Weekly round-up: 28 July 2011

Ulster Bank Dublin Theatre Festival 2011

It’s been a while, but I missed ya. Here’s the latest round-up:

First Thursdays in Temple Bar (where cultural organizations stay open extra late) keeps getting bigger and bigger – check it out next week if you haven’t already!

While I was away the Arts Council appointed Orlaith McBride as its new director… still no white smoke on the new director of the National Gallery, however!

I was very sorry to hear of the passing of artist Bill Crozier — a lovely man and a wonderful artist, I interviewed him a few years ago for a book on Stoney Road Press and recently enjoyed seeing his work at the RHA Annual Exhibition. He was extremely warm, funny and generous and we had a wonderful time speaking about our shared love of jazz, among other things! His work will be a wonderful legacy of a great personality and aesthetician.

The Music Generation project is underway (with a coordinating post still open in Co Mayo) and a national seminar to alert folks to further funding opportunities and other aspects of the programme will take place in September and is now accepting registrations.

There’s so many folks looking for work out there at the moment (mucho trafico on the jobs & internships page at the minute) – and if you’ve an interest in upskilling in digital media, and have been unemployed for 6 months or more,  the WebElevate programme (in conjunction with DIT and the Digital Skills Academy) is offering 120 funded places on a series of courses to be run in the Digital Hub.

Lots happening in theatreland… Willie White was appointed as the new Artistic Director of the Ulster Bank Dublin Theatre Festival to cheers all round! Congrats to Willie – there will be big shoes to fill at the Project!

Meanwhile both the Absolut Fringe Festival and the Theatre Festival have announced their programmes – with Irish Theatre Magazine providing a cheeky breakdown of Theatre Fest stats for your amusement J

The Everyman Theatre in Cork has also made a major appointment in its new Director Michael Barker-Caven, relocating to the People’s Republic from the UK.

I was delighted to see Thisispopbaby’s production Alice in Funderland is part of the Abbey’s schedule for 2012 – I missed its original staging and heard rave reviews, so it’s great to see there’ll be a second chance!

One great session at the recent Theatre Forum conference was led by John Deely on career management in the arts; he recently forwarded a useful e-workbook on to participants that might be of interest to many readers – it can be downloaded here.

The Guardian recently featured a polemic blog post on lack of women working in UK theatre – many of the comments are actually better (and more focused) than the original posting, but it makes for a really interesting read.

Festival season is in full swing and this weekend (and my family!) will see the Spraoi in Waterford, the international Street Fair festival. Lots happening over the bank holiday, but The Reich Effect weekend programme (celebrating the work of composer Steve Reich) at the Cork Opera House looks like another great bet if you’re down south.

Open House Dublin 2011 is looking for volunteers! It takes place from 7-9 October and is a fantastic event – have a look at their flier if you have time & energy to spare!

Over my holidays I read with some bemusement further articles on the ambition to turn Bank of Ireland’s College Green premises into a literary/cultural centre (a move strongly rebuffed by the bank) – an Irish Times editorial from a few weeks back offers the sage advice to consider the failure to establish a national opera company and the stagnation of plans to move/expand the Abbey and the National Concert Hall before plowing ahead with another ill-advised capital project.

However I was extremely pleased to hear the Irish Georgian Society has acquired the former Dublin Civic Museum for its new premises and plans to embark on a restoration of the building; we’ve a close relationship in the School with the GS and wish them the best with their snazzy new digs! It’s wonderful to have new life breathed into such an important city space.

The Irish Writers’ Centre is launching a new initiative in its ‘Novel Fair’ event, which invites first-time authors to submit anonymous work to be considered by a judging panel of folks from the publishing industry, and have the opportunity to meet directly with publishers and agents. It sounds like an unmissable opportunity for new writers; the submission deadline is November 11th.

Audiences Northern Ireland has re-launched its website – fancy!

Putting my board member hat on… the Irish Museums Association is seeking contributions (both articles and exhibition/book reviews) to this year’s journal Museum Ireland, the only publication in the country devoted to articles and discussion of museum-related matters. Send ‘em in!

I’m looking forward to seeing the latest exhibition at IMMA of photographs from the David Kronn collection – he’s promised his collection to IMMA, and it looks like a great chance to get a peek at a marvelous private collection.

