Weekly round-up: 20 January 2012

20 January 2012

Congratulations to Raymond Keaveney on his retirement: 23 years' service to the National Gallery of Ireland!

A busy week on the arts scene with lots of news & goings-on:

My colleague Dr Maeve Houlihan (UCD School of Business & a long term lecturer in our MA Arts Management) is co-convening a session at the upcoming World Congress of the International Federation of Scholarly Associations of Management — being held this June at University of Limerick! Her session is entitled ‘Services, Events and Arts Management‘ and paper abstracts will be accepted until 31 January.

Lots of news on the Director front… long-serving Director of the National Gallery Raymond Keaveney retired on 11 January, and Sarah Glennie was announced as the new Director of IMMA.

NUIG has announced its new 4-year BA in Drama, Theatre and Performance Studies, in collaboration with Druid, Galway Arts Festival and Taibhdhearc na Gaillimhe.

Ni hao, Dublin Chinese New Year Festival! This is a month traditionally light on festival-type activities, so the New Year Festival’s launch today will provide some cheer in January’s gloom. May be time to break out my rusty Mandarin…

Three new positions coordinating Music Generation projects in Laois, Cork and Wicklow have been announced (the first two have been posted in the Jobs section of this site; the third has yet to be advertised).

The ever-interesting THEATREclub at Project Arts Centre is hosting a new series of discussions and workshops to accompany its latest production ‘The Family’, reflecting on contemporary Irish family life & related social issues.

The Limerick City Gallery of Art launched its snazzy newly refurbished building this week — by all accounts it’s a fabulous space.

DCAL has announced details of a £5,000 Culture Tech grant open to organisations and individuals based in Derry, aimed at projects combining cultural endeavours and digital technology — deadline is 17 February.

The Lighthouse Cinema reopened to the public today under the new management of Element Pictures (yay!) and I’ve just been alerted to VOLTA, a new on-demand Irish indie film & video service… very tempting (and great name, by the way)!

According to a recent RTE press release, its spring schedule includes “‘Masterpiece: Ireland’s Most-Loved Painting’, a major new programme that will kick off a five-week RTÉ-wide campaign to find Ireland’s favourite painting.” Hmm….

The Irish Museums Association’s latest members’ field trip is on the 28th of January to the Little Museum of Dublin and the Freemasons’ Hall… bound to be a popular one! Book in by emailing Gina at office@irishmuseums.org.

The Irish Times Theatre Awards nominee list was announced on Saturday; here’s the full list and some reflections of the jury.

Unfortunately news came this week of the untimely death of the wonderful artist Paddy Jolley, who died unexpectedly in India. A fund has been set up to assist his family in the immediate aftermath; please contribute if you can.


Weekly round-up: 12 December 2011

12 December 2011

South Dublin County Council's new public art site

The big news last week was of course the budget… the National Campaign for the Arts and Laurence Mackin of the IT have provided the details of cuts to the budget (and full details are available from the Department)… a few key points:

  • Gross funding in 2012 for the Department of Arts, Heritage and the Gaeltacht will be €267 million (plus an extra €8.6 million in funding for the National Gallery.) Note that it’s not possible to assess, strictly speaking, how this compares with previous years, due to the shifts in department make-up.
  • However, overall 49% of the department’s budget (€129.6 million) is being allocated in 2012 to Arts, Culture and Film programme areas. Arts current funding is down 6%: from €124 million to €117 million.
  • The Arts Council is down 3.2%, from €65.16 to €63.1 million.
  • Arts capital funding is the most severely hit — down 34% from €32 million to €21 million. Most of this (13.2 million) is allocated to the Irish Film Board, and constitutes their annual funding (despite the ‘capital’ label)- although their funding is down overall by 14.9%.
  • Culture Ireland will be down 11%.
  • How did the national institutions fare? National Archives (-5%); IMMA, CBL, NCH and the Crawford (-4%); NMI (-5%); NLI (-7%). However these figures don’t count huge drops in capital budgets, which will severely affect the national institutions’ plans for developing infrastructure and other crucial projects.

Although the overall funding picture appears to be better than expected, the national institutions will be hard hit, and there will be other financial implications from ancillary budget measures for arts organisations (the increase in VAT, for example, as well as the decrease in CE funding which many organisations rely upon).

In other news…the Arts Council has announced its 2012 project grant recipients — an interesting look at work which lies ahead!

The new director of the National Gallery was finally announced — and it’s Sean Rainbird, current Director of the Staatsgalerie in Stuttgart, who also worked for many years at the Tate. Word has it that current staff are delighted with the appointment — I think it will be a much-needed breath of fresh air into the gallery, and look forward to his tenure!

South Dublin County Council has unveiled a new public art website — searchable and snazzy — and very useful for students of public art projects.

Fintan O’Toole has blasted the Abbey’s latest production of The Government Inspector, and decried (again) what he perceives is the national theatre’s failure to actively engage with the current breakdown of Irish society.

The Music Generation programme is being expanded to Laois, Wicklow and Cork City — no doubt news of new opportunities will soon follow…

The Jameson Dublin International Film Festival has announced its call for volunteers.

An interesting article in the Guardian (‘Should the arts be more selective about sponsors?‘) canvassed reactions to the withdrawal of two poets from the TS Eliot prize competition over their objections to the award’s sponsorship by a hedge fund.

I’m really digging all the posts at the Guardian’s Culture Professional Network blog… tons of interesting and useful posts there to anyone working in the field.

Not strictly arts-related, but if you are a researcher check out the new British Newspaper Archive project from the British Library (lovingly reviewed by the fantastic Bioscope blog) — it’s gonna rock your world.

And finally… congrats to our fantastic 2011 class of Arts Management & Cultural Policy MA graduates! It was wonderful to see them in the glad rags last week at commencement :) :)

Hope everyone is enjoying all of the holiday activities across town — such a busy time of year!


Weekly round-up: 29 November 2011

29 November 2011

'Buddie and Hallie' by Mike Disfarmer (c.1940-45), part of exhibition on now at the Douglas Hyde Gallery

Glad to be back in Ireland again after many weeks of travel (well, excepting the weather today)! Today’s a bumper round-up to amend for my absence!

Following Professor Niamh O’Sullivan’s retirement, the key post of Head of Visual Culture at NCAD has been advertised.

Delighted to see that Justin Carville, lecturer in photography at IADT, has published his volume on Photography & Ireland, which will fill a significant scholarly gap in the field… congrats Justin!

In other photography goings-on… the new show just opened of Mike Disfarmer’s photography at the Douglas Hyde Gallery looks fantastic. I don’t think I’ve ever seen his vintage photos shown here in Ireland, so this is a great opportunity to have a look-see.

In today’s Irish Times, Aidan Dunne feeds the rumour mill over new director appointments at IMMA and the NGI: it’s a bit gossipy really, and focusing on only the Irish potential candidates (not all of whom are really credible candidates) distracts from the real need for fresh blood at these museums. More importantly however, he pooh-poohs the silly idea of merging national institutions that’s been mooted *again* as a cost-saving measure.

Still waiting to hear further details of plans by IMMA to take over Earlsfort Terrace for exhibition purposes in 2012… would love to see some really exciting shows there, on a scale that’s not always possible at Kilmainham.

Charlotte Higgins in the Guardian has penned a column urging the UK government to protect free museum entry, a much-lauded achievement of the Labour years that’s under scrutiny as the belt tightens.

Whoa nelly: I had to scrape my jaw off the floor after reading about the launch in rural Arkansas of the ‘Crystal Bridges Museum of American Art’, funded by Walmart’s heiress at a price tag of $1.4 billion (yes, billion). Seems not everyone is so impressed…

Woop woop! Boulder Media (a Dublin animation company well known to me & my kin!!) has just won a Children’s BAFTA for its co-produced series ‘The Amazing World of Gumball’. Congrats folks!!

