoi in Waterford, the international Street Fair festival. Lots happening over the bank holiday, but The Reich Effect weekend programme (celebrating the work of composer Steve Reich) at the Cork Opera House looks like another great bet if you’re down south.

Open House Dublin 2011 is looking for volunteers! It takes place from 7-9 October and is a fantastic event – have a look at their flier if you have time & energy to spare!

Over my holidays I read with some bemusement further articles on the ambition to turn Bank of Ireland’s College Green premises into a literary/cultural centre (a move strongly rebuffed by the bank) – an Irish Times editorial from a few weeks back offers the sage advice to consider the failure to establish a national opera company and the stagnation of plans to move/expand the Abbey and the National Concert Hall before plowing ahead with another ill-advised capital project.

However I was extremely pleased to hear the Irish Georgian Society has acquired the former Dublin Civic Museum for its new premises and plans to embark on a restoration of the building; we’ve a close relationship in the School with the GS and wish them the best with their snazzy new digs! It’s wonderful to have new life breathed into such an important city space.

The Irish Writers’ Centre is launching a new initiative in its ‘Novel Fair’ event, which invites first-time authors to submit anonymous work to be considered by a judging panel of folks from the publishing industry, and have the opportunity to meet directly with publishers and agents. It sounds like an unmissable opportunity for new writers; the submission deadline is November 11th.

Audiences Northern Ireland has re-launched its website – fancy!

Putting my board member hat on… the Irish Museums Association is seeking contributions (both articles and exhibition/book reviews) to this year’s journal Museum Ireland, the only publication in the country devoted to articles and discussion of museum-related matters. Send ‘em in!

I’m looking forward to seeing the latest exhibition at IMMA of photographs from the David Kronn collection – he’s promised his collection to IMMA, and it looks like a great chance to get a peek at a marvelous private collection.

Dublin-based Irish visual artist Al Freney has had one of his works selected for the prestigious BP Portrait Awards, hosted annually by the National Portrait Gallery in London – congrats! Here’s a press release if you’re interested to know more…

Weekly round-up: 16 May 2011

I’m late this week (or early, depending on your perspective), but exam marking is finished for the year – woo hoo! Lots on the wire over the past few days (and not all Eurovision or Queen-related):

Most intriguing was the news at the weekend that the state is keen to take back Bank of Ireland’s College Green buildings ‘for cultural uses’ on foot of its bailout arrangements with the bank. Apparently the Minister wishes to turn the historic building into a ‘tourist attraction’ of some kind: ‘His plans, which are at a preliminary stage, envisage the conversion of the building into a centre celebrating Dublin’s literary heritage, incorporating an exhibition space and reading rooms as well as a cafe and meeting rooms. Mr Deenihan’s spokeswoman said he was examining a number of venues for a “world literature centre”, but that no decision had been taken yet on a location.’ An interesting proposal — but can or will the government actually stump up for such a large potential development? Such ‘grand gestures’ of the capital kind have been a feature of every government, but it’s the ongoing investment in the arts (and provision of programming, administrative overhead, etc) that’s proven more difficult to source over the years. It will take some delicate negotiation to ensure such a project doesn’t wind up another white elephant, another unsustainable or irrelevant ‘arts centre’, or a further drain on already meagre resources. And frankly, publishing a range of fairly daft public suggestions  in the Irish Times (eh, they’re not knocking it down, folks) — and the short-term memories which appear to have forgotten there WAS an arts centre there until recently! — isn’t quite the discussion this project needs. The prospect exercises me greatly because in my view, this is the most magnificent civic complex in Dublin city centre, and we haven’t a great history of being sympathetic to our architectural heritage.

In further NAMA-related developments, the National Gallery is receiving the gift of a Lavery painting ‘Return from Market’ (cheeky choice!) as a thank-you from the agency for storing works to be resold from Derek Quinlan’s collection. The rest of the collection is supposedly being offered first to the NGI/IMMA/OPW (although their acquisition budgets are tiny, so I’m not sure how this will pan out!) before going to public auction. Note to NAMA: I have a very secure, dry attic, and a Roderic O’Conor would do nicely for our living room wall.

Dublin Dance Festival began on Friday, and continues until May 28th. I’m quite taken with the description of Hiroaki Umeda’s Haptic & Adapting for Distortion (and the graphics remind me of a Peter Kogler exhibition I saw at MUMOK some years ago – most groovous).

Today the National Campaign for the Arts coordinated a series of 40+ ‘meet & greets’ between arts folks and local TDs — Tania Banotti (head of Theatre Forum) was likewise recently profiled in the Irish Times on her involvement with the campaign. It’s great to see ongoing enthusiasm for the campaign — and significant fundraising achieved for their efforts.

Temple Bar Gallery & Studios recently launched its new website — very snazzy — and I’m looking forward to attending their symposium on Visual Arts Audiences on Wednesday.

The Irish Architecture Foundation has launched Architecture Tours Ireland, offering five new ongoing public tours: ‘Dublin Docklands’,’Georgian Dublin’, ‘Temple Bar’, ‘The Living City’, ‘Children’s Activity Tour’. Hopefully they’ll find great success with this initiative; with so much fascinating architectural history condensed in the city centre, it seems a natural fit!

Good news that imprisoned Chinese artist Ai Wei Wei was finally allowed a family visit, although his situation still looks far from encouraging — the amount of public pressure and denouncement of his detention has been quite astonishing, and the Chinese government’s lack of response even more so.

The Contemporary Music Centre will be staging its last new music salon until the fall — the final performance on 25 May sounds intriguing:  ‘a music theatre piece based on the diaries and poetry of Sir Ernest Shackleton and Bill Manhire’.

I received a link today to a new blog focused on studio visits throughout Ireland — From the studio of… — sounds like a great idea, and a promising theme — I’ve got ya bookmarked!

Loughlin Deegan will be leaving the helm of the Ulster Bank Dublin Theatre Festival to take up the juicy post of Director of the Lir, the new national academy for the performing arts envisaged as the RADA of Ireland.

Gemma Tipton in today’s Irish Times wrote on grassroots/artist-led initiatives in a time of recession (a subject of one of last year’s MA theses, and another this year as well) — in related news the collectively-run space The Complex avoided eviction in the ill-starred Smithfield development this week thanks to the intervention of Minister Deenihan, as reported in Le Cool.

And finally… big congrats to Jessica Fuller, who’s currently upgrading her MA with us — she was the driving force behind the first project to be awarded funding under the National Music Education Programme — known as ‘Music Generation‘ (sponsored by U2 and the Ireland Funds and managed by Music Network), the most important scheme funding music education in the country. Three years of development are now ahead for the Sligo Music Education Programme (SMEP) in partnership with Music Generation — looking forward to great things ahead!

I’m off this weekend to visit Cork, avoid the Queen and check out new stuff at the Glucksman, Triskel and Lismore Castle Arts — may not be back with another update until next week, so behave yourselves in the meantime.