Hot off the presses… at long last, behold the new NGI website! Seems to be a few glitches however… I couldn’t use the online collections search feature, and the calendar function isn’t the best design. Ditto for the ‘Top Reasons to visit’ and ‘About Us’ pages which have weird formatting in Firefox. Also once you go into the shop the primary navigation disappears. Most unhappily there is a severe lack of any interactive content (although they’ve signalled the development of a YouTube channel)… pity. Although it’s a vast improvement on the old site, this isn’t a particularly ambitious replacement. Bummer.
Category: Visual Arts
Weekly round-up: 1 December 2010
Snow, snow everywhere! Thaw out and enjoy:
- Dublin’s been shortlisted to host the World Music Expo in 2013 (any detectable irony with respect to the possible cancellation of the Festival of World Cultures?)
- Trinity has unveiled its new Long Room Hub – in a word: jealous.
- Judith Woodward is stepping down as director of the National Concert Hall – she will be greatly missed.
- A new report on Arts Attendance in Ireland has just been published & makes for fascinating reading.
- Speaking of new research, Arts Council England has published a report on the Internet and ‘digital arts audiences’ – should be required reading for Irish arts orgs (and the Irish Arts Council, and the Dept of TC&S– digital/internet strategies and development support in this country have a long way to go!)
- The Dublin Contemporary project‘s been picking up steam – although support for the event has so far been couched in the language of cultural tourism, I can’t help feeling the timing will do this initiative few favours.
- Richard Conway in The Guardian recently sang the praises of new pop-up arts spaces in Dublin– great responses in the comments (unfortunately now closed)– ryan333 however has a point!!
- I was interested to read about this campaign about charitable legacies in the IT, launched by Legacy Promotion Ireland – back in my IU fundraising days bequests were a standard part of the curriculum & training, and it surprised me initially they were so rare in Ireland. Until there are significant changes in the tax structure however I don’t see them becoming a widespread practice.
Wednesday round-up (3 November 10)
This week’s digest:
- A new iteration of the RDS Art Fair makes its debut on Friday 5th November (running until Sunday). Although usually catering to popular tastes, the Fair is including this year the Collective Contemporary Art (CCA) programme in the Industries Hall, which adds an interesting curated exhibition of selected contemporary artists to the mix.
- CIRCA has debuted its first totally online issue, themed on the subject of ‘criticism and criticality’. I will miss the glossy (alas, the glossy screen is a reluctant substitute).
- Today saw the launch of the first of a series of reports on the state of fundraising in Ireland (authored by 2into3 consulting in conjuction with Mason Hayes Curran. Unfortunately few arts organisations were included in the study, and it isn’t available online yet, but it should yield some interesting insights…
- A seminar on the ‘Cultural Dimensions of Innovation‘ is being held by UCD at Newman House on St Stephen’s Green on November 15th & 16th, that will ‘analyse the cultural dynamics which will shape Ireland’s economic, technological and political innovation agenda’ (natch). No doubt terms like ‘creative economy’ and ‘cultural interfacing’ will be trotted out; let’s just hope this doesn’t happen.
- Finally, the Arts Council has announced its strategic approach for the next three years— lots to process there, but increased funding for marketing/audience development initiatives, the heightened importance of ‘value for money’ and ‘sustainability’, and the altering/concluding of some funding relationships are all signalled.
Publicart.ie launched – some notes
The long-anticipated site www.publicart.ie has recently launched. Sponsored by the Arts Council and DAST, the site’s aims include:
Vision
• To build a solid body of information and knowledge on public art practice
• To place public art within a critical context
• To provide information on commissions, projects and news
• To develop a growing directory of commissions, projects and artworks
• To provide a curatorial approach to mapping public art practice
• To support information exchange, debate and news from the field
• To offer information on commissioning procedures
• To provide a space for new on-line artworks
I’ve been waiting for this site to launch for some time, especially given that I teach on some aspects of public art here at UCD. The site does have some good information on about 60 different projects, stretching acros the country. However the vast majority of these were temporary, time-based or performative works. There’s very little by way of more ‘traditional’ public art– and I’m not clear how far back in time the site’s designers intend to go. As much of the content seems to be based on submissions from various project coordinators, it would appear that this is a tiny snapshot of public art in Ireland, and probably not the most visible segment of that sector either (which is both a good and bad thing!) While it’s a great idea to give temporary projects added visibility (especially given that documentation can be hard to come by for such work), to neglect permanent art & sculpture (and any mention of the historical context of public art in Ireland) is a massive oversight. Additonally, I would expect to see on such a site links to excellent local authority websites and/or listings of regional public art, such as Donegal CC‘s efforts towards this end.
Most distressing from my own point of view, there seems to have been little consultation with the many academics on this island working on the subject of public art. While a few of the extracts on the ‘Writings’ section of the site are very interesting and influential (particularly Claire Bishop’s article on the Social Turn), most of the pieces here are journalistic in tone (or alternatively very shallow in terms of their research and scope), and include no reference to the many outstanding pieces of Irish academic writing and research on the subject (in both journal and monographic forms). This is not to suggest academics hold some kind of monopoly on commentary, but as I’ve worked myself in this area in Ireland for the last seven years and am aware of much current and recent research on Irish public art, I do find their exclusion very puzzling. On a related note, the Library section is patchy and also primarily international (no mention of Judith Hill’s landmark book on Irish public sculpture, for example) and would benefit from a read of the various syllabi of university courses on public art offered at Trinity, UCD, UCC, NCAD and elsewhere. As the range of publications on international public art is vast, why not elect to focus on work here in Ireland (do we really need another link to Maya Lin)?
Perhaps the designers & administrators of this site might elect to circumscribe their project more clearly? If the intent is to focus on very recent, ‘new genre’ (to borrow Suzanne Lacy’s term) public art, it would be more effective to note this. I don’t mean to be entirely negative about the site, as a centralised website on Irish public art is much needed and will prove valuable (especially to practitioners), given time and additional contributions. I also understand that this is a site in progress, without a dedicated administrative team (or so the website would suggest?), and is very much still evolving. I just can’t help feeling disappointed, given the great need to make information on Irish public art more accessible, web-based and richer in content and relevance.
The Fourth Plinth: One & Other

The new commission of the Fourth Plinth Project is strangely addictive watching: conceived by Antony Gormley, the project allows punters the chance to stand on the Fourth Plinth in Trafalgar Square for an hour– and do what they like. More than 23,000 people applied for 2,400 places (the project runs for 24 hours a day, from 6 July – 14 October). According to the project description:
He is asking the people of the UK to occupy the empty Fourth Plinth in Trafalgar Square in London, a space normally reserved for statues of Kings and Generals. They will become an image of themselves, and a representation of the whole of humanity.
A live webcam is capturing all of the participants, and there’s short pieces on the accompanying website on most of the ‘plinthers‘. It’s attracting loads of attention, in public & online, apparently scoring more hits at the moment than Big Brother!
At the time of posting a woman was making a sculpture out of bread, in homage to Gormley’s work ‘Event Horizon’. Anxious watchers are still awaiting the inevitable nudity/defecation/similarly outre public act…
Could there be an equivalent for Dublin? Or would they have beer cans thrown at their heads? Discuss…