On December 6th Dublin City Council’s Arts Office is hosting a meeting at its offices: ‘Unoccupied Retail and Commercial Spaces – Is this a cultural opportunity for Dublin? An open conversation for Artists, Arts organisations, City officials, Landlords and Letting agents.’ Today is the deadline for registrations…

Calling young (18-30) artists! Sky Arts (in association with Arts & Business UK) is giving away £30,000 each to five artists to help fund their work for a year (disciplines include visual art, theatre, performance art, film, music, dance or literature, and it’s open to Irish applicants). Business to Arts is hosting an information session on the scheme on 14 December from 2-5 pm at the Science Gallery, but booking is required.

It’s a few weeks old, but in case you missed it, Mick Heaney’s article on the relationship between arts and politics in the Irish Times was a thoughtful, very well written piece; I would share his ambivalence over the increasing tendency to reduce the cultural agenda to a creative industries one, and the general disregard/low valuing of cultural activity by our political class.

Rise Productions has recently developed a series of podcasts with Irish theatre-makers (so far featured are Peter Daly, Philly McMahon and Aoife Spillane-Hinks) — well worth a listen!

Building on the popularity of their various pop-up shops (and just in time for Christmas), the RHA is welcoming the Irish Design Shop as a long-term resident in its shop space from 7 December (see press release here).

From 2-4 December, Temple Bar Gallery & Studios will be hosting the Dublin Art Book Fair & Magazine Archive, featuring twenty publishers (Irish and international) of art books, a series of talks aimed at artists/publishers/designers etc, and of course the lovely books themselves!

The NOISE Sounds Music Festival is inviting applications from young performers (13-25) in all genres (pop, electronic, DJ, brass, rock, trad, classical etc) to participate in a series of live gigs alongside professional musicians. The gig’s in February, but deadline for applications is 15 December!

Stranded Aoife’s written a lovely piece paying tribute to Donal Dineen’s radio programme The Small Hours (drawing to a close this week), laced with a bit of righteous annoyance at the lack of quality music programming it leaves in its wake:

There are a small number of excellent music broadcasters on the irish airwaves, but the vast majority of the output is being dumbed down for the so called masses. We’re being target marketed to such an extend that genres and sub genres are dictating playlists, and we’re in danger of disappearing into ever decreasing circles of sameness. It’s getting to the point where it’s rare to encounter music on the radio, rare to have things suggested to you that you might like, instead of things the computer thinks we’ll like. There is nothing more infuriating than programming that doesn’t trust its audience’s intelligence, or our ability to adapt, and the disappearance of this show just adds another nail to that particular coffin.

Still flying the flag for wonderful music — Music Network’s announced details of its Spring season ticket (a real bargain) with a fantastic line-up for the beginning of 2012.

The Ark will be collaborating with the Science Gallery to develop a special ‘artscience’ exhibition for Dublin City of Science 2012, and has issued a call for creative practitioners interested in submitting ideas — deadline is 6 January!

… and if you’re at a loose end tomorrow, pop down to the Science Gallery’s next Make Night on 30 November from 6-8 pm, the casual creative/making sessions that are kicking off again — tomorrow’s theme is ‘Christmas Jumpers‘ — reindeers ahoy.


Weekly round-up: 4 November 2011

4 November 2011

Hope Painting (2008) by William McKeown (1962-2011)

Happy Friday! It’s nice to be back.

Yesterday’s symposium at the National Gallery of Ireland (‘Future Gazing’) was enjoyable & enlightening, with lots of folks in the room contributing & following on the live stream. If you missed it, you can read some of the Twitter feed of the event, or check out some of the ‘Ten Beautiful Things’ digital media projects mentioned by speaker Hugh Wallace (Head of Digital Media at National Museums Scotland).

The Arts Council has launched an intriguing microsite ‘Supporting the arts – Stories from our archive‘ that draws upon digitised versions of key policy documents/images to tell the story of the evolution of State cultural policy. Structured across decades, one of the first installments (the 1950s) has been written by my colleague Pat Cooke from UCD.

A blow to contemporary art in the North: Ormeau Baths Gallery in Belfast has closed due to financial difficulties, bringing to an end two decades of exhibitions & programming. The Gallery was beset by financial and administrative problems over the past few years, and despite earlier indications it had turned a corner, its board has decided operations are unsustainable. This is a real loss to the visual arts community in Belfast, and perhaps the biggest casualty in the vis arts in recent years.

The inaugural VUE National Contemporary Arts Fair is on now at the RHA (through 6 November), with works for sale from most of Ireland’s top contemporary galleries.

The National Dance Archive has been launched at University of Limerick, filling a serious void in our performing arts archival records — it looks to be a fab resource for students & scholars of dance!

The Dublin Contemporary reached its expiration date on 31 October, and Aidan Dunne in the Irish Times penned an extensive and insightful reflection on its genesis and outcomes: highly critical of curator Jota Castro’s own participation in an event he curated, and of the likely shortfall in anticipated visitor numbers, he nonetheless reaches a cautiously optimistic conclusion.

The Glucksman Gallery is hosting its annual Craft Fair from today until Sunday — a great opportunity to start the Christmas shopping early!

A new website for the National Arts & Health initiative has been launched, with lots of resources for practitioners, artists, and others interested in related policy, opportunities and case studies.

If you’ve an interest in the humanities and inter/transdisciplinary digital initiatives: Professor Michael Shanks of Stanford University has been visiting UCD’s Humanities Institute of Ireland to speak about his work in archaeology, pedagogy & new media and his role running the Stanford Humanities Lab and the groovy research studio and lab Metamedia. He’ll be presenting two public lectures entitled Collaborative innovation networks: how to be interdisciplinary (Nov 8th) and What it is to be human: archaeological perspectives on human creativity (Nov 9th) — download details here.

Congrats to Temple Bar Gallery & Studios on winning Best Arts Website at the 2011 Irish Web Awards! Other nominees included nch.ie, fringefest.com, irishtheatremagazine.ie, axis-ballymun.ie and ewaneumann.com (although that last one is a total mystery to me).

We may have lost out on our bid to be 2014 World Design Capital (curse you, Cape Town!) but there’s still time to catch some design action at Limerick Design Week!

Last year I took part in World Book Night UK/Ireland and had the chance to give away 30 free copies of a book I love (Beloved by Toni Morrison) — the new books have been announced for 2012, but word is that applications to be an Irish giver will be different this year (check here for updates).

I was terribly sad to hear of the untimely passing of Co Tyrone-born artist William McKeown. I visited Willie in his Edinburgh studio some years ago while writing an article on his 2008-9 IMMA exhibition for Irish Arts Review (read it here). He was a lovely, gentle and very talented painter; we talked about many things, including our mutual interest in Brueghel — I later sent him a copy of William Carlos Williams’ wonderful book of poetry Pictures from Brueghel, some of which perhaps captures a bit of what Willie’s work felt like for me, too:

The living quality of
the man’s mind
stands out

and its covert assertions
for art, art, art!
painting

that the Renaissance
tried to absorb
but

it remained a wheatfield
over which the
wind played

(from ‘Haymaking’, William Carlos Williams)


Weekly update: 10 October 2011

10 October 2011

The new WorldIrish.com site, one of the diaspora initiatives launched last week

Feedback on the arts/culture dimension of the recent Global Irish Economic Forum at Dublin Castle has been buzzing since  Saturday, with a subsequent article in the IT on corporate sponsorship & the arts (also predated last week by an article on foreign bank subsidizing of recent arts activity). I admit to some scepticism regarding the notion of a mass ‘homecoming’ event (will there be cheerleaders & tailgates?), but it was heartening to see the cultural agenda as a central part of the discussions. (on a side note, it’s a pity that the live feed of the event hasn’t been archived!!)