Dublin-based Irish visual artist Al Freney has had one of his works selected for the prestigious BP Portrait Awards, hosted annually by the National Portrait Gallery in London – congrats! Here’s a press release if you’re interested to know more…

Weekly round-up: 27 April 2011

Though I’ve been occupied stuffing myself with Easter chocolate, basking in the spring sunshine, and feeling the glow of two long weekends with a royal wedding sandwiched in the middle, it’s time for another round-up…

Jazz-heads are gearing up for a few weeks of delectable treats — Improvised Music Company’s 12 Points! European Jazz festival begins at Project Arts Centre on 4th of May, while the long-running Bray Jazz Festival is this weekend! Lots of chatter meanwhile on Jim Carroll’s recent blogpost on issues surrounding jazz promotion & attendance in Ireland, followed by an article in today’s IT by Laurence Mackin on the changing face of contemporary jazz. Some of the best gigs I’ve been to in Ireland have been jazz — Tomasz Stanko, EST, Bobo Stenson, and Marcin Wasilewski are a few that spring to mind —  and according to my extra-jazzy husband (who co-presents Jazz-o-rama on Dublin City FM), Phronesis is the hot ticket at 12 Points this year.

Mindfield (the ‘international festival of ideas’) begins this Friday in Merrion Square and runs through Sunday. Though to my mind a leetle on the pricey side (69 yo-yos for a full festival pass, or a tenner for each event) there are quite a few free workshops & family events. I’m a fan of the quick-fire Ignite concept of 10 speakers + 20 slides + 5 minutes, but there’s a whole range of interesting talks and hands-on events throughout the weekend.

Seriously digging the idea of Druid staging The Cripple of Inishman on, well, Inis Meáin. Locals have first dibs on tickets for the 26 July performance (sales opened yesterday to Aran Islands residents), with the remainder going on sale to the public on 23 May.

Yesterday’s Irish Times carried a special supplement featuring the programme for the Bealtaine Festival (‘Celebrating Creativity in Older Age’) which begins this Sunday. They’re also currently recruiting for Cultural Companions, a programme which matches seniors with folks interested in accompanying them to cultural events (applications are being accepted for North Dublin and Cork).

On the other end of the age spectrum, Sheila Wayman in the IT wrote yesterday about involving children in arts activities from an early age, citing the importance of introducing them to arts experiences outside of school structure. As the mama to a 18 month old little guy, I found the list of available activities very useful — with the baby boom in Ireland still in full flush, young families will be an important market & audience for arts organisations for some time…

I’ll be popping in to the Science Gallery’s new exhibition HUMAN+ tomorrow — Director Michael John Gorman recently penned a piece on the Guardian’s Science blog about the show that’s sold it to me!

The Galway City Museum is set to be re-furbished; it will be closed until early June to facilitate work, presumably in time for the Galway Arts Festival in July!

A quirky news item in the Independent last week noted that several roadside public sculptures from Kildare and Kerry have been stolen (presumably melted down for scrap). Obviously this is a distressing issue for the county councils and artists involved — though I must admit given the state of some of our public sculptures, these thieves might be doing us a roundabout favour (pun intended).

Temple Bar Cultural Trust is calling for interested participants for Culture Night 2011; deadline for expressions of interest is the 27th of May.

In an expected but warmly welcomed move, Arts Minister Jimmy Deenihan issued a call for interested applicants to apply for board positions at the National Concert Hall, IMMA, Irish Architectural Archive, Arts Council, and Heritage Council. This is part of efforts by the Department to increase transparency as regards governance and recruitment, and to avoid the sinkhole of political appointee-ism that’s plagued some of our cultural institutions. There’s no guarantee appointees will be drawn from this open application process, nonetheless it’s a great step in the right direction. Applications are due May 13th, so get cracking!

The Fundit website’s done extraordinarily well in its first month, raising about 40k! Quite a number of projects have reached their funding targets — but I’d love to see the Irish/Polish Film Project and the Open House Dublin Book Project make it over the line (their funding target has to be met for them to receive any moola) — have a look & consider sending a few euro their way??

The worst news of the past 2 weeks? The closure of the Lighthouse Cinema, after the failure to reach an agreement with the current landlords and the appeal for mediation rejected. I still have difficulty believing there’s no alternative in this case; it makes me physically sick to think of that wonderful facility lying empty. Will this be the final death knell for the Smithfield redevelopment dream?

