Weekly round-up: 27 April 2011

27 April 2011

Though I’ve been occupied stuffing myself with Easter chocolate, basking in the spring sunshine, and feeling the glow of two long weekends with a royal wedding sandwiched in the middle, it’s time for another round-up…

Jazz-heads are gearing up for a few weeks of delectable treats — Improvised Music Company’s 12 Points! European Jazz festival begins at Project Arts Centre on 4th of May, while the long-running Bray Jazz Festival is this weekend! Lots of chatter meanwhile on Jim Carroll’s recent blogpost on issues surrounding jazz promotion & attendance in Ireland, followed by an article in today’s IT by Laurence Mackin on the changing face of contemporary jazz. Some of the best gigs I’ve been to in Ireland have been jazz — Tomasz Stanko, EST, Bobo Stenson, and Marcin Wasilewski are a few that spring to mind –  and according to my extra-jazzy husband (who co-presents Jazz-o-rama on Dublin City FM), Phronesis is the hot ticket at 12 Points this year.

Mindfield (the ‘international festival of ideas’) begins this Friday in Merrion Square and runs through Sunday. Though to my mind a leetle on the pricey side (69 yo-yos for a full festival pass, or a tenner for each event) there are quite a few free workshops & family events. I’m a fan of the quick-fire Ignite concept of 10 speakers + 20 slides + 5 minutes, but there’s a whole range of interesting talks and hands-on events throughout the weekend.

Seriously digging the idea of Druid staging The Cripple of Inishman on, well, Inis Meáin. Locals have first dibs on tickets for the 26 July performance (sales opened yesterday to Aran Islands residents), with the remainder going on sale to the public on 23 May.

Yesterday’s Irish Times carried a special supplement featuring the programme for the Bealtaine Festival (‘Celebrating Creativity in Older Age’) which begins this Sunday. They’re also currently recruiting for Cultural Companions, a programme which matches seniors with folks interested in accompanying them to cultural events (applications are being accepted for North Dublin and Cork).

On the other end of the age spectrum, Sheila Wayman in the IT wrote yesterday about involving children in arts activities from an early age, citing the importance of introducing them to arts experiences outside of school structure. As the mama to a 18 month old little guy, I found the list of available activities very useful — with the baby boom in Ireland still in full flush, young families will be an important market & audience for arts organisations for some time…

I’ll be popping in to the Science Gallery’s new exhibition HUMAN+ tomorrow — Director Michael John Gorman recently penned a piece on the Guardian’s Science blog about the show that’s sold it to me!

The Galway City Museum is set to be re-furbished; it will be closed until early June to facilitate work, presumably in time for the Galway Arts Festival in July!

A quirky news item in the Independent last week noted that several roadside public sculptures from Kildare and Kerry have been stolen (presumably melted down for scrap). Obviously this is a distressing issue for the county councils and artists involved — though I must admit given the state of some of our public sculptures, these thieves might be doing us a roundabout favour (pun intended).

Temple Bar Cultural Trust is calling for interested participants for Culture Night 2011; deadline for expressions of interest is the 27th of May.

In an expected but warmly welcomed move, Arts Minister Jimmy Deenihan issued a call for interested applicants to apply for board positions at the National Concert Hall, IMMA, Irish Architectural Archive, Arts Council, and Heritage Council. This is part of efforts by the Department to increase transparency as regards governance and recruitment, and to avoid the sinkhole of political appointee-ism that’s plagued some of our cultural institutions. There’s no guarantee appointees will be drawn from this open application process, nonetheless it’s a great step in the right direction. Applications are due May 13th, so get cracking!

The Fundit website’s done extraordinarily well in its first month, raising about 40k! Quite a number of projects have reached their funding targets — but I’d love to see the Irish/Polish Film Project and the Open House Dublin Book Project make it over the line (their funding target has to be met for them to receive any moola) — have a look & consider sending a few euro their way??

The worst news of the past 2 weeks? The closure of the Lighthouse Cinema, after the failure to reach an agreement with the current landlords and the appeal for mediation rejected. I still have difficulty believing there’s no alternative in this case; it makes me physically sick to think of that wonderful facility lying empty. Will this be the final death knell for the Smithfield redevelopment dream?


Weekly round-up: 14 April 2011

14 April 2011

The good folks at Arts Audiences were kind enough to give me a preview of their new online training programme (fully launched on Tuesday!) on digital arts marketing — the skinny is that this is a cost-effective (€20 for each module or €95 for all seven) and focused way for folks to up-skill in the following areas:

Search Engine Optimisation ~ Beginners
Search Engine Optimisation ~ Advanced
Best Practice Web Design
Web Analytics
Social Media Marketing
Online Advertising
Email Marketing
Universal Access

Funded by the Arts Council, Temple Bar Cultural Trust and the Department of Arts, Heritage and the Gaeltacht, it’s delivered by Susan Hallam and includes case studies of the ABSOLUT Fringe Festival, the Abbey, Balor Arts Centre in Donegal, Éigse Carlow Arts Festival, and the National Concert Hall. This looks to be a great resource for enhancing your online chops; other offerings from Arts Audiences have been jumped on like office candy, so let me know if you’re liking the look of these too…