More than 350 people have signed the petition launched by IVARO to urge full implementation of the Artists’ Resale Right (as it currently can be availed of by living artists, the petition seeks for the resale rights to extend to deceased artists whose work is still in copyright, thus bringing Ireland in line with EU conventions). Consider clicking through the link & adding your name in support??

To coincide with Dublin Contemporary, Noone Casey are offering a mentorship award worth €10k of sponsorship, financial & strategic planning advice to an emerging arts collective, organisation, etc. (the brief is pretty open!) Deadline is 12th of October.

The Arts Council has recently announced its list of new artform advisers — the folks tasked with viewing & visiting shows/exhibitions/etc. across the country, and assisting with funding applications and grantmaking decisions.

Calling all arts marketers: Una Carmody, director of the Arts Audiences project, is seeking feedback from marketers with respect to the Target Group Index Report (to be released this month)… quite a lot of relevant information and data about arts participation is contained in this report, and Una & co are taking requests for report analysis.

We’ve entered the final week of the Ulster Bank Dublin Theatre Festival… My own viewings have been mixed, from the great (Rian) to the meh (Peer Gynt), but bookings have been very solid and it’s been difficult to source tickets for many shows. The box office has been releasing 10 euro rush tickets the same day as some performances, so it’s worth keeping an eye on their twitter feed or facebook page to snag a deal! (a few interesting and provocative write-ups in the Guardian and Saturday Irish Times, as well)

The annual architectural bonanza known as Open House Dublin began last weekend; if the queues at sites in our neighborhood were representative at all, it’s been a busy launch! So many great programmes and events along with the architectural tours, it’s a must-see.

One helluva white elephant: following accusations of mismanagement the €44 million Niemeyer arts centre in Spain is set to close after opening only 6 months ago. One of our current PhD students in the department is likewise investigating the effects of ‘starchitecture’ in the Rioja region; it would seem the ‘Bilbao effect’ is not all it’s been cracked up to be…

The UK think-tank Demos have recently released a report into the creative industries sector entitled ‘Risky Business‘, suggesting that creative business have proven to be lower-risk than non-creative/cultural ventures, and calling for greater levels of government attention to fostering their growth.

Following its enormously successful application call for its BA in Acting in 2011, the new Lir (Nat Academy for the Performing Arts) has announced it’s accepting applications for its BA In Acting 2012 / Diploma in Stage Management and Technical Theatre 2012.

We knew it was coming, but, alas, IMMA will be closing its main building for refurbishment on 1 November until December 2012. What a buzzkill for all the enthusiasm generated by Dub Contemp :( :(

Booking has opened for the International Puppet Festival in the south county Dublin & Wicklow area… a series of free street events will also be taking place in Temple Bar, Bray and Dun Laoghaire on the 23rd of October– it looks like a great programme!

…and if you live in South Dublin, take a moment to complete a public survey on usage of its library systems.

It’s still a few weeks away (9 November), but consider booking in for the Irish Museum Association’s annual lecture — this year featuring Dr Penelope Curtis, Director of the Tate Britain — the tickets generally get snapped up!


Weekly update – 19 September 2011

19 September 2011

Back on the grid… and a heck of a week ahead:

The Absolut Dublin Fringe Festival charges into its second (and final) week… I’m looking forward to smooshing in as much as I can over the next few days (and maybe even darning a few socks)!

Culture Night is the other massive event this week – Friday 23 September. The scale of the ever-expanding arts & culture bonanza is truly mind-boggling, and it’s not just Dublin — 30 other regions across Ireland are participating this year. Put on some good walking shoes, plan ahead, and plan for alternatives (since many events get packed out early)!

Nosey nellies will have their prayers answered with the Irish Museum Association’s upcoming members’ trip to the new storehouses of the National Museum in Swords on 24 September. These are new state-of-the-art collections management facilities totaling more than 200,00 sq. feet. Book soon, this is bound to be a popular visit!

The National Campaign for the Arts has a series of key events happening this week: on Wednesday the Minister will be addressing a session of the Seanad (members of the public may attend but must request admission); on Thursday constituency coordinators are meeting in the National Concert Hall to discuss next steps, and on Friday the NCFA is hosting a presidential hustings in the IFI (attendance is free, but arrive early!) Details of all these events (and contact information) is located on the NCFA’s website.

The Contemporary Music Centre’s new music series New Sound Worlds begins Weds. 21 September in the National Concert Hall, the first of eight concerts curated by Siobhan Cleary.

Anyone watching Craft Master on RTE? I’m not usually one for reality shows, but this is a canny way of getting exposure for new craft practitioners (beyond the cheesy Nationwide profile). It started on 6 September but runs until 11 October on Tuesdays at 7 pm.

Taking a page from the UpStart‘s creative General Election poster campaign, Fire Station Artists’ Studio (in collaboration with the Danish collective Kuratorisk Aktion) has commissioned a project and poster campaign entitled ‘Troubling Ireland‘, ongoing in Dublin City Centre until the 23rd of September.

Keep your eyes peeled… Open House Dublin 2011 (themed ‘The Architecture of Change’) runs from 7-9 October; this season’s brochures are scattered round the city & are beautifully designed.

I’ve mentioned it before, but it’s worth saying twice… The Irish Writers’ Centre is launching its Novel Fair Competition on Wednesday 21 September, which will give unknown novelists a chance to compete for big-time exposure and possible contracts.

Lots of interesting board positions have opened up in the North — Northern Ireland Screen (23 Sept deadline), the Arts Council of Northern Ireland (30 September deadline), and the Northern Irish Museums Council (7 October deadline, seeking a Director) are seeking expressions of interest/applications from potential candidates.

The Friends of the National Collections of Ireland have a new website! Founded by Sarah Purser in 1924, the Society still works to donate works of special importance to public collections in Ireland.

MOMA’s increasing its admission price from $20 to $25 — yeowch! Good debate follows in the comments on the NY Times’ opinion piece.

Per Cent for Public Art‘ is the title of an upcoming forum on public art in Ireland on 14 October in Wexford, presented by Articulate (a very motivated & accomplished group of former UCD MA students), and sponsored by the Arts Council, OPW, Wexford local authorities, UCD & others. The keynote speaker is Sara Reisman, director of NYC’s Percent for Art scheme, and the programme of participants looks fantastic for anyone interested in Irish public art.

CREATE (the national development agency for the collaborative arts) is looking for a new director, but they’re also running an upcoming symposium on the Arts and Civil Society at the Triskel Arts Centre in Cork on 20-21 October. Again lots of great speakers, although it’s lamentable a more affordable concession offer is not available, especially given the subject of the event.


Weekly round-up: 22 August 2011

22 August 2011

Heritage Week 2011

It’s Heritage Week! There are special events happening at museums & cultural sites across the country — you can download a free iPhone app to keep track of them all, and plan outings until the 28th…

Speaking of iPhone apps.. Irish developer Justin McKeown asked me to have a look at his ArtWorker app, designed to help visual artists in valuing their work, time spent delivering workshops and other services, etc. It’s pretty nifty all right, especially the ability to help folks calculate a daily rate/hourly rate. I think the calculation of artwork value is a little fuzzier (as you’re meant to input your ‘level of recognition’, which can be pretty hard to assess, and has an important impact on price), but no doubt further improvements & refinements will be implemented. Worth a look/download if you’re figuring out how to value your work or time! I’m sure Justin would appreciate any feedback from artists on what other features they’d like to see..

Last week the  impressive programme for the upcoming Belfast Festival was also launched… I’d love to see Cuban ballet sensation Carlos Acosta, the Shipwrecked theatre piece (based on the wreck of the Spanish Armada), and the intriguing-sounding Woyzeck on the Highveld (a collaboration between artist William Kentridge and the Handspring Puppet Company, famed for their London-based War Horse production). The hubs will no doubt make a beeline for Jan Garbarek & the Hilliard Ensemble (one of his favourite pairings). The Festival takes place 13-20th October but many of these events will undoubtedly sell out quickly!