Weekly round-up: 6 April 2011

Photo from the Irish Times, 5 April 2011: Rob Dunne and Antoinette Emoe prepare Diego Rivera's Landscape with Cacti for hanging at Imma. Photograph: Alan Betson

A sooper-dooper bumper round-up for today, to make up for my absence over the past 2 weeks (travelling for conferences & wrapping up MA course for 2010-11!) I’ve made a few sub-headings to make navigating this update easier; I promise not to stay away so long next time!

Jobs / internships

Want to work for the Arts Council? Now’s your chance… currently hiring a new Director and 15 (!) new arts advisors across all disciplines, so dust off the CV….

I’ve been following news on changing practices around internships/work placements in the UK (see previous post): just yesterday the Guardian reported on Nick Clegg’s admission of the advantage conferred to him via a placement in his youth arranged by his father.  There’s been a recent push in government (as part of a ‘social mobility’ campaign) to increase application transparency, fair remuneration, and access to internships in desirable professions — an issue of importance here in Ireland as well, though this has yet to be addressed in any substantial way. Groups/blogs like Intern Aware and Interns Anonymous have formed in the UK to push for reform and improve access (although I would disagree with their distinctions drawn between ‘interning’ for a company and ‘volunteering’ with a charity as neglecting/mis-characterising the non-profit sector); is it time for similar action here in Ireland?

Awards Season

Congratulations to the Science Gallery for its recent Shorty Award (for the best Cultural Organisation) at the ‘Oscars of Twitter’, and to Vulgo.ie for its triumph as best Arts & Culture blog at the Irish Blog Awards in late March!

Budget woes & money matters

The Lighthouse Cinema is embroiled in a rent dispute with its landlord, who recently doubled the rent from 100k to 200k. The future of the cinema is of great concern to its patrons, local residents in Smithfield and taxpayers (especially since the government invested €1.75 million in its development). The petition by the landlord to wind up the lease has been adjourned to allow for board discussions; it’s also been suggested that the Cultural Cinema Consortium (formed by the Arts Council and the Irish Film Board) who initially invested in the project might take it over as a going concern… Certainly I’d be of the view it’s the best arthouse cinema in Dublin (sorry IFI!), although the decline of the Smithfield development and its failure to secure lasting tenants is obvious to anyone visiting, and a clear obstacle the cinema’s struggled to deal with. Will keep you posted…

As the Arts Council England finally sent out funding notifications to organisations,  the scale of cuts was wide enough to warrant massive coverage in all the UK dailies (I follow the Guardian mainly) and even feature on a Newsnight segment. 206 organisations had their funding cut completely, and supporters of various organisations and artforms fumed. The Arts Council itself recently came in for strongly worded criticism and an order to sell off big chunks of its collection, whilst the CEO of ACE answered tough online questions about funding decisions. It’s almost too much to digest, especially at a distance, but my impression is that ACE was in an impossible situation, with nearly every commentator convinced of his/her view that decision X or decision Y was a travesty of judgment — I would have more sympathy with Charlotte Higgins’ view that

… ACE’s behaviour is only a sideshow. The real story here is the gradually corrosive effect of a government that, while paying lip-service to the importance of the arts, seems intent on sleepwalking the nation towards cultural impoverishment. The cuts to ACE cannot be seen in isolation from the removal of public funding for humanities tuition in higher education; the absence of arts subjects from the English baccalaureate; the unstable situation among local authorities, some of which are bravely protecting cultural provision while all too many are cutting it off; the starvation of libraries.

Northern Ireland news

An Arts Hustings for Northern Ireland will be hosted by Arts Audiences NI, Arts & Business, and Voluntary Arts on 19 April at the Grand Opera House in Belfast; representatives from the various political parties will be in attendance, and Declan McGonagle will also be speaking.

Have to give a shout-out to all the fab folks who hosted our MA class recently during our visit to Belfast… thanks to Stephen Douds from BBC NI / Lyric Theatre, Ciara Hickey at the Ormeau Baths Gallery, Kabosh Theatre Company & Paula McKetridge, and Trevor Parkhill at the Ulster Museum for their fabulous hospitality — we had a marvellous time!