Business to Arts also held a reception Tuesday night to mark the many new initiatives they’ve recently launched — Fundit (which just had its first project reach 100% funding), New Stream Project, Arts Fund for Ireland, etc. Culture Minister Deenihan was also on hand to say a few words — my notes from his short speech read ‘cultural broker’ ‘private philanthropy’ and ‘Kerry’ (the first two refer to the aspects of his pre-election Arts Plan that have been identified as objectives for the new department; the third was the term of highest spoken frequency). The BtoA core team of Stuart, Rowena and Andrew have done amazing work over the past few years and deserve all the kudos coming their way! I was delighted as well to see Mason Hayes & Curran’s lovely collection of artworks in their offices — particularly the Corban Walker piece in the atrium (he’s the next featured artist for the Irish Pavilion at Venice) and the Rowena Dring textile work I spotted on the first floor (she had a fab exhibition at the Rubicon a few years ago I wrote about).

The third big honking thing to launch on Tuesday was Dublin City Council’s Public Art Programme, detailing plans and themes for the upcoming round of public art projects. The four strands of the programme are (1) Dublin, (2) Interaction with the City, (3) Connecting with the Public, and (4) City Contexts; a call for proposals for Strand 2 is open until 27 June. The launch document also includes a striking series of pinhole photographs taken by young Dubliners, the result of a commission from the Gallery of Photography.

The Art Fund in the UK (the largest public endowment for the arts in the UK, established in 1903) has announced it’s increasing its funding available to museums to purchase new works of art by 50% — that’s in addition to its launch of the ‘National Art Pass‘, which for an annual subscription of £35 (and less for students etc) will offer free admission and discounts to exhibitions in museums across the UK (*wipes drool from keyboard*).

Dublin Contemporary is hiring for five temporary positions — deadline is 22 April (has also been added to the jobs page).

Don’t forget about the Visual Arts Workers’ Forum (‘Work It’) at Project next Weds (20 April) — the schedule & session descriptions have now been posted.

There’s a conference on contemporary cultural policy (with a specific German focus) coming up on 6-7 May: ‘Contemporary German-Irish cultural relations in a European Perspective: Exploring issues in cultural policy and practice‘. The conference is co-organized by the Goethe Institute Dublin and The Centre for Irish-German Studies at the University of Limerick; attendance is free!

NCAD and UCD have entered into an ‘academic alliance‘ (yeah, I wasn’t sure at first what that meant either)– we’ve been having a series of discussions with folks from both institutions about new research strands, collaborative projects, new cross-listed modules, and the possibility of joint MA programmes — the six themes are (1) the studio: from process to product; (2) the expanded academy – college and communities; (3) text and image; (4) the city: urban cultures; (5) culture and institutions; (6) arts and healthcare. I’m particularly keen on numero (5) — lots of enthusiasm and great ideas at our last meeting — on to the achievable objectives, what ho!

I’m currently working on the idea of developing a new upper-BA course on photography (history, development & theory) for UCD in 2012-3; I’ve been in lots of interesting conversations in the past week over directions it could take & possible collaborators/opportunities for cross-listing. Hugh Campbell (prof of architecture over here at the Big B) has been running an MA level module in architecture, space and photography — I’ve been inspired by their class blog ‘Space Framed’ and would be interested to see any other examples of Irish 3rd level class blogs that make good use of the online medium (Blackboard, I’m looking at you.)

I was be/amused yesterday to be contacted by a journo from the Irish Independent researching an article on ‘erotic Irish art’ (!) After ascertaining this was in fact a serious request, I was surprised by how many examples my colleagues and I were able to rustle up (ah, St George Hare of Limerick, we didn’t forget you!) Now I’ve *another* module to start developing… :p

As a coda… thanks also to everyone over the past few weeks I’ve run into who have had nice things to say about the blog! It’s nice (and a little creepy) to think how many of y’all read this every week… hope you find it useful, and I always welcome notices, job announcements, press releases, constructive critique, and chocolate.


Weekly round-up: 6 April 2011

6 April 2011

Photo from the Irish Times, 5 April 2011: Rob Dunne and Antoinette Emoe prepare Diego Rivera's Landscape with Cacti for hanging at Imma. Photograph: Alan Betson

A sooper-dooper bumper round-up for today, to make up for my absence over the past 2 weeks (travelling for conferences & wrapping up MA course for 2010-11!) I’ve made a few sub-headings to make navigating this update easier; I promise not to stay away so long next time!

Jobs / internships

Want to work for the Arts Council? Now’s your chance… currently hiring a new Director and 15 (!) new arts advisors across all disciplines, so dust off the CV….

I’ve been following news on changing practices around internships/work placements in the UK (see previous post): just yesterday the Guardian reported on Nick Clegg’s admission of the advantage conferred to him via a placement in his youth arranged by his father.  There’s been a recent push in government (as part of a ‘social mobility’ campaign) to increase application transparency, fair remuneration, and access to internships in desirable professions — an issue of importance here in Ireland as well, though this has yet to be addressed in any substantial way. Groups/blogs like Intern Aware and Interns Anonymous have formed in the UK to push for reform and improve access (although I would disagree with their distinctions drawn between ‘interning’ for a company and ‘volunteering’ with a charity as neglecting/mis-characterising the non-profit sector); is it time for similar action here in Ireland?

