Weekly update: 10 October 2011

10 October 2011

The new WorldIrish.com site, one of the diaspora initiatives launched last week

Feedback on the arts/culture dimension of the recent Global Irish Economic Forum at Dublin Castle has been buzzing since  Saturday, with a subsequent article in the IT on corporate sponsorship & the arts (also predated last week by an article on foreign bank subsidizing of recent arts activity). I admit to some scepticism regarding