The festivals are still coming thick and fast… this upcoming weekend sees the grassroots effort the Kilmainham Arts Festival, with a great range of music, visual arts, and literaryactivities in the Dublin 8 area on Saturday and Sunday. Here’s the full programme!

Boardmatch.ie has just relaunched its website… if you’ve an interest in joining the board of a nonprofit arts & cultural organisation, it’s a good place to start…

In news that’s received a mixed response (given the impending rise in energy charges), Bord Gáis has struck a naming/sponsorship deal with the Grand Canal Theatre. At least it will be an easy walk from their new premises on Warrington Place

UCD, TCD and the NLI have announced joint plans to develop new preservation & storage spaces to address their collection challenges, sparked by a $50k grant from the Andrew Mellon Foundation. As a frequent user of all these collections I hope the government will see fit to prioritise this initiative, which is absolutely essential for the support of research and public accessibility of these marvellous resources.

Uh oh… the former owners of Bewley’s on Westmoreland Street are in trouble over damage to the historic Joshua Clarke windows (father of Harry) located in the former cafe. It’s terribly sad to see that space still shuttered… I remember many a rainy afternoon ensconced in its gloomy interior when I first moved to Dublin!

Reports of The Gloaming (Irish trad supergroup of Thomas Bartlett, Dennis Cahill, Martin Hayes, Iarla Ó Lionaird & Caoimhín Ó Raghallaigh) are, well, glowing… following their concert last Saturday at the National Concert Hall is a range of dates across the country…  you’d be nuts to miss it if they’re coming to your area!

News that BBC4′s schedule and budget will be pared back came as unhappy news to Irish viewers lucky enough to access its fantastic arts programming… there’s nothing on TV like it! Since we don’t pay the license fee it’s difficult to have a direct impact, but you can still sign one of the online petitions to protect its place in the broadcasting schedule.

Missed last night’s live stream of Britten’s opera ‘The Turn of the Screw’ direct from Glyndebourne? By all accounts it was smashing, and still available to view from the Guardian’s website until 12 September.

A lovely article on the United Arts Club on Upper Fitzwilliam Street is in the Irish Times… sounds like a club I’d love to belong to (and membership rates are quite reasonable) — looks like quite a step up from the UCD Faculty Club! :)

Finally, CAO offers to first year students have gone out today following release of Leaving Cert results. The annual news rush of stories about subject points gains & declines(arts/business down, science/tech/ag up), the inequities of the Leaving Cert, and what lies ahead for this year’s new student crop has already begun… I’ve already seen a few newbies (and often parents) wandering around the soon-to-be-busy halls of Belfield, and although I won’t be teaching next year, I wish all of them the very best start to their university career!

 

 

 


Weekly round-up: 15 August 2011

15 August 2011

New LUAS Heritage posters

Time ran away before I could post on Friday, so here’s a a week’s worth of artscultury goodness for your Monday reading pleasure:

The Kilkenny Festival has wrapped up, but ah, the memories… highlights for me included the artist talk sponsored by Josephine Kelliher of the Rubicon Gallery, the amazing video installation by Jacco Olivier, the quirky and playful show by Ian Burns (still on!) at the Butler Gallery, and Angela O’Kelly’s curated show ‘Modified Expression’ at the National Craft Gallery of delicately crafted paper objects — simply delightful.

Go Karl! A former office-mate of mine from the Humanities Institute of Ireland here at UCD has taken the initiative to develop a series of historical community posters, now adorning a LUAS stop near you (you can see all the posters here). A great heritage initiative that’s very common in other European cities, it’s a wonderful way to share stories and images from archives with the public.

Cork was feeling the love in the Irish Times at the weekend, with a big article on the rebel county’s blossoming arts scene… lots of familiar faces there!

In today’s Irish Times, Michael Dervan pens a hugely depressing account of the failure of the Arts Council or the Department of Arts, Heritage & the Gaeltacht to support Irish opera… a situation which shows no signs of forthcoming improvement.

The Department has also recently published a review of the Irish Heritage Trust, set up in 2006 to help preserve the Big House in Ireland and presumably acquire important properties, but which to date has only managed to conserve and re-present Fota House in Cork. The report is fairly negative about the value elicited thus far from the Trust, and seems to suggest an absorption of its functions into the existing bodies An Taisce, the Irish Georgian Society or the Irish Landmark Trust.

Planning a project with another European arts organisation? No? Well, you should be, cause the European Cultural Foundation has money to give ya! Deadline is Sept. 1st, and this fund tends to be underutilised by Irish arts orgs, so get creative!

Or how about if you have a project taking place within 1 km of the Aviva Stadium (Lansdowne Road!) in Dublin? There’s more funding up for grabs for community, arts & cultural projects…

News of the Dublin Contemporary’s preview dates & launch hit last week, and more details are coming all the time… next month’s Visual Artists News Sheet will have a special focus on the DC as well. I’m particularly keen to see the Willie Doherty retrospective coming up at the Hugh Lane.

Ai Wei Wei has spoken briefly about the conditions of his detention by Chinese officials to the New York Times — the censorship he has faced is still so shocking…

Is art being used as the ‘window dressing’ of the recession? Peter Crawley in the IT thinks so, but I disagree… site specific theatre is such a rich dimension of theatrical experience, and certainly responding to our changed physical environment in such direct ways is the very point and purpose of art?

The Cultúrlann building in Derry by architects O’Donnell Tuomey has been shortlisted for the Stirling Prize, considered the ‘Oscars’ of the architecture world… another kudos for the progressive firm who’ve won loads of acclaim for their arts and cultural buildings, including the new Lyric Theatre in Belfast opened in May, and of course the Glucksman Gallery (shortlisted in 2005 for the Stirling).

We knew it was coming, but still… sigh. IMMA’s announced its closure dates of November 2011-January 2013. The New Galleries will still be open and host small scale shows, but it’s going to be a lean year for visitors to our national visual arts institutions.

I had meant to give a heads up on the talk by my colleague Caoimhín Mac Giolla Léith at Lismore Castle Arts last Friday on their current exhibition ‘Still Life’. Dangit. Go see the exhibition anyway, I thought it was wonderful!

Finally… no word yet on the new director appointment at the National Gallery, but if the gossip is correct there should be white smoke soon…


Weekly round-up: 28 July 2011

28 July 2011

Ulster Bank Dublin Theatre Festival 2011

It’s been a while, but I missed ya. Here’s the latest round-up:

First Thursdays in Temple Bar (where cultural organizations stay open extra late) keeps getting bigger and bigger – check it out next week if you haven’t already!

While I was away the Arts Council appointed Orlaith McBride as its new director… still no white smoke on the new director of the National Gallery, however!

I was very sorry to hear of the passing of artist Bill Crozier — a lovely man and a wonderful artist, I interviewed him a few years ago for a book on Stoney Road Press and recently enjoyed seeing his work at the RHA Annual Exhibition. He was extremely warm, funny and generous and we had a wonderful time speaking about our shared love of jazz, among other things! His work will be a wonderful legacy of a great personality and aesthetician.

The Music Generation project is underway (with a coordinating post still open in Co Mayo) and a national seminar to alert folks to further funding opportunities and other aspects of the programme will take place in September and is now accepting registrations.

There’s so many folks looking for work out there at the moment (mucho trafico on the jobs & internships page at the minute) – and if you’ve an interest in upskilling in digital media, and have been unemployed for 6 months or more,  the WebElevate programme (in conjunction with DIT and the Digital Skills Academy) is offering 120 funded places on a series of courses to be run in the Digital Hub.