New research resources

I was recently alerted to the DHO:Discovery portal, one of the outcomes of the Digital Humanities Observatory project. It provides online access to digitised images, text, and sound recordings from a range of Irish cultural institutions, including the Chester Beatty Library, Irish Traditional Music Archive, and lots of material from TCD’s archives. The interface is clunky, but it’s wonderful to be able to access all of this material so easily, and will prove very useful for researchers.

I heart Ciaran Benson and his lovely writing, and I don’t care who knows it. The Irish Review of Books recently published his review of recent texts on Brian O’Doherty/Patrick Ireland — would that more Irish art criticism (including my own) flowed so beautifully!

The much-anticipated book Ireland, Design and Visual Culture : Negotiating Modernity 1922-1992, edited by Linda King and Elaine Sisson, has just been published. With The Moderns catalogue from IMMA also finally available, I’m looking forward to an imminent immersion in new Irish visual culture research  🙂

If new Irish art historical research is your bag (as it’s certainly mine), check out the annual Irish Association of Art Historians’ Study Day, taking place this Saturday (9 April) at IMMA from 10-5. It will be showcasing new research (spanning all periods/geographies of art history) by folks working on this island, and we’re delighted to have three PhD students from our own School presenting as well: Louis Funder, Jessica Fahy and Silvia Guglielmini (download the full programme).

Launches / event announcements / calls for participation

After lots of hard work and enthusiasm Business to Arts formally launched Fundit.ie, a new crowdsourcing platform for funding Irish arts and cultural initiatives. Crowdfunding as a phemomenon recently received a nice write-up in the Irish Times, and already there’s a great clutch of projects seeking funding on Fundit.ie: so far I’ve helped fund Monster Truck’s new digital screen in Temple Bar, IMMA’s efforts to purchase new Bea McMahon drawings, the publication by Conor & David for Open House Dublin, and an Irish/Polish Film Project. One of the caveats of crowdfunding is that organisations don’t receive funds unless their target is reached — so get over there, register, and contribute what you can to what catches your fancy!!

I am gutted I missed last night’s opening at IMMA for the Frida Kahlo & Diego Rivera exhibition (complete with tequila and mariachis! In Dublin!! More exclamation marks necessary!!!!) Looking forward to seeing the show in any case (although as an Angelena I’ve seen my fair share of Kahlo & Rivera — and Siquieros and Orozco, who make up the holy trinity of Mexican muralistas). Sure to be a massive crowd-pleaser… (p.s. Aidan Dunne’s reflections on 20 years of IMMA’s history last week made for a nice recap!)

The second meeting of the Visual Arts Workers Forum (WORK IT) is taking place in Project on April 20th — the discussions and planned presentations look great, and are aimed at folks across Ireland working in the visual arts.

Friday is Love : Live Music / National Music Day, coordinated by Music Network — get thee down to one of the many events happening nationwide (the hubs will be hitting the town with junior in tow, seeing how much music he can take til he pops!)

Cinemagic Dublin is currently seeking kids and teenagers 10-18 years in age to sit on its film review jury — if you have any budding film critics knocking about the house, here’s your chance!

The Heritage Council is hosting an  EU Funding Information Event for Heritage Organisations on 13 April at its offices in Kilkenny, which will provide information for individuals and organisations on how to access EU pots o’cash — an underutilised source of funding in Ireland!

Miscellany

Aosdána recently added John Arden, Joseph O’Connor, John Tuomey, Corban Walker and Daphne Wright to their midst… @RositaBoland ‘s twitter reporting of their annual general meeting on April 4th was particularly entertaining (gardening wha?)

The Irish Times debuted its first Culture Podcast yesterday, featuring Fintan O’Toole, Jim Carroll, Rosita Boland and Shane Hegarty.

Puh-lease: 6 hours a week? Explaining what Irish academics do (and justifying the weirdness of our working patterns / heaviness of workload) continues to be the bane of my existence, especially as we’re now meant to conform to the Crazy Croke Park Agreement that’s arbitrarily imposed a demand of an extra hour spent teaching every week, across all levels of education (although I pause in my rant to spare a thought for Queen’s University in Belfast, where colleagues are facing drastic budget measures that will have a terrible impact on working conditions and consequently student experience). Much of the interesting debate on this subject has taken place over on ex-DCU president Ferdinand von Prondzynski’s University Blog (who’s since moved over to Robert Gordon University in Aberdeen). The folks over at DublinIntellectual (particularly Dr Marisa Ronan) are taking matters into their own hands, making efforts to broaden awareness of research conducted by third level academics, by hosting a series of accessible ‘salons’ — the first takes place tonight at 8.30 at the Shebeen on South Great Georges Street.

