New Media Mentoring Scheme – reports published

15 September 2010

Arts Audiences is an Arts Council and Temple Bar Cultural Trust- sponsored initiative aimed at supporting & delivering audience development projects in cooperation with various arts & cultural organisations.

One of their programmes is the New Media Mentoring Scheme, which has just published a series of reports from the mentor/mentee relationships, which included:

  • John Tierney of Google Ireland mentored Conor Malone, General Manager of Balor Arts Centre (using Google AdWords)
  • A team from Google Ireland mentored Tara Connaghan Artistic Director of Éigse Carlow Arts Festival (using Google Ads and Google Analytics)
  • A team from Google Ireland mentored Michelle Dillon, Marketing Officer of The Dock (balancing time and resources spent on website and on social media platforms)
  • A team from Google Ireland mentored Derek Kelly, Box Office Manager of The Gate Theatre (increasing traffic to website)
  • Aoife Flynn of asquared mentored Rayne Booth of Temple Bar Gallery & Studios (developing a website brief)
  • Lucy Campbell and Muire Laffan of RTÉ Publishing mentored Emmet Sheerin and Anne O’Gorman from NYCI (developing web strategy)
  • Aoife Flynn mentored Marcella Bannon of Droichead Arts Centre (developing digital marketing strategy)

I was particularly interested to read the reports of Michelle, Rayne and Emmet, all (relatively) recent graduates of our MA programme. It sounds like some very valuable reflections and progress was made as a result of the collaborations; for example:

Read the rest of this entry »


iPhones/Droids at the ready: CMC’s Music Trail in our fair city

20 August 2010

Three cheers for the Contemporary Music Centre’s innovative new Music Trail, which will be launched in a few days’ time, and run from 21 August-1 September!

The Outdoor Music Trail features works by different Irish composers playing in five outdoor locations; an inner trail with three locations playing music outdoors daily from 1pm to 4pm and an extended trail incorporating the first three locations, plus two additional locations which can be followed and listened to with a smartphone. The extended trail employs the very latest in location-based, augmented reality technology and is available by downloading the free Layar app for iPhone 3GS, iPhone 4 and Android devices.

Sounds intriguing, especially the ability to stream the music at any point during the Trail’s run… will have to go check out the ‘live’ versions between 1-4 as well.

The Music Trail is also the first event to be launched under the leadership of the CMC’s new director Evonne Ferguson, who no doubt will continue the CMC’s tradition of fine programming and commitment to contemporary music.


‘Arts Audiences’ new site launch & upcoming web 2.0 event

21 August 2009

arts_audiences

The Arts Council, in collaboration with Temple Bar Cultural Trust, has rolled out a new site focused on Irish arts audience development, www.artsaudiences.ie.  Here’s the skinny on their rationale for the initiative:

  1. Attendance and consumption; attendance for some artforms is falling; we need to increase the frequency with which people come to, for instance, our venue or festival and we need to keep people coming back year-on-year.
  2. Customer service and experience; customers care about more than just the show or event and we need to see what we can do to make sure their experiences are good ones
  3. Working together; arts organisations should collaborate more to speak to and attract audiences
  4. New media; All of us need to know more, to help us take advantage of the opportunities which a new media landscape have brought. We recognise that organisations operate at different levels of online activity and will strive to reflect this as we address this.
  5. Information; we need to address the gaps in our information about audiences – who they are and how they behave. Figuring out what we need to know is a key step in figuring out what to do.

(see the full manifesto here.)

Plans so far include:

  • A low-tech no-cost project where arts organisations will recommend each others work and we will report on what worked and what didn’t
  • A large-scale national promotion of the performing arts for a period of time in the autumn

Future plans include online resource material, and new training & mentoring programmes.

More imminent, however, is a series of one-day workshops on Web 2.0 and audience development to be offered in Dublin, Galway and Cork in September. They’re looking for registration ASAP, unless the slots have been filled already… it’s only €45 for a full day session, and looks to be a promising build on the excellent Arts Council-sponsored New Media & the Arts conference held last November.

  1. Attendance and consumption; attendance for some artforms is falling; we need to increase the frequency with which people come to, for instance, our venue or festival and we need to keep people coming back year-on-year.
  2. Customer service and experience; customers care about more than just the show or event and we need to see what we can do to make sure their experiences are good ones
  3. Working together; arts organisations should collaborate more to speak to and attract audiences
  4. New media; All of us need to know more, to help us take advantage of the opportunities which a new media landscape have brought. We recognise that organisations operate at different levels of online activity and will strive to reflect this as we address this.
  5. Information; we need to address the gaps in our information about audiences – who they are and how they behave. Figuring out what we need to know is a key step in figuring out what to do.