Lots happening in theatreland… Willie White was appointed as the new Artistic Director of the Ulster Bank Dublin Theatre Festival to cheers all round! Congrats to Willie – there will be big shoes to fill at the Project!

Meanwhile both the Absolut Fringe Festival and the Theatre Festival have announced their programmes – with Irish Theatre Magazine providing a cheeky breakdown of Theatre Fest stats for your amusement J

The Everyman Theatre in Cork has also made a major appointment in its new Director Michael Barker-Caven, relocating to the People’s Republic from the UK.

I was delighted to see Thisispopbaby’s production Alice in Funderland is part of the Abbey’s schedule for 2012 – I missed its original staging and heard rave reviews, so it’s great to see there’ll be a second chance!

One great session at the recent Theatre Forum conference was led by John Deely on career management in the arts; he recently forwarded a useful e-workbook on to participants that might be of interest to many readers – it can be downloaded here.

The Guardian recently featured a polemic blog post on lack of women working in UK theatre – many of the comments are actually better (and more focused) than the original posting, but it makes for a really interesting read.

Festival season is in full swing and this weekend (and my family!) will see the Spraoi in Waterford, the international Street Fair festival. Lots happening over the bank holiday, but The Reich Effect weekend programme (celebrating the work of composer Steve Reich) at the Cork Opera House looks like another great bet if you’re down south.

Open House Dublin 2011 is looking for volunteers! It takes place from 7-9 October and is a fantastic event – have a look at their flier if you have time & energy to spare!

Over my holidays I read with some bemusement further articles on the ambition to turn Bank of Ireland’s College Green premises into a literary/cultural centre (a move strongly rebuffed by the bank) – an Irish Times editorial from a few weeks back offers the sage advice to consider the failure to establish a national opera company and the stagnation of plans to move/expand the Abbey and the National Concert Hall before plowing ahead with another ill-advised capital project.

However I was extremely pleased to hear the Irish Georgian Society has acquired the former Dublin Civic Museum for its new premises and plans to embark on a restoration of the building; we’ve a close relationship in the School with the GS and wish them the best with their snazzy new digs! It’s wonderful to have new life breathed into such an important city space.

The Irish Writers’ Centre is launching a new initiative in its ‘Novel Fair’ event, which invites first-time authors to submit anonymous work to be considered by a judging panel of folks from the publishing industry, and have the opportunity to meet directly with publishers and agents. It sounds like an unmissable opportunity for new writers; the submission deadline is November 11th.

Audiences Northern Ireland has re-launched its website – fancy!

Putting my board member hat on… the Irish Museums Association is seeking contributions (both articles and exhibition/book reviews) to this year’s journal Museum Ireland, the only publication in the country devoted to articles and discussion of museum-related matters. Send ‘em in!

I’m looking forward to seeing the latest exhibition at IMMA of photographs from the David Kronn collection – he’s promised his collection to IMMA, and it looks like a great chance to get a peek at a marvelous private collection.

Dublin-based Irish visual artist Al Freney has had one of his works selected for the prestigious BP Portrait Awards, hosted annually by the National Portrait Gallery in London – congrats! Here’s a press release if you’re interested to know more…


Weekly round-up: 17 June 2011

17 June 2011

Rex Levitates' 'Fast Portraits' upcoming at Project Arts Centre

The updates have slowed a bit with the onset of summer, and this will be the last one until July as I’m off on holidays… however the jobs page will still be updated (lots of new opportunities added in the last few days!)

Theatre Forum knows how to throw a conference — this year’s iteration was excellent (loved Patrick Sanders’ real time illustrations of the action) but if you missed it, lots of photos, podcasts etc have now been posted on the conference website.

Presentations from the recent Visual Arts Audiences seminar held at Temple Bar Gallery & Studios have also been posted — lots of requests for these, especially Una Carmody’s run-through of recent statistics on arts participation and online engagement.

Contemporary dance may not be highest-profile art form in Ireland, but Rex Levitates is one of its best exponents — their latest production (Fast Portraits) hits the stage at Project from June 21-25: ‘inspired by the realistic observations of the true human condition by artists Bill Viola and Caravaggio… Fast Portraits explores the layers of emotion and memory that infuse captured images and transfer them into movement.’ Sounds like it will be a fantastic show!

It’s great to see how Fund It has taken off! A special mention this week of two projects: the Butler Gallery’s book What is Art? is a wonderful project that will publish children’s creative responses to the Gallery’s programme (their Solas education programme, which recently celebrated its 10th anniversary). And in a timely riposte to certain Irish Times journalists who say the theatre has failed to address contemporary Ireland — the group THEATREclub and its young members are seeking to fund the production of their show TwentyTen, a six part epic responding to the turbulence of 2010.

The Dalkey Book Festival kicked off today and runs until the 19th– lots of great talks and readings taking place around the seaside village. Events are small and have the tendency to sell out, so get thee to the website if you’re interested in attending!

In honour of Bloomsday yesterday, Imagine Ireland launched a series of interesting and beautifully illustrated ‘imagined’ walks in a series of parks/landscapes in the US which mirror Stephen Dedalus’ peregrinations around Dublin.

Dublin has officially submitted its bid (entitled Pivot Dublin) to become the World Design Capital for 2014. There are 56 cities in the competition, with the shortlist to be announced June 21st! Best of luck (and huge congrats!) to the team involved in the pitch…

The Department of Arts, Heritage and the Gaeltacht is accepting submissions of interest for open positions on the boards of the Chester Beatty Library, National Archives, National Gallery, Abbey Theatre and Irish Film Board.

Congrats to Colum McCann for winning the €100,000 Impac Literary Prize for Let the Great World Spin! Although the award is based in Dublin (and is the largest literary prize in the world) it’s only been won by an Irish author twice.

Graduate shows from NCAD, IADT and DIT are on now — Aidan Dunne’s thoughtful response to some of the works will be much appreciated, no doubt! — and this is always a fine chance to sample up-and-coming artists; student shows are one of my highlights of the art year.

Dublin Contemporary’s programme will launch on the 23rd of June; lots of work & internship opportunities on offer there at the moment too.

The RHA’s annual Summer Fete fundraiser is tomorrow (Saturday the 18th)! I’m sorry to be missing out on the yummy cake sale, lucky dip draw and other great activities. Now, if they could only find the space for a bouncy dolmen… Temple Bar Gallery & Studios is also throwing a summer fundraising bash with DJs etc (Summer Lightning II) on July 2nd.

That’s it from me for now… headed Stateside to reconnect with the homeland and sample the delights of a west coast summer! See you in July…


Weekly round-up: 1 June 2011

1 June 2011

March 1966 - the theft of Nelson's head (image from the Evening Press)

Last night on the telly Whose Art is It Anyway? hosted by Joe Duffy explored public art in Ireland (catch it on RTE player). I found it disappointing and very narrow in its coverage of the range of work produced across the country, though people keep telling me I should be grateful they had any programme on the subject at all. Balderdash — we should (and I do!) expect more from our national broadcaster.

Still on the public art tip — on the back of last night’s programme I was sent a link to artist Sean Lynch’s online piece on a few of Dublin’s dismantled public monuments (written to accompany his public artwork Me Jewel & Darlin’) — some fantastic images there (including the one above)!

Although I missed the Queen in Cork, a visit to the new Triskel Arts Centre more than compensated — a beautiful exhibition by Vivienne Roche was there consisting of drawings, photographs, projections and some delicate glass pieces — we also ogled the new Christchurch performance space (fab!!) and envied folks attending the Cork Midsummer Festival (11-26 June) who will be able to see Laurie Anderson and Brad Meldhau there (in addition to the other great acts on the programme). We wrapped up the weekend with a wet and windy visit to the Glucksman Gallery at UCC , and finally a trip to Lismore Castle Arts in Waterford. LCA is such a stunning day out — wonderful art space, amazing gardens and public sculptures (missed the David Nash piece last time I was there, and the temp installation by Richard Wright was groovy). They’ve now taken over a small disused church in the village centre (St Carthage Hall) where we viewed a hypnotic and lyrical video piece by Martin Healy — one of the best days out we’ve had in a while (and even my toddler loved it)!