Awards Season

Congratulations to the Science Gallery for its recent Shorty Award (for the best Cultural Organisation) at the ‘Oscars of Twitter’, and to Vulgo.ie for its triumph as best Arts & Culture blog at the Irish Blog Awards in late March!

Budget woes & money matters

The Lighthouse Cinema is embroiled in a rent dispute with its landlord, who recently doubled the rent from 100k to 200k. The future of the cinema is of great concern to its patrons, local residents in Smithfield and taxpayers (especially since the government invested €1.75 million in its development). The petition by the landlord to wind up the lease has been adjourned to allow for board discussions; it’s also been suggested that the Cultural Cinema Consortium (formed by the Arts Council and the Irish Film Board) who initially invested in the project might take it over as a going concern… Certainly I’d be of the view it’s the best arthouse cinema in Dublin (sorry IFI!), although the decline of the Smithfield development and its failure to secure lasting tenants is obvious to anyone visiting, and a clear obstacle the cinema’s struggled to deal with. Will keep you posted…

As the Arts Council England finally sent out funding notifications to organisations,  the scale of cuts was wide enough to warrant massive coverage in all the UK dailies (I follow the Guardian mainly) and even feature on a Newsnight segment. 206 organisations had their funding cut completely, and supporters of various organisations and artforms fumed. The Arts Council itself recently came in for strongly worded criticism and an order to sell off big chunks of its collection, whilst the CEO of ACE answered tough online questions about funding decisions. It’s almost too much to digest, especially at a distance, but my impression is that ACE was in an impossible situation, with nearly every commentator convinced of his/her view that decision X or decision Y was a travesty of judgment — I would have more sympathy with Charlotte Higgins’ view that

… ACE’s behaviour is only a sideshow. The real story here is the gradually corrosive effect of a government that, while paying lip-service to the importance of the arts, seems intent on sleepwalking the nation towards cultural impoverishment. The cuts to ACE cannot be seen in isolation from the removal of public funding for humanities tuition in higher education; the absence of arts subjects from the English baccalaureate; the unstable situation among local authorities, some of which are bravely protecting cultural provision while all too many are cutting it off; the starvation of libraries.

Northern Ireland news

An Arts Hustings for Northern Ireland will be hosted by Arts Audiences NI, Arts & Business, and Voluntary Arts on 19 April at the Grand Opera House in Belfast; representatives from the various political parties will be in attendance, and Declan McGonagle will also be speaking.

Have to give a shout-out to all the fab folks who hosted our MA class recently during our visit to Belfast… thanks to Stephen Douds from BBC NI / Lyric Theatre, Ciara Hickey at the Ormeau Baths Gallery, Kabosh Theatre Company & Paula McKetridge, and Trevor Parkhill at the Ulster Museum for their fabulous hospitality — we had a marvellous time!

New research resources

I was recently alerted to the DHO:Discovery portal, one of the outcomes of the Digital Humanities Observatory project. It provides online access to digitised images, text, and sound recordings from a range of Irish cultural institutions, including the Chester Beatty Library, Irish Traditional Music Archive, and lots of material from TCD’s archives. The interface is clunky, but it’s wonderful to be able to access all of this material so easily, and will prove very useful for researchers.

I heart Ciaran Benson and his lovely writing, and I don’t care who knows it. The Irish Review of Books recently published his review of recent texts on Brian O’Doherty/Patrick Ireland — would that more Irish art criticism (including my own) flowed so beautifully!

The much-anticipated book Ireland, Design and Visual Culture : Negotiating Modernity 1922-1992, edited by Linda King and Elaine Sisson, has just been published. With The Moderns catalogue from IMMA also finally available, I’m looking forward to an imminent immersion in new Irish visual culture research  :)

If new Irish art historical research is your bag (as it’s certainly mine), check out the annual Irish Association of Art Historians’ Study Day, taking place this Saturday (9 April) at IMMA from 10-5. It will be showcasing new research (spanning all periods/geographies of art history) by folks working on this island, and we’re delighted to have three PhD students from our own School presenting as well: Louis Funder, Jessica Fahy and Silvia Guglielmini (download the full programme).

Launches / event announcements / calls for participation

After lots of hard work and enthusiasm Business to Arts formally launched Fundit.ie, a new crowdsourcing platform for funding Irish arts and cultural initiatives. Crowdfunding as a phemomenon recently received a nice write-up in the Irish Times, and already there’s a great clutch of projects seeking funding on Fundit.ie: so far I’ve helped fund Monster Truck’s new digital screen in Temple Bar, IMMA’s efforts to purchase new Bea McMahon drawings, the publication by Conor & David for Open House Dublin, and an Irish/Polish Film Project. One of the caveats of crowdfunding is that organisations don’t receive funds unless their target is reached — so get over there, register, and contribute what you can to what catches your fancy!!