 

I’m sure I’ve forgotten something… but gotta get back to the day job! 🙂

 

 

 

Weekly round-up: 11 March 2011

There was an election, don’t ya know:

  • Fine Gael swept the boards in a resounding victory (although the NY Times couldn’t quite figure out the gender of poor new Taoiseach Enda Kenny) — but pertinent to we arts folks was the announcement of the new Cabinet: Jimmy Deenihan (author of Fine Gael’s pre-election arts policy) was duly named Minister of the re-formatted Department of Arts, Heritage and Gaeltacht Affairs. This announcement confirmed election promises to keep the arts at the Cabinet table, but the reconfiguration of the various portfolios was more than a little perplexing (Leo Varadkar was named Minister for Transport, Tourism & Sport). Is this new nomenclature a signal that ‘culture’ will be reinterpreted more narrowly as ‘arts’? What are the consequences of losing the economic clout of tourism (and to a lesser degree sport) and becoming a warmer, fuzzier, and possibly easily sidelined department? Given that the budget of the Heritage Council was recently slashed 47% (following a reduction of 30% last year), this new configuration is worryingly low on punching power.
  • The National Campaign for the Arts provided a handy link to the two arts/culture-related pages of the new Fine Gael/Labour programme for government (click here for pdf): main points are the expansion of Culture Night to 2 nights/year [ok, achievable enough], developing 1916 centenary plan for 2016 [historians here at UCD are already rubbing their hands with glee], promoting geneaological tourism & stimulating diaspora tourism [hmm, is this really a growth area? The digitisation of census records has already had a negative impact on geneaological tourism; this aim feels very 1997], getting Local Authorities to combine arts officers’ roles [rather than providing funding for new/vacated positions], and using empty NAMA buildings for ‘local facilities for arts and culture’ [one thing we’re certainly NOT short of in this country is arts facilities, Mr Minister!]. Perhaps most significant was the statement that ‘Responsibility for policy-making will revert to the Department, while agencies will be accountable for implementing policy, assessing outcomes and value for money’ — surely the Department has had little to do with actual direct cultural policy-making in recent years, asserting its interests instead through funding streams and the occasional direct cultural initiative. I’m most interested to see how this might play out in practice.
  • Music Network launched its plans for Love:Live Music National Music Day on April 8th. They’re soliciting new events to be added to the event listings on the site, and promoting a great range of offerings — more will definitely follow on this come April!
  • Most recent Dublin Contemporary news– Art in America featured a small piece on the troubled DC, claiming dismissed curator Thompson’s departure was due to a failure ‘to submit satisfactory plans’. An odd quote from the new curator Christian Viveros-Fauné: ‘”Now is not a good time for art that rubs people the wrong way,” the curator says, but he and Castro, who have collaborated previously, want to be thoughtfully provocative, or, thoughtfully provocative without being aggressive or offensive.’ Hm, this hardly sounds like a recipe for a truly ‘provocative’ programme? Still, there is much goodwill behind the initiative — even if an article in last week’s Sunday Times (no online free version, alas!) pointed out that the very established Lyon Biennale (curated this year by Victoria Noorthorn) begins about a week after the DC and has the exact same title. D’oh!
  • A piece in the Irish Times on Wednesday reported from the EU Culture in Motion conference in Brussels, noting the low uptake of EU Culture funding by Irish organisations (a subject that’s forming the thesis of one of our current MA students). Difficulties forming the partnerships required by EU funding schemes were highlighted, but the picture is definitely more complex than that (on a side note of weirdness, the article’s author seemed not to know who Jordi Savall is! )
  • There was a great article on Saturday in the IT profiling the lovely Catherine Morris, newly appointed ‘cultural coordinator’ at Trinity. Her exhibition at the National Library on Alice Milligan is fab, and demonstrates the wonderful investments made by the NLI in technology & access.
  • One of the most interesting presentations from last week’s Irish Museums Association conference was a virtual walk-through of the new museum in Glasnevin cemetery, which has recently won a major international design award for its stunning building and exhibition. The IMA is leading a tour of the museum tomorrow for its members, but in any case this new museum looks well worth a visit.
  • An event on March 14th co-sponsored by UCD and Gradcam (and featuring both Pat Cooke and Hugh Campbell from UCD as speakers) is entitled ‘Redrawing Dublin‘: ‘a special public seminar in response to the issues, ideas and challenges raised by Paul Kearns and Motti Ruimy’s recent interdisciplinary cultural project, REDRAWING DUBLIN (Gandon Editions, 2010). (…) This seminar offers an interactive opportunity to consider Kearns and Ruimy’s book project within the broader context of debates about urbanism, city cultures and Dublin’s future potential as a vibrant and dynamic metropolitan space.’