The Irish Pavilion at the 54th annual Venice Biennale featuring artist Corban Walker is opening to the public on 4 June. Looks like a stunning installation — I’m looking forward to hearing back from the lucky ducks headed over this summer.

The juggernaut that is Imagine Ireland rolls onward, with the new programme launched in the wake of Obama’s visit to Ireland (that’s me! By the Thomas Davis Statue! Did you see me waving Barack??) Plaudits for the management, scope and delivery of this initiative have been loud & plentiful — it is probably the most significant cultural initiative of the last year, and a major achievement for the lean machine that is Culture Ireland.

The programme for the 2011 PhotoIreland festival (now in its second iteration) has been announced. Aside from the great list of exhibitions & talks, I’m hankering after the workshops teaching collodion photography & other 19th c techniques (I have a weakness for 19th c. photography, especially stereoscopy!)

The unresolved saga of opera in Ireland continues with the news that the ‘Irish National Opera Company’ has been wrapped up; it was meant to be filling the shoes of dearly departed Opera Ireland, and pushing forward the production of operas nationwide. Although the remit for opera has now been returned to the Arts Council, it’s unclear who (if anyone) will be picking up the gauntlet.

Following on from two recent conferences on museums & new technology attended by lots of Irish folk (MuseumNext and Rethinking Technology in Museums) — a backlash against social media ‘gurus’ here and here?

The recent session in TBG&S on the subject of visual arts audience development was very interesting (especially the presentation from Pete Gomori, the Tate’s marketing manager ) — what also intrigued was the proportion of the day devoted to discussions of social media. A few days later Una Carmody from Arts Audiences summarised some of the latest data about Irish social media usage – lots of interesting tidbits there (84% of Irish internet users utilize social media, for example).

The RHA’s annual show is on — always one of my favourite arts outings of the year!

Tickets for the Dublin Contemporary have also gone on sale.

Next week is Theatre Forum’s annual conference! More than 250 people already signed up to attend — including me! Meanwhile the conference blog has been posting interesting links (on the recent report from Edinburgh on its festivals’ economic impact, which uses metrics beyond the hackneyed multiplier — Anne Bonnar’s blog has additional commentary).

‘The Art Books of Henri Matisse’ has opened at the Chester Beatty Library — I’ve written a piece on the exhibition for forthcoming Irish Arts Review as well — a great chance to see some brilliant, rarely-exhibited works in Ireland.

IMMA’s left its difficult teenage years behind… a full day of events took place on May 27th for their 20th birthday, but the celebrations continue with their exhibition Twenty, and the Forbidden Fruit festival this weekend (not sponsored by IMMA, but taking place on their grounds).

Finally… on 12 June the Dublin City Gallery – The Hugh Lane will be hosting a public conversation with feminist art icon Judy Chicago — bound to be packed, so get there early!


Weekly round-up: 5 May 2011

5 May 2011

Photo: Irish Times Online

Feliz Cinco de Mayo! We’ve been up to our ojos interviewing for next year’s MA in arts management class — but here’s the weekly dose of arts goodness:

I was very excited to hear that UCD’s former gaff has been selected as the venue for much of the Dublin Contemporary. Curators will be pulling a PS1 on Earlsfort Terrace and utilising the existing fabric of the building, its long history as an institutional (and indeed exhibition space) becoming a palpable presence in the installations. Of all the news that’s circled round the DC over the past few months, this is by far the most promising! Can’t wait to see what emerges…

What are you doing this evening? First Thursdays at Temple Bar has been expanding, with a great list of venues opening their doors from 6-8 pm tonight.

The Fourth Wall’ programme of events on architecture and film began today at the IFI and continues until the 16th — quite a number of interesting screenings will take place over the weekend, and a fab-sounding academic symposium tomorrow.

I missed it last week, but the Triskel Arts Centre in Cork has reopened after a period of refurbishment. Part of the project involved the establishment of a new Theatre Development Centre, of which Corcadorca is the first occupant (a nice feature in Irish Theatre Magazine has details on the company’s recent developments).

An short opinion piece in the Telegraph bemoaned the lack of homegrown senior arts managers in the wake of Martin Roth’s appointment to the helm of the V&A Museum (he’s German)… apart from having the slight whiff of xenophobia, strangely enough this is also a common complaint in the US (ie the very small pool of experienced and available museum directors). It would seem to me the problem is less a British one than an international issue, especially given the natural (and correct) international mobility of folks at this level of seniority. Furthermore it points perhaps to the very demanding number of responsibilities (and often low remuneration) now required of a museum director — perhaps it is now a less appealing position than ever it was.

There was a lovely feature on artist Michael Craig-Martin in the Guardian yesterday… I like his thinking: ‘… making art is about making particulars, and that particular something can be the generator of a generalisation.”

How to support two arts organisations at the same time? Go see Pygmalion (just opened at the Abbey to great notices) and let those royalties from GB Shaw roll in to the National Gallery… there, don’t you feel better now? :)

An excellent chance to hear a world expert on intellectual copyright and the Creative Commons is coming up at The Science Gallery: Professor James Boyle from Duke University will be speaking on Thursday the 12th of May, and is unmissable if you’ve an interest in arts law & anything to do with creative copyright!


Weekly round-up: 27 April 2011

27 April 2011

Though I’ve been occupied stuffing myself with Easter chocolate, basking in the spring sunshine, and feeling the glow of two long weekends with a royal wedding sandwiched in the middle, it’s time for another round-up…

Jazz-heads are gearing up for a few weeks of delectable treats — Improvised Music Company’s 12 Points! European Jazz festival begins at Project Arts Centre on 4th of May, while the long-running Bray Jazz Festival is this weekend! Lots of chatter meanwhile on Jim Carroll’s recent blogpost on issues surrounding jazz promotion & attendance in Ireland, followed by an article in today’s IT by Laurence Mackin on the changing face of contemporary jazz. Some of the best gigs I’ve been to in Ireland have been jazz — Tomasz Stanko, EST, Bobo Stenson, and Marcin Wasilewski are a few that spring to mind –  and according to my extra-jazzy husband (who co-presents Jazz-o-rama on Dublin City FM), Phronesis is the hot ticket at 12 Points this year.

Mindfield (the ‘international festival of ideas’) begins this Friday in Merrion Square and runs through Sunday. Though to my mind a leetle on the pricey side (69 yo-yos for a full festival pass, or a tenner for each event) there are quite a few free workshops & family events. I’m a fan of the quick-fire Ignite concept of 10 speakers + 20 slides + 5 minutes, but there’s a whole range of interesting talks and hands-on events throughout the weekend.

Seriously digging the idea of Druid staging The Cripple of Inishman on, well, Inis Meáin. Locals have first dibs on tickets for the 26 July performance (sales opened yesterday to Aran Islands residents), with the remainder going on sale to the public on 23 May.

Yesterday’s Irish Times carried a special supplement featuring the programme for the Bealtaine Festival (‘Celebrating Creativity in Older Age’) which begins this Sunday. They’re also currently recruiting for Cultural Companions, a programme which matches seniors with folks interested in accompanying them to cultural events (applications are being accepted for North Dublin and Cork).

On the other end of the age spectrum, Sheila Wayman in the IT wrote yesterday about involving children in arts activities from an early age, citing the importance of introducing them to arts experiences outside of school structure. As the mama to a 18 month old little guy, I found the list of available activities very useful — with the baby boom in Ireland still in full flush, young families will be an important market & audience for arts organisations for some time…

I’ll be popping in to the Science Gallery’s new exhibition HUMAN+ tomorrow — Director Michael John Gorman recently penned a piece on the Guardian’s Science blog about the show that’s sold it to me!