I am gutted I missed last night’s opening at IMMA for the Frida Kahlo & Diego Rivera exhibition (complete with tequila and mariachis! In Dublin!! More exclamation marks necessary!!!!) Looking forward to seeing the show in any case (although as an Angelena I’ve seen my fair share of Kahlo & Rivera — and Siquieros and Orozco, who make up the holy trinity of Mexican muralistas). Sure to be a massive crowd-pleaser… (p.s. Aidan Dunne’s reflections on 20 years of IMMA’s history last week made for a nice recap!)

The second meeting of the Visual Arts Workers Forum (WORK IT) is taking place in Project on April 20th — the discussions and planned presentations look great, and are aimed at folks across Ireland working in the visual arts.

Friday is Love : Live Music / National Music Day, coordinated by Music Network — get thee down to one of the many events happening nationwide (the hubs will be hitting the town with junior in tow, seeing how much music he can take til he pops!)

Cinemagic Dublin is currently seeking kids and teenagers 10-18 years in age to sit on its film review jury — if you have any budding film critics knocking about the house, here’s your chance!

The Heritage Council is hosting an  EU Funding Information Event for Heritage Organisations on 13 April at its offices in Kilkenny, which will provide information for individuals and organisations on how to access EU pots o’cash — an underutilised source of funding in Ireland!

Miscellany

Aosdána recently added John Arden, Joseph O’Connor, John Tuomey, Corban Walker and Daphne Wright to their midst… @RositaBoland ‘s twitter reporting of their annual general meeting on April 4th was particularly entertaining (gardening wha?)

The Irish Times debuted its first Culture Podcast yesterday, featuring Fintan O’Toole, Jim Carroll, Rosita Boland and Shane Hegarty.

Puh-lease: 6 hours a week? Explaining what Irish academics do (and justifying the weirdness of our working patterns / heaviness of workload) continues to be the bane of my existence, especially as we’re now meant to conform to the Crazy Croke Park Agreement that’s arbitrarily imposed a demand of an extra hour spent teaching every week, across all levels of education (although I pause in my rant to spare a thought for Queen’s University in Belfast, where colleagues are facing drastic budget measures that will have a terrible impact on working conditions and consequently student experience). Much of the interesting debate on this subject has taken place over on ex-DCU president Ferdinand von Prondzynski’s University Blog (who’s since moved over to Robert Gordon University in Aberdeen). The folks over at DublinIntellectual (particularly Dr Marisa Ronan) are taking matters into their own hands, making efforts to broaden awareness of research conducted by third level academics, by hosting a series of accessible ‘salons’ — the first takes place tonight at 8.30 at the Shebeen on South Great Georges Street.

 

I’m sure I’ve forgotten something… but gotta get back to the day job! :)

 

 

 


Weekly round-up: 11 March 2011

11 March 2011

There was an election, don’t ya know:

