Connect: Artist Mentoring Project

Common Ground (the arts development agency based in Inchicore) has teamed with Create (the national development agency for collabortive arts) to deliver an action research project, ‘Connect’, on the subject of artist mentoring:

The core of Connect is a mentoring programme that brings experienced artists together with less experienced artists, to guide and support their creative process. A range of events are also taking place which present and discuss ideas about mentoring, through panel discussions, presentation of case studies and workshops. This public action research forum is one of these events. It will be of interest to artists, those working in the arts sector – particularly within the field of participatory arts practice – and those working in other sectors who have an interest in collaborating with artists or are already doing so, e.g. youth workers, community development groups, educators, healthcare professionals, etc.

The next stage of the project is a public action research forum taking place in Galway on 16 June. For more information, click below:

Background information on the project (.doc)

Programme (.doc)

Ireland & its arts centres

Civic Theatre Tallaght

Civic Theatre Tallaght

In today’s Irish Times, a very interesting article on the expansion of arts centres during the last decade, many funded under the Cultural Developments Incentive Scheme:

If the physical landscape of Ireland will never be the same after the building boom of the so-called Celtic Tiger years, with all its modern apartment blocks and endless motorways, then neither will the cultural landscape, which has also been transformed by the country’s now-lamented economic prosperity. Nowhere has this been more evident than in infrastructural developments for the arts; the appearance of theatres, galleries and arts centres in the most surprising sites across the country: in satellite suburbs and small towns, from Coolock to Doolin to Naul.

Written by Sara Keating, the article contains interviews with then-minister Michael D Higgins, and directors of arts centres including Dunamaise Arts Centre (Portlaoise), An Grianán Theatre (Letterkenny), Civic Theatre (Tallaght). According to Higgins, fears that the newly built centres would become white elephants haven’t borne out… however it is also true that it hasn’t been an easy ride for them all: witness the recent woes of the Riverbank Arts Centre. Such places are unbelievably important to their communities as spaces for art and performance, and one can only hope they will continue to flourish with community and government support.

Now, if only something could be done about the disgrace that is the Bank of Ireland Arts Centre in Dublin…!

Sculpture in the Parklands wins Business to Arts Award

Congrats to Sculpture in the Parklands & recent programme alum Kevin O’Dwyer, recipient of the 2009 Business to Arts Corporate (Cultural) Social Responsibility Award along with Bord na Móna!

B2A_Parklands

Their citation:

Bord na Móna believe that a crucial part of their social responsibility is to recognise the rich industrial and natural legacy of the peat lands of Ireland. Sculpture in the Parklands has grown from the involvement of artist Kevin O’Dwyer who invited artists to participate in an International Sculpture Symposium in 2000 to celebrate the heritage of Lough Boora bog in Offaly. This became the impetus for the 50-acre sculpture park, open every day to the public, which continues to invite artists to create site-specific work. Offaly County Council and the Crafts Council of Ireland worked with the partners last year on a major arts programme alongside the International Peat Congress in Lough Boora.

A well deserved accolade!

Post-gorilla

guerrillaLast night’s Guerrilla Girls event at NCAD was lively and entertaining– their take on feminist art-world protest certainly draws some strong reactions, and I was interested to hear comments from the crowd assembled… one of which was the opinion that Irish women contemporary visual artists are perhaps more prominent/successful than their male counterparts (a statement which set off ripples of murmurs, mainly in disagreement I surmised?) As another audience member pointed out, 80% of the student body at NCAD is female (is this true? I have no idea.) Still another noted that while this was the case, women did not figure as prominently on selection panels and other positions of power within the Irish art world. I added the observation that nearly all of the directors of the National cultural institutions of Ireland were also male (which is certainly true– out of the nine institutions who make up the CNCI [Abbey, Chester Beatty Library, Crawford Art Gallery, Irish Museum of Modern Art, National Archives, National Concert Hall, National Gallery of Ireland, National Library, National Museum], only two are directed by women– this statistic goes down if you split out the satellites of the NMI). However both the Chair and the Director of the Arts Council are women, the Council itself is 50/50, and its staff is overwhelmingly female. Added to this, my experience with the MA programme and folks in positions at lower and mid-managerial levels in the arts management sector is that they are also overwhelmingly female.

What does this tell us? Anything? Nothing? What is the relationship between gender and compensation, and does that change whether we’re talking about non-state organisations or government/civil sector posts? Have women in more senior positions within arts and culture experienced a ‘glass ceiling’, or is there a generational shift waiting to happen? Should we be worried about the shrinking number of men entering arts management as a profession? In the art historical sphere there’s lots of activity at the moment focused on re-establishing women within Irish art history and visual culture (see an upcoming conference at TRIARC and also a recent book edited by UCD Postdoc Dr Karen Brown)– however I don’t know of any current research focused on cultural management or more contemporary sociological takes on the Irish arts sector (any suggestions welcome!) The term ‘feminism’ continues to provoke strong negative reactions amongst undergraduates, both male and female, in my experience at UCD– so whilst some of the Guerrilla Girls’ actions might seem a little tame (or outdated?), I have found their performances a good starting point for discussion in some undergraduate classes– I don’t think there’s a convincing argument for hanging up the gorrilla masks just yet!

IMOCA: This Must Be The Place

Popped along to the opening of IMOCA‘s new exhibition ‘This Must Be The Place‘ :

Vodpod videos no longer available.

It’s great to see artists getting together and creating new spaces for exhibition and activity, even if some of the work in this particular show felt a bit slight to me (perhaps a consequence of the ‘contemporary budget’ as was described?)  Clearly there’s some ambitious aspirations with the space (although the name itself I think is a bit misleading), and I look forward to seeing what they get up to next…