The Galway City Museum is set to be re-furbished; it will be closed until early June to facilitate work, presumably in time for the Galway Arts Festival in July!

A quirky news item in the Independent last week noted that several roadside public sculptures from Kildare and Kerry have been stolen (presumably melted down for scrap). Obviously this is a distressing issue for the county councils and artists involved — though I must admit given the state of some of our public sculptures, these thieves might be doing us a roundabout favour (pun intended).

Temple Bar Cultural Trust is calling for interested participants for Culture Night 2011; deadline for expressions of interest is the 27th of May.

In an expected but warmly welcomed move, Arts Minister Jimmy Deenihan issued a call for interested applicants to apply for board positions at the National Concert Hall, IMMA, Irish Architectural Archive, Arts Council, and Heritage Council. This is part of efforts by the Department to increase transparency as regards governance and recruitment, and to avoid the sinkhole of political appointee-ism that’s plagued some of our cultural institutions. There’s no guarantee appointees will be drawn from this open application process, nonetheless it’s a great step in the right direction. Applications are due May 13th, so get cracking!

The Fundit website’s done extraordinarily well in its first month, raising about 40k! Quite a number of projects have reached their funding targets — but I’d love to see the Irish/Polish Film Project and the Open House Dublin Book Project make it over the line (their funding target has to be met for them to receive any moola) — have a look & consider sending a few euro their way??

The worst news of the past 2 weeks? The closure of the Lighthouse Cinema, after the failure to reach an agreement with the current landlords and the appeal for mediation rejected. I still have difficulty believing there’s no alternative in this case; it makes me physically sick to think of that wonderful facility lying empty. Will this be the final death knell for the Smithfield redevelopment dream?


Weekly round-up: 14 April 2011

14 April 2011

The good folks at Arts Audiences were kind enough to give me a preview of their new online training programme (fully launched on Tuesday!) on digital arts marketing — the skinny is that this is a cost-effective (€20 for each module or €95 for all seven) and focused way for folks to up-skill in the following areas:

Search Engine Optimisation ~ Beginners
Search Engine Optimisation ~ Advanced
Best Practice Web Design
Web Analytics
Social Media Marketing
Online Advertising
Email Marketing
Universal Access

Funded by the Arts Council, Temple Bar Cultural Trust and the Department of Arts, Heritage and the Gaeltacht, it’s delivered by Susan Hallam and includes case studies of the ABSOLUT Fringe Festival, the Abbey, Balor Arts Centre in Donegal, Éigse Carlow Arts Festival, and the National Concert Hall. This looks to be a great resource for enhancing your online chops; other offerings from Arts Audiences have been jumped on like office candy, so let me know if you’re liking the look of these too…

Business to Arts also held a reception Tuesday night to mark the many new initiatives they’ve recently launched — Fundit (which just had its first project reach 100% funding), New Stream Project, Arts Fund for Ireland, etc. Culture Minister Deenihan was also on hand to say a few words — my notes from his short speech read ‘cultural broker’ ‘private philanthropy’ and ‘Kerry’ (the first two refer to the aspects of his pre-election Arts Plan that have been identified as objectives for the new department; the third was the term of highest spoken frequency). The BtoA core team of Stuart, Rowena and Andrew have done amazing work over the past few years and deserve all the kudos coming their way! I was delighted as well to see Mason Hayes & Curran’s lovely collection of artworks in their offices — particularly the Corban Walker piece in the atrium (he’s the next featured artist for the Irish Pavilion at Venice) and the Rowena Dring textile work I spotted on the first floor (she had a fab exhibition at the Rubicon a few years ago I wrote about).

The third big honking thing to launch on Tuesday was Dublin City Council’s Public Art Programme, detailing plans and themes for the upcoming round of public art projects. The four strands of the programme are (1) Dublin, (2) Interaction with the City, (3) Connecting with the Public, and (4) City Contexts; a call for proposals for Strand 2 is open until 27 June. The launch document also includes a striking series of pinhole photographs taken by young Dubliners, the result of a commission from the Gallery of Photography.

The Art Fund in the UK (the largest public endowment for the arts in the UK, established in 1903) has announced it’s increasing its funding available to museums to purchase new works of art by 50% — that’s in addition to its launch of the ‘National Art Pass‘, which for an annual subscription of £35 (and less for students etc) will offer free admission and discounts to exhibitions in museums across the UK (*wipes drool from keyboard*).

Dublin Contemporary is hiring for five temporary positions — deadline is 22 April (has also been added to the jobs page).

Don’t forget about the Visual Arts Workers’ Forum (‘Work It’) at Project next Weds (20 April) — the schedule & session descriptions have now been posted.

There’s a conference on contemporary cultural policy (with a specific German focus) coming up on 6-7 May: ‘Contemporary German-Irish cultural relations in a European Perspective: Exploring issues in cultural policy and practice‘. The conference is co-organized by the Goethe Institute Dublin and The Centre for Irish-German Studies at the University of Limerick; attendance is free!

NCAD and UCD have entered into an ‘academic alliance‘ (yeah, I wasn’t sure at first what that meant either)– we’ve been having a series of discussions with folks from both institutions about new research strands, collaborative projects, new cross-listed modules, and the possibility of joint MA programmes — the six themes are (1) the studio: from process to product; (2) the expanded academy – college and communities; (3) text and image; (4) the city: urban cultures; (5) culture and institutions; (6) arts and healthcare. I’m particularly keen on numero (5) — lots of enthusiasm and great ideas at our last meeting — on to the achievable objectives, what ho!

I’m currently working on the idea of developing a new upper-BA course on photography (history, development & theory) for UCD in 2012-3; I’ve been in lots of interesting conversations in the past week over directions it could take & possible collaborators/opportunities for cross-listing. Hugh Campbell (prof of architecture over here at the Big B) has been running an MA level module in architecture, space and photography — I’ve been inspired by their class blog ‘Space Framed’ and would be interested to see any other examples of Irish 3rd level class blogs that make good use of the online medium (Blackboard, I’m looking at you.)

I was be/amused yesterday to be contacted by a journo from the Irish Independent researching an article on ‘erotic Irish art’ (!) After ascertaining this was in fact a serious request, I was surprised by how many examples my colleagues and I were able to rustle up (ah, St George Hare of Limerick, we didn’t forget you!) Now I’ve *another* module to start developing… :p

As a coda… thanks also to everyone over the past few weeks I’ve run into who have had nice things to say about the blog! It’s nice (and a little creepy) to think how many of y’all read this every week… hope you find it useful, and I always welcome notices, job announcements, press releases, constructive critique, and chocolate.


Weekly round-up: 6 April 2011

6 April 2011

Photo from the Irish Times, 5 April 2011: Rob Dunne and Antoinette Emoe prepare Diego Rivera's Landscape with Cacti for hanging at Imma. Photograph: Alan Betson

A sooper-dooper bumper round-up for today, to make up for my absence over the past 2 weeks (travelling for conferences & wrapping up MA course for 2010-11!) I’ve made a few sub-headings to make navigating this update easier; I promise not to stay away so long next time!

Jobs / internships

Want to work for the Arts Council? Now’s your chance… currently hiring a new Director and 15 (!) new arts advisors across all disciplines, so dust off the CV….

I’ve been following news on changing practices around internships/work placements in the UK (see previous post): just yesterday the Guardian reported on Nick Clegg’s admission of the advantage conferred to him via a placement in his youth arranged by his father.  There’s been a recent push in government (as part of a ‘social mobility’ campaign) to increase application transparency, fair remuneration, and access to internships in desirable professions — an issue of importance here in Ireland as well, though this has yet to be addressed in any substantial way. Groups/blogs like Intern Aware and Interns Anonymous have formed in the UK to push for reform and improve access (although I would disagree with their distinctions drawn between ‘interning’ for a company and ‘volunteering’ with a charity as neglecting/mis-characterising the non-profit sector); is it time for similar action here in Ireland?