  • Fine Gael swept the boards in a resounding victory (although the NY Times couldn’t quite figure out the gender of poor new Taoiseach Enda Kenny) — but pertinent to we arts folks was the announcement of the new Cabinet: Jimmy Deenihan (author of Fine Gael’s pre-election arts policy) was duly named Minister of the re-formatted Department of Arts, Heritage and Gaeltacht Affairs. This announcement confirmed election promises to keep the arts at the Cabinet table, but the reconfiguration of the various portfolios was more than a little perplexing (Leo Varadkar was named Minister for Transport, Tourism & Sport). Is this new nomenclature a signal that ‘culture’ will be reinterpreted more narrowly as ‘arts’? What are the consequences of losing the economic clout of tourism (and to a lesser degree sport) and becoming a warmer, fuzzier, and possibly easily sidelined department? Given that the budget of the Heritage Council was recently slashed 47% (following a reduction of 30% last year), this new configuration is worryingly low on punching power.
  • The National Campaign for the Arts provided a handy link to the two arts/culture-related pages of the new Fine Gael/Labour programme for government (click here for pdf): main points are the expansion of Culture Night to 2 nights/year [ok, achievable enough], developing 1916 centenary plan for 2016 [historians here at UCD are already rubbing their hands with glee], promoting geneaological tourism & stimulating diaspora tourism [hmm, is this really a growth area? The digitisation of census records has already had a negative impact on geneaological tourism; this aim feels very 1997], getting Local Authorities to combine arts officers’ roles [rather than providing funding for new/vacated positions], and using empty NAMA buildings for ‘local facilities for arts and culture’ [one thing we're certainly NOT short of in this country is arts facilities, Mr Minister!]. Perhaps most significant was the statement that ‘Responsibility for policy-making will revert to the Department, while agencies will be accountable for implementing policy, assessing outcomes and value for money’ — surely the Department has had little to do with actual direct cultural policy-making in recent years, asserting its interests instead through funding streams and the occasional direct cultural initiative. I’m most interested to see how this might play out in practice.
  • Music Network launched its plans for Love:Live Music National Music Day on April 8th. They’re soliciting new events to be added to the event listings on the site, and promoting a great range of offerings — more will definitely follow on this come April!
  • Most recent Dublin Contemporary news– Art in America featured a small piece on the troubled DC, claiming dismissed curator Thompson’s departure was due to a failure ‘to submit satisfactory plans’. An odd quote from the new curator Christian Viveros-Fauné: ‘”Now is not a good time for art that rubs people the wrong way,” the curator says, but he and Castro, who have collaborated previously, want to be thoughtfully provocative, or, thoughtfully provocative without being aggressive or offensive.’ Hm, this hardly sounds like a recipe for a truly ‘provocative’ programme? Still, there is much goodwill behind the initiative — even if an article in last week’s Sunday Times (no online free version, alas!) pointed out that the very established Lyon Biennale (curated this year by Victoria Noorthorn) begins about a week after the DC and has the exact same title. D’oh!
  • A piece in the Irish Times on Wednesday reported from the EU Culture in Motion conference in Brussels, noting the low uptake of EU Culture funding by Irish organisations (a subject that’s forming the thesis of one of our current MA students). Difficulties forming the partnerships required by EU funding schemes were highlighted, but the picture is definitely more complex than that (on a side note of weirdness, the article’s author seemed not to know who Jordi Savall is! )
  • There was a great article on Saturday in the IT profiling the lovely Catherine Morris, newly appointed ‘cultural coordinator’ at Trinity. Her exhibition at the National Library on Alice Milligan is fab, and demonstrates the wonderful investments made by the NLI in technology & access.
  • One of the most interesting presentations from last week’s Irish Museums Association conference was a virtual walk-through of the new museum in Glasnevin cemetery, which has recently won a major international design award for its stunning building and exhibition. The IMA is leading a tour of the museum tomorrow for its members, but in any case this new museum looks well worth a visit.
  • An event on March 14th co-sponsored by UCD and Gradcam (and featuring both Pat Cooke and Hugh Campbell from UCD as speakers) is entitled ‘Redrawing Dublin‘: ‘a special public seminar in response to the issues, ideas and challenges raised by Paul Kearns and Motti Ruimy’s recent interdisciplinary cultural project, REDRAWING DUBLIN (Gandon Editions, 2010). (…) This seminar offers an interactive opportunity to consider Kearns and Ruimy’s book project within the broader context of debates about urbanism, city cultures and Dublin’s future potential as a vibrant and dynamic metropolitan space.’

Weekly round-up: 24 February 2011

24 February 2011

  • The Dublin Book Festival begins next Wednesday — a great line-up of events and talks! In my own small corner of the universe, I’m going to be giving away 50 copies of Toni Morrison’s Beloved as part of World Book Night: swing by Starbucks in Blackrock Village from 11 am on Saturday 5th March to snag a free copy, first come first served (just mention the blog!).
  • The Irish Museums Association’s annual conference begins tomorrow in Drogheda; do join us for 2 full days of presentations, visits and discussion amongst the Irish museum community.
  • Project Arts Centre is looking for a few good bloggers — dangled carrots include free tickets, opportunities to interview artists and performers, use of a spiffy blogger-phone (sounds positively Batman-esque), etc… apply for the My_Project scheme by 7 March!
  • The First Thursdays initiative by TBCT carries forward the enthusiasm of Culture Night into a regular late-night opening of galleries and arts spaces in Temple Bar. The Clyne Gallery, Exchange Dublin, Gallery of Photography, Graphic Studio Gallery, Monster Truck Gallery & Studios, NGG / No Grants Gallery, Project Arts Centre, Temple Bar Gallery and Studios will all extend opening hours until 8 pm during the first Thursday of every month.
  • Shona McCarthy has been appointed Chief Executive of the company managing (London)Derry’s City of Culture programme for 2013. First task: nomenclature decision??
  • Whilst on the subject of Northern Ireland — our annual MA trip this year is to Belfast, where we’ll be visiting a number of cultural institutions & meeting with managers and policy-makers. If you have any suggestions of groovy places/people to add to our itinerary, please email me!
  • The OPW has begun recruitment for its seasonal heritage guides at sites around the country; this is a popular summer job for many of our current and past students, and online applications will only be accepted from 24 February – 3 March, so get cracking!
  • They speak! Newly appointed Dublin Contemporary curators Jota Castro and Christian Viveros-Fauné have recorded an interview available on CIRCA’s website. A recent press release from the DC also notes they will be giving a talk at the Armory Show in NYC next week on the subject of ‘Biennials As Barometers of Social Transformation? Dublin Contemporary 2011: Art, Crisis, Change & The Office of Non-Compliance‘. One would hope a podcast will be made available??
  • Eamonn O’Doherty will be one happy camper: the Anna Livia fountain (the ‘Floozie in the Jacuzzi’) is finally being re-installed in Dublin city centre after more than a decade in storage; eyewitnesses from the National Museum noted it being lowered into position today in Croppie’s Acre. Hopefully she will receive better treatment than her last respite on O’Connell St, although over on the online Vulgo zine Ciarán Mac Gonigal gives a fairly pessimistic view of the state of Irish public sculpture.
  • Some really thought-provoking debate is over on Diane Ragsdale’s blog on the subject of ‘failing’ arts organisations and the theatre ‘oversupply’ issue raised previously by NEA chariman Rooco Landesman. I agree that it’s very easy to pontificate on the (somewhat specious) claim of oversupply, far harder to suggest ways this would actually be dealt with (if even proven!). On her blog, Shoshanna Fanizza examines the claim of oversupply against her own community in Boulder, Colorado. I can only imagine the wars that would be started should someone claim that Irish theatre is oversupplied (although recent funding decisions by the Arts Council certainly have had the whiff of rationalization, and one of the keynote address at last year’s Theatre Forum conference addressed this very issue of a sustainable theatre economy).

Weekly round-up: 16 February 2011

16 February 2011

  • The Dublin Culture Trail was formally launched today by Temple Bar Cultural Trust — check out the press release and download the iPhone app too! This is a new online ‘virtual tour’ of major cultural sites in the city — looking forward to exploring this…
  • The NCFA Hustings grabbed much media attention this week (Irish Times, Irish Independent, and a playback of RTE’s coverage) — in Dublin a huge crowd turned out to Project Arts Centre on 14 Feb, receiving a rather uneven set of policy statements/responses to audience Q&A, and with Mannix Flynn making a noisy exit. A full podcast of the event is available for a listen.
  • Gerry Smyth published a useful overview of the various parties’ arts policies and platforms in the Irish Times on Monday, detailing the highs and lows (Sinn Fein, seriously?!?) of party positions. On the evidence of the hustings and the policy statements, some parties have a ways to go in terms of offering adequate levels of consultation, and demonstrating they’re aware of key priorities within the sector (not to mention reconsidering some of the dafter ideas, like Labour’s misguided suggestion to merge Culture Ireland and the Arts Council). Visual Artists Ireland has also posted responses to their questioning of party positions on the visual arts, and the NCFA has posted links to all of the parties’ full statements of policy.
  • Still on the election… if you’ve been wondering what’s behind all the funky posters jostling for space with candidates’ grinning jowls, check out www.upstart.ie.
  • Are you a 15-19 year old culture vulture? Sign up to be part of SCENEnotHERD, Temple Bar Cultural Trust’s new arts collective that is going to offer you lucky ducks tickets to screenings, exhibitions, events etc.
  • The Chronicle of Higher Education (US) published an article discussing the rise of business & management training within art colleges, citing target student audiences of designers and other arts professionals who have “hit a ceiling. They want to get hired in upper-level positions or be more successful in their current roles, but they need to be able to articulate the value of their skills in a way that management can understand”. The extension of such programmes into the BA curriculum is particularly interesting.
  • The Science Gallery boasts a stellar line-up of talks this week on art, science and design — tonight (Wednesday) is academic superstar Martin Kemp, discussing “Structures and Intuitions in Art and Science from Leonardo to Now“, and tomorrow features home team superstar Hugh Campbell (UCD Professor of Architecture), screening Charles & Ray Eames’ A Communications Primer (1953) followed by a lecture.
  • The Jameson Dublin International Film Festival kicks off tomorrow (17 Feb), with an intriguing screening next week (Feb 25th at the IFI) of ‘Build Something Modern‘, a documentary exploring the unusual story of Irish architects who brought modernist architecture to Africa from the 1950s-70s.
  • Want to impress your friends with your in-depth knowledge of Hollywood’s lack of historical accuracy (or otherwise)? The Centre for Medieval and Renaissance Studies at Trinity is hosting a groovy film & discussion series ‘Filming the Middle Ages and the Renaissance‘ which will include screenings of The Lion in Winter, Kingdom of Heaven, Black Death, The Name of the Rose, Lost in La Mancha,  Elizabeth, and Alatriste. Screenings are free, take place at 7 pm on Thursday and begin on March 24th.
  • The Clore Leadership Programme has opened for applications to be a 2011-12 fellow; the scheme is open to individuals working in the cultural sector (practitioners, managers, etc) — folks in Ireland who’ve participated as Jerome Hynes Clore Fellows give the experience high marks; applications close 11 March.
  • Next week a ‘Fundraising Tweetup‘ is being staged at the Clarence Hotel to explore ideas around social media and fundraising.
  • A new group has formed to stage a Culture Hack Ireland day — in January a Culture Hack was held in the UK ‘bringing cultural organisations together with software developers and creative technologists to make interesting new things.’ (see the video) Sign up to the group & join in the discussion on how to make this happen in Ireland…



Weekly round-up: 4 February 2011

4 February 2011

Blowin’ in the wind this week:

  • As seen in the last post, the Dublin Contemporary‘s appointed 2 new curators; its site has just come back online again as of today, with further details of its theme and what the heck they mean by ‘The Office of Non-Compliance’, whose explanation still sounds a bit Cheneyesque to me.
  • The director job for the National Concert Hall was featured in The Irish Times today.
  • Many were dismayed this week (not least the staff) to hear of the closure of Waterstone’s Dublin branches. I can only hope great indies like the Gutter Bookshop, Winding Stair and The Company of Books continue to thrive.
  • The new Google Art Project has been wowing everyone in these parts– more fun than ArtStor, but can the Irish museums play too? Pretty please??
  • The Model: Sligo has a great new Jack Yeats exhibition ‘The Outsider’ on show, and a talk tomorrow (5 Feb) with Brian O’Doherty and Hilary Pyle that I wish I could attend!
  • Business to Arts has published a useful evaluation of its own ‘New Stream’ project, aimed at improving development skills in the arts sector through a series of workshops and professional development activities. Our own Pat Cooke provides some of the feedback on the programme.
  • Arts Audiences has launched details of two audience development schemes: Building Your Audience focuses on cultural tourism and assisting arts organisations with attracting domestic and international visitors (in partnership with Failte Ireland), while Media Mentoring offers the opportunity to match orgs with a mentor from Google who will provide advice and guidance on using new media to best advantage. Both schemes are currently open for application by organisations large & small!
  • The Moderns has continued to attract high visitor numbers (though some mixed reviews) but an announcement that the catalogue will be AGAIN delayed until March (when a significant part of the exhibition will be closed) was deeply disappointing (and frustrating for those of us hoping to use the exhibition for teaching purposes!)
  • Alain de Botton’s provocatively titled missive ‘Why are museums so uninspiring?’ set off lots of debate & discussion in the blogosphere; personally I think Charlotte Higgins from the Guardian had the most spot-on response (and interesting comments, too).
  • In the US, NEA Chairman Rocco Landesman sparked more debate over his comments that suggest American theatre was in a state of oversupply and under-demand, and should be adjusted accordingly.
  • The Observer on Sunday had an interesting piece on the death of the critic in the face of social media, but it still sounds like the funeral may be premature.

IMA Annual Conference: The Way Forward: Sustainability and the Museum

24 January 2011

This year’s Irish Museums Association annual conference (25-27th February 2011) is now accepting registrations (full disclosure: I’m on the organising committee)! Our theme this year is ‘The Way Forward: Sustainability and the Museum‘, and we’re delighted to be headed to Drogheda, where we’ll be hosted by the Droichead Arts Centre.

We’ve a great series of events lined up– as always, Fridays will feature a selection of members’ papers (see the call for papers here) and an interactive workshop (Annette Nugent leading the group for a session entitled ‘What can the museum sector offer the visitor, and how can museums grow their visitor base?’).

Saturday will see a full roster of speakers take the podium, including:

  • RACHEL MADAN (Greener Museums and author of Sustainable Museums: Strategies for the 21st Century)
  • EAMONN McENEANEY (Director, Waterford Museum of Treasures)
  • OLE WINTHER (Head of Museums Office, National Heritage Agency, Denmark)
  • SAMUEL JONES (Policy Fellow at the UK’s Department for Culture, Media and Sport and Head of Culture at DEMOS)
  • STUART McLAUGHLIN (Chief Executive, Business2Arts, Dublin)
  • IZABELLA CSORDÁS (Head of Visitor Services Department, Museum of Fine Arts, Budapest, Hungary)
  • GRAINNE MILLAR (Head of Cultural Development, Temple Bar Cultural Trust, Dublin)
  • DR HUGH MAGUIRE (Director, Hunt Museum, Limerick)

The Millmount Museum, Highlanes Gallery, Beaulieu House and Battle of the Boyne Visitor Centre will all be welcoming conference delegates for special receptions and visits. We are offering a special 40% off concession rate this year as well.

Full details of the conference programme can be found on the IMA website. Hope to see you there!


Weekly round-up: 19 January 2011

19 January 2011

I need a lie down– far too much happening over the last week! Here’s the skinny:

  • In a (relatively) surprising announcement, Fionnuala Croke (head curator at the National Gallery) was named new director of the Chester Beatty Library, replacing the outgoing legend Michael Ryan. Croke had been tipped as a potential replacement for Raymond Keaveney as Director of the NGI following his retirement this year, so her appointment to the CBL has led to much speculation about future leadership at the Gallery.
  • The word on Fundit.ie, Business to Arts’ new crowdsourcing site (check out the video above!), was leaked to a wider audience this week, with a formal launch coming in February. If you aren’t familiar with crowdsourcing, have a look-see at established sites like www.kickstarter.com– this project has major potential for Ireland’s creatives.
  • Music Generation, the new music education programme managed by Music Network and set to be rolled out nationwide, has received major sponsorship from U2 and the Ireland Fund which will allow it to be realised over the next three years (speaking of Music Network, they’re looking for an intern– deadline is Friday!)
  • Yesterday’s Irish Times ran an article by Gemma Tipton detailing pressure artists face to make ends meet: sobering first hand accounts strike a sharp contrast with critiques of the income tax exemption in recent months.
  • The Jameson International Film Festival has announced a screenwriting competition and issued a call for volunteers.
  • Why have I not seen this blog before? Diane Ragsdale (pursuing a PhD in cultural economics in Amsterdam), has written a great series of pieces on cultural management & policy (attracting many excellent & insightful comments).
  • The shortlist for the Irish Times Theatre Awards has been announced– according to the article, the Gate has refused its productions to be allowed for consideration (apparently last year was the same). I’ve yet to discern the logic behind this? In other theatre news, The Company is looking for a last-minute, eager assistant for its production ‘As You Now Are So Once We Were at The Abbey.
  • ACE cuts are to be announced in 2 weeks’ time… meanwhile the Guardian has made the excellent move of centralising information about UK arts funding on its Culture Cuts blog.
  • The VIP Art Fair is set to go live in 2 days — a groovy new model of an online-only art fair that’s attracted the participation of major international galleries, features high-tech means of viewing the work available and offers the ability to chat live with dealers in a suite of innovative features. Will have to check out and ogle the functionality, ummmm.
  • I’ve shied away recently from posting event announcement (as I receive so many!), but I always have a soft spot for projects run by programme alumni: tomorrow is the launch of ‘Haiti Lives – One Year On‘, a photography exhibition run by TCD’s International Development Initiative, on view at Trinity until Wednesday Februrary 9th.