Weekly round-up: 24 February 2011

  • The Dublin Book Festival begins next Wednesday — a great line-up of events and talks! In my own small corner of the universe, I’m going to be giving away 50 copies of Toni Morrison’s Beloved as part of World Book Night: swing by Starbucks in Blackrock Village from 11 am on Saturday 5th March to snag a free copy, first come first served (just mention the blog!).
  • The Irish Museums Association’s annual conference begins tomorrow in Drogheda; do join us for 2 full days of presentations, visits and discussion amongst the Irish museum community.
  • Project Arts Centre is looking for a few good bloggers — dangled carrots include free tickets, opportunities to interview artists and performers, use of a spiffy blogger-phone (sounds positively Batman-esque), etc… apply for the My_Project scheme by 7 March!
  • The First Thursdays initiative by TBCT carries forward the enthusiasm of Culture Night into a regular late-night opening of galleries and arts spaces in Temple Bar. The Clyne Gallery, Exchange Dublin, Gallery of Photography, Graphic Studio Gallery, Monster Truck Gallery & Studios, NGG / No Grants Gallery, Project Arts Centre, Temple Bar Gallery and Studios will all extend opening hours until 8 pm during the first Thursday of every month.
  • Shona McCarthy has been appointed Chief Executive of the company managing (London)Derry’s City of Culture programme for 2013. First task: nomenclature decision??
  • Whilst on the subject of Northern Ireland — our annual MA trip this year is to Belfast, where we’ll be visiting a number of cultural institutions & meeting with managers and policy-makers. If you have any suggestions of groovy places/people to add to our itinerary, please email me!
  • The OPW has begun recruitment for its seasonal heritage guides at sites around the country; this is a popular summer job for many of our current and past students, and online applications will only be accepted from 24 February – 3 March, so get cracking!
  • They speak! Newly appointed Dublin Contemporary curators Jota Castro and Christian Viveros-Fauné have recorded an interview available on CIRCA’s website. A recent press release from the DC also notes they will be giving a talk at the Armory Show in NYC next week on the subject of ‘Biennials As Barometers of Social Transformation? Dublin Contemporary 2011: Art, Crisis, Change & The Office of Non-Compliance‘. One would hope a podcast will be made available??
  • Eamonn O’Doherty will be one happy camper: the Anna Livia fountain (the ‘Floozie in the Jacuzzi’) is finally being re-installed in Dublin city centre after more than a decade in storage; eyewitnesses from the National Museum noted it being lowered into position today in Croppie’s Acre. Hopefully she will receive better treatment than her last respite on O’Connell St, although over on the online Vulgo zine Ciarán Mac Gonigal gives a fairly pessimistic view of the state of Irish public sculpture.
  • Some really thought-provoking debate is over on Diane Ragsdale’s blog on the subject of ‘failing’ arts organisations and the theatre ‘oversupply’ issue raised previously by NEA chariman Rooco Landesman. I agree that it’s very easy to pontificate on the (somewhat specious) claim of oversupply, far harder to suggest ways this would actually be dealt with (if even proven!). On her blog, Shoshanna Fanizza examines the claim of oversupply against her own community in Boulder, Colorado. I can only imagine the wars that would be started should someone claim that Irish theatre is oversupplied (although recent funding decisions by the Arts Council certainly have had the whiff of rationalization, and one of the keynote address at last year’s Theatre Forum conference addressed this very issue of a sustainable theatre economy).