Publicart.ie launched – some notes

23 July 2009

publicartie

The long-anticipated site www.publicart.ie has recently launched. Sponsored by the Arts Council and DAST, the site’s aims include:

Vision
•    To build a solid body of information and knowledge on public art practice
•    To place public art within a critical context
•    To provide information on commissions, projects and news
•    To develop a growing directory of commissions, projects and artworks
•    To provide a curatorial approach to mapping public art practice
•    To support information exchange, debate and news from the field
•    To offer information on commissioning procedures
•    To provide a space for new on-line artworks

I’ve been waiting for this site to launch for some time, especially given that I teach on some aspects of public art here at UCD. The site does have some good information on about 60 different projects, stretching acros the country. However the vast majority of these were temporary, time-based or performative works. There’s very little by way of more ‘traditional’ public art– and I’m not clear how far back in time the site’s designers intend to go. As much of the content seems to be based on submissions from various project coordinators, it would appear that this is a tiny snapshot of public art in Ireland, and probably not the most visible segment of that sector either (which is both a good and bad thing!)  While it’s a great idea to give temporary projects added visibility (especially given that documentation can be hard to come by for such work), to neglect permanent art & sculpture (and any mention of the historical context of public art in Ireland) is a massive oversight. Additonally, I would expect to see on such a site links to excellent local authority websites and/or listings of regional public art, such as Donegal CC‘s efforts towards this end.

Most distressing from my own point of view, there seems to have been little consultation with the many academics on this island working on the subject of public art. While a few of the extracts on the ‘Writings’ section of the site are very interesting and influential (particularly Claire Bishop’s article on the Social Turn), most of the pieces here are journalistic in tone (or alternatively very shallow in terms of their research and scope), and include no reference to the many outstanding pieces of Irish academic writing and research on the subject (in both journal and monographic forms). This is not to suggest academics hold some kind of monopoly on commentary, but as I’ve worked myself in this area in Ireland for the last seven years and am aware of much current and recent research on Irish public art,  I do find their exclusion very puzzling. On a related note, the Library section is patchy and also primarily international (no mention of Judith Hill’s landmark book on Irish public sculpture, for example) and would benefit from a read of the various syllabi of university courses on public art offered at Trinity, UCD, UCC, NCAD and elsewhere. As the range of publications on international public art is vast, why not elect to focus on work here in Ireland (do we really need another link to Maya Lin)?

Perhaps the designers & administrators of this site might elect to circumscribe their project more clearly? If the intent is to focus on very recent,  ‘new genre’ (to borrow Suzanne Lacy’s term) public art, it would be more effective to note this. I don’t mean to be entirely negative about the site, as a centralised website on Irish public art is much needed and will prove valuable (especially to practitioners), given time and additional contributions. I also understand that this is a site in progress, without a dedicated administrative team (or so the website would suggest?), and is very much still evolving. I just can’t help feeling disappointed, given the great need to make information on Irish public art more accessible, web-based and richer in content and relevance.


The masses mass for Picass(o)

2 February 2009

picasso-elite-460_1006484c

Having my daily breakfast of espresso and Euronews, I was amazed to see a story on the public response to the Picasso exhibition currently on at the Grand Palais in Paris… the show’s about to close, and tens of thousands of people apparently queued overnight to catch a last glimpse of the works. To facilitate the crowds the Grand Palais hosted a marathon 83-hour viewing session. According to the accompanying article on the Euronews website, more then 700,000 people have visited the exhibition since it opened in October.

And yet the spirit of liberté, égalité, fraternité has not graced all quarters, with detractors late last year describing the populist shows as ‘a cancer’ in the Parisian art world.

Elsewhere the arts democracy has gained stronger footing, as the BBC last Wednesday announced its intent to put 200,000 paintings in public ownership online, and the imminent appointment of a new arts editor and arts board to enhance coverage. This follows on too from the innovative move by the Prado in early January to place some of its greatest paintings on Google Earth in extreme high resolution, allowing online viewers to see the works in astonishing detail.

And yet, I can’t help but feeling a mixture of exhilaration and depression at such news… imagine an RTE arts board? The public queuing for hours to see a National Gallery exhibition? Irish paintings in the public ownership actually (gasp!) online? What happens to a dream deferred…


Nomination!

26 January 2009

As can been seen in the freshly pressed sidebar, this blog’s been nominated for a 2009 Irish Blog Award! Thanks to whoever nominated me, it’s much appreciated! It’s been a real pleasure hearing from so many folks via the blog, both publicly and by email, during the first year of its little life :) I’m amazed that it regularly attracts over 250 daily hits… who are you people?!? I’m glad so many have found it useful and interesting, and I hope not to let y’all down– as any blogger knows it can be tough making time to write regular posts, but this is a great encouragement!