Awards Season

Congratulations to the Science Gallery for its recent Shorty Award (for the best Cultural Organisation) at the ‘Oscars of Twitter’, and to Vulgo.ie for its triumph as best Arts & Culture blog at the Irish Blog Awards in late March!

Budget woes & money matters

The Lighthouse Cinema is embroiled in a rent dispute with its landlord, who recently doubled the rent from 100k to 200k. The future of the cinema is of great concern to its patrons, local residents in Smithfield and taxpayers (especially since the government invested €1.75 million in its development). The petition by the landlord to wind up the lease has been adjourned to allow for board discussions; it’s also been suggested that the Cultural Cinema Consortium (formed by the Arts Council and the Irish Film Board) who initially invested in the project might take it over as a going concern… Certainly I’d be of the view it’s the best arthouse cinema in Dublin (sorry IFI!), although the decline of the Smithfield development and its failure to secure lasting tenants is obvious to anyone visiting, and a clear obstacle the cinema’s struggled to deal with. Will keep you posted…

As the Arts Council England finally sent out funding notifications to organisations,  the scale of cuts was wide enough to warrant massive coverage in all the UK dailies (I follow the Guardian mainly) and even feature on a Newsnight segment. 206 organisations had their funding cut completely, and supporters of various organisations and artforms fumed. The Arts Council itself recently came in for strongly worded criticism and an order to sell off big chunks of its collection, whilst the CEO of ACE answered tough online questions about funding decisions. It’s almost too much to digest, especially at a distance, but my impression is that ACE was in an impossible situation, with nearly every commentator convinced of his/her view that decision X or decision Y was a travesty of judgment — I would have more sympathy with Charlotte Higgins’ view that

… ACE’s behaviour is only a sideshow. The real story here is the gradually corrosive effect of a government that, while paying lip-service to the importance of the arts, seems intent on sleepwalking the nation towards cultural impoverishment. The cuts to ACE cannot be seen in isolation from the removal of public funding for humanities tuition in higher education; the absence of arts subjects from the English baccalaureate; the unstable situation among local authorities, some of which are bravely protecting cultural provision while all too many are cutting it off; the starvation of libraries.

Northern Ireland news

An Arts Hustings for Northern Ireland will be hosted by Arts Audiences NI, Arts & Business, and Voluntary Arts on 19 April at the Grand Opera House in Belfast; representatives from the various political parties will be in attendance, and Declan McGonagle will also be speaking.

Have to give a shout-out to all the fab folks who hosted our MA class recently during our visit to Belfast… thanks to Stephen Douds from BBC NI / Lyric Theatre, Ciara Hickey at the Ormeau Baths Gallery, Kabosh Theatre Company & Paula McKetridge, and Trevor Parkhill at the Ulster Museum for their fabulous hospitality — we had a marvellous time!

New research resources

I was recently alerted to the DHO:Discovery portal, one of the outcomes of the Digital Humanities Observatory project. It provides online access to digitised images, text, and sound recordings from a range of Irish cultural institutions, including the Chester Beatty Library, Irish Traditional Music Archive, and lots of material from TCD’s archives. The interface is clunky, but it’s wonderful to be able to access all of this material so easily, and will prove very useful for researchers.

I heart Ciaran Benson and his lovely writing, and I don’t care who knows it. The Irish Review of Books recently published his review of recent texts on Brian O’Doherty/Patrick Ireland — would that more Irish art criticism (including my own) flowed so beautifully!

The much-anticipated book Ireland, Design and Visual Culture : Negotiating Modernity 1922-1992, edited by Linda King and Elaine Sisson, has just been published. With The Moderns catalogue from IMMA also finally available, I’m looking forward to an imminent immersion in new Irish visual culture research  :)

If new Irish art historical research is your bag (as it’s certainly mine), check out the annual Irish Association of Art Historians’ Study Day, taking place this Saturday (9 April) at IMMA from 10-5. It will be showcasing new research (spanning all periods/geographies of art history) by folks working on this island, and we’re delighted to have three PhD students from our own School presenting as well: Louis Funder, Jessica Fahy and Silvia Guglielmini (download the full programme).

Launches / event announcements / calls for participation

After lots of hard work and enthusiasm Business to Arts formally launched Fundit.ie, a new crowdsourcing platform for funding Irish arts and cultural initiatives. Crowdfunding as a phemomenon recently received a nice write-up in the Irish Times, and already there’s a great clutch of projects seeking funding on Fundit.ie: so far I’ve helped fund Monster Truck’s new digital screen in Temple Bar, IMMA’s efforts to purchase new Bea McMahon drawings, the publication by Conor & David for Open House Dublin, and an Irish/Polish Film Project. One of the caveats of crowdfunding is that organisations don’t receive funds unless their target is reached — so get over there, register, and contribute what you can to what catches your fancy!!

I am gutted I missed last night’s opening at IMMA for the Frida Kahlo & Diego Rivera exhibition (complete with tequila and mariachis! In Dublin!! More exclamation marks necessary!!!!) Looking forward to seeing the show in any case (although as an Angelena I’ve seen my fair share of Kahlo & Rivera — and Siquieros and Orozco, who make up the holy trinity of Mexican muralistas). Sure to be a massive crowd-pleaser… (p.s. Aidan Dunne’s reflections on 20 years of IMMA’s history last week made for a nice recap!)

The second meeting of the Visual Arts Workers Forum (WORK IT) is taking place in Project on April 20th — the discussions and planned presentations look great, and are aimed at folks across Ireland working in the visual arts.

Friday is Love : Live Music / National Music Day, coordinated by Music Network — get thee down to one of the many events happening nationwide (the hubs will be hitting the town with junior in tow, seeing how much music he can take til he pops!)

Cinemagic Dublin is currently seeking kids and teenagers 10-18 years in age to sit on its film review jury — if you have any budding film critics knocking about the house, here’s your chance!

The Heritage Council is hosting an  EU Funding Information Event for Heritage Organisations on 13 April at its offices in Kilkenny, which will provide information for individuals and organisations on how to access EU pots o’cash — an underutilised source of funding in Ireland!

Miscellany

Aosdána recently added John Arden, Joseph O’Connor, John Tuomey, Corban Walker and Daphne Wright to their midst… @RositaBoland ‘s twitter reporting of their annual general meeting on April 4th was particularly entertaining (gardening wha?)

The Irish Times debuted its first Culture Podcast yesterday, featuring Fintan O’Toole, Jim Carroll, Rosita Boland and Shane Hegarty.

Puh-lease: 6 hours a week? Explaining what Irish academics do (and justifying the weirdness of our working patterns / heaviness of workload) continues to be the bane of my existence, especially as we’re now meant to conform to the Crazy Croke Park Agreement that’s arbitrarily imposed a demand of an extra hour spent teaching every week, across all levels of education (although I pause in my rant to spare a thought for Queen’s University in Belfast, where colleagues are facing drastic budget measures that will have a terrible impact on working conditions and consequently student experience). Much of the interesting debate on this subject has taken place over on ex-DCU president Ferdinand von Prondzynski’s University Blog (who’s since moved over to Robert Gordon University in Aberdeen). The folks over at DublinIntellectual (particularly Dr Marisa Ronan) are taking matters into their own hands, making efforts to broaden awareness of research conducted by third level academics, by hosting a series of accessible ‘salons’ — the first takes place tonight at 8.30 at the Shebeen on South Great Georges Street.

 

I’m sure I’ve forgotten something… but gotta get back to the day job! :)

 

 

 


Follow

Get every new post delivered to your Inbox.

Join 810 other followers