Phew.


Weekly round-up: 17 December 2010

17 December 2010

Last digest before Xmas, folks! And it’s a doozy…

Season’s Greetings to all my readers!! Thanks for granting me the gift of your eyeballs over the past year.


Weekly round-up: 17 November 2010

17 November 2010

Lots of gloomy news this week– but some bright spots for the arts:


Wednesday round-up (27 Oct 10)

28 October 2010

Ok, so technically it’s Thursday, but the baby’s gotta eat sometime.

Here’s what’s caught my eye this week:

  • Locally, Professor Michael Shanks from Stanford University’s visiting UCD– as the blurb goes: ‘His lab at Stanford, Metamedia, is pioneering the use of Web 2.0 technologies to facilitate collaborative multidisciplinary research networks in design history, media materialities and long-term historical trends.’ He’s giving three seminars, the last two of which on 18 November (Museum Design and the Humanities / Design and the Humanities) may be of interest to readers here? Click here to download more info.
  • As Sue Sylvester opined in last night’s Glee, ‘art’s gotta push boundaries’: see some folks doing just that at a gathering of top Irish performance artists on November 4 at Kilmainham Gaol.
  • Did you know next week is Design Week? No? Get thee to the website
  • The RHA is hosting a swanky evening fundraising do next Friday.
  • Dnote’s launched a Cultural Map of Dublin (iPhone app to follow, huzzah!)
  • Do you dream in 140 characters? Business to Arts is looking for a social media intern to join their team.
  • And finally: can Beckett Bran be far behind? Americans for the Arts cook up a new ad campaign:

Upcoming seminar – Whose Culture is it? Social Inclusion and Diversity in Ireland’s Cultural Spaces

26 October 2010

The Council of National Cultural Institutions is hosting an upcoming seminar on the subject of social inclusion and diversity at the Chester Beatty Library in November. There’s an interesting line-up of speakers from IMMA, the Crawford Gallery, the CBL and the Arts Council, amongst others.

Keynote for the day is Mark O’Neill, from Glasgow City Council, who should be especially interesting given Glasgow’s renown for its progressive policies in the area (especially at its fantastic public museums, including the newly reopened Kelvingrove Art Gallery & Museum). Email mail@heritagecouncil.ie to book!

Here’s a pdf of the programme, by the way.


Irish Museums Association annual forum

30 June 2009

IMA_Forum_2009

‘Blow Your Own Trumpet’ — IMA’s annual practitioners’ forum — is set to take place on Friday, 10 July from 10-4 pm at Daniel O’Connell House (58 Merrion Square South).

The day promises to be a very interesting one, with presentations from museum professionals around the country on recent initiatives in their institutions. It’s a great way to get a snapshot of what’s happening across Irish museums, and have an annual chinwag with others in the biz.

For a full line-up of presentations click here, or on the image above.

For further information or bookings contact the IMA Administrator, Carla Marrinan, at 01 4120939 or office@irishmuseums.org


The masses mass for Picass(o)

2 February 2009

picasso-elite-460_1006484c

Having my daily breakfast of espresso and Euronews, I was amazed to see a story on the public response to the Picasso exhibition currently on at the Grand Palais in Paris… the show’s about to close, and tens of thousands of people apparently queued overnight to catch a last glimpse of the works. To facilitate the crowds the Grand Palais hosted a marathon 83-hour viewing session. According to the accompanying article on the Euronews website, more then 700,000 people have visited the exhibition since it opened in October.

And yet the spirit of liberté, égalité, fraternité has not graced all quarters, with detractors late last year describing the populist shows as ‘a cancer’ in the Parisian art world.

Elsewhere the arts democracy has gained stronger footing, as the BBC last Wednesday announced its intent to put 200,000 paintings in public ownership online, and the imminent appointment of a new arts editor and arts board to enhance coverage. This follows on too from the innovative move by the Prado in early January to place some of its greatest paintings on Google Earth in extreme high resolution, allowing online viewers to see the works in astonishing detail.

And yet, I can’t help but feeling a mixture of exhilaration and depression at such news… imagine an RTE arts board? The public queuing for hours to see a National Gallery exhibition? Irish paintings in the public ownership actually (gasp!) online? What happens to a dream deferred…


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