I’m really enjoying reading the blogs of the other nominees, it’s a great way to discover new blogs out there. Although it’s not an Irish blog, I thought I’d share the link to my most favourite blog, the Bioscope: http://bioscopic.wordpress.com, the most amazing blog on silent film, before whose mighty content I cower. I can dream…


Arts & New Media conference

26 November 2008

I’m back from the one-day seminar held on the arts & new media at Dublin Castle, sponsored by the Arts Council. It was a lively day full of interesting discussion and presentation– for me the best aspect was meeting others in the Irish blogging community, and hearing how various organisations in Ireland are utilising social media and other web 2.0 technologies in their work. Damien Mulley and Fearghus Ó Conchúir have already recalled their experience at the conference on their blogs. Others appeared to be blogging the conference live, but I haven’t yet found their sites or responses… in principle it’s an interesting idea, but sitting next to a blogger furiously tapping away during a presentation (or indeed surfing the web or checking email) reminds me of the kind of things we kick undergrads out of lecture for doing! A bit irritating, to be honest.

To my mind the discussions based around the opportunities offered by web-based media to organisations were more productive than those that focused on their potential within art practice. Also I have an interest in the deeper implications of web 2.0 on processes of social interaction and creativity within organisations, which were addressed sporadically but not with any particular rigour. That being said, the initial fiery exchange between keynotes Andrew Keen and Charles Leadbeater was particularly enjoyable owing to the strong feelings and ideas it provoked. Leadbeater’s boulder and pebble metaphor seemed to resonate particularly well and was repeated by others throughout the day, but I suspect many in the audience found themselves surprisingly in sympathy with Keen’s point of view. I myself am concerned about the overly American-centric view of the world presented by web 2.0 utopians, and worry about the social inequalities and new hegemonies it tends to gloss.

In terms of the ‘open’ sessions, I was a bit disappointed to realise that they had been predetermined, and not left open for participants to decide, as in true Open Conferencing style. I suppose this is more achievable in a 2-day conference environment, but given the unusual diversity of attendees it felt like an opportunity not seized. Finally, I would have loved to have seen policy addressed in a more concrete way, which the last session promised but did not deliver. I suspect many in the audience were not actually that interested in discussing policy (fair enough), and although I appreciate Andrew Taylor’s response to my question, I would have much preferred a response from the RTE and Arts Council reps on the panel, who are more familiar with the Irish policy context and the giant ‘boulders’ in that arena. So much of the conversation on the day seemed to need more time– it often felt like folks were just getting started before it was time to move on to the next session! Clearly there’s a high level of enthusiasm out there for the subject, and I’ve heard from several people disappointed there was no space for them to attend (though they plan on catching up on the streaming audio).

I find it difficult to criticise any new initiative, mostly because I’m so delighted anything’s been done at all! Indeed the large turnout to the event is testament to the hunger for these conversations, but I also think it led to the conference ‘vibe’ feeling somewhat diffuse and unfocused. That’s a personal response of course– but I think the most productive work at these events gets done when a smaller group of participants are united around a central agenda and set of concerns, though their views, approaches and experience may differ. I hope a more concentrated series of events or get-togethers will emerge out of this first effort, and that the dialogue begun yesterday will translate into a more vibrant online arts community in Ireland.

Finally a big kudos to Annette Clancy and her team who put the whole event together– well I know the difficulty in managing such an event, and it was superbly organised and run.


Upcoming conference: New Media, New Audience?

28 October 2008

I’m excited to be taking part in an upcoming conference sponsored by the Arts Council, on the subject of how new media may be utilised by practising artists and arts organisations. With keynote speakers Andrew Keen and Charles Leadbeater offering contrasting views on the concept of web 2.0 and its cultural effects, as well as a host of other interesting sessions, this one day conference looks most promising! Registration is FREE, though limited at the moment to one individual per organisation:

New Media, New Audience? A one day working seminar on the arts, new media and broadcasting

Dublin Castle, 25 November 2008

We live in interesting times. Web technologies such as YouTube, blogging, podcasting and social media have unleashed a wealth of creative material online. The Arts Council is pleased to bring together national and international experts from the arts, social media and broadcasting in this one day working seminar to explore the ways in which artists and the public are adapting and adopting new ways of producing, presenting and promoting the arts.

This seminar is open to artists, organisations and policy makers interested in the potential that new media has for the way in which they work, and in the way it can attract and broaden audiences.

Conference website: http://artscouncilnewmediaconference.com/wordpress/

I especially like the ‘Your Space‘ element on offer– derived, I assume, from the concept of Open Space conferencing– an aspect I was very interested to have at our summer conference on arts management, but which we couldn’t accommodate in the end. I’m eager to see how this will work and what new ideas it may provoke.


Belfastgalleries.com

24 June 2008

I’ve just been having a browse around the Belfast Galleries site, a project of Culture Northern Ireland…  intriguing, I haven’t come across it before. Lots of info on the gallery scene in Belfast, including integration of Flickr plugins, downloadable maps, etc. I think perhaps the design is too cluttered (similar to CNI’s own site), but it’s really useful to have so much information centralised somewhere.

Audiences Northern Ireland has a much better design in my opinion– clean, elegant interface, nice use of graphics:

Most Irish arts organisations still have a ways to go when it comes to utilising the web– don’t get me started on the National Institutions and the dire state of their websites– so it’s great to see some innovative examples. Long may they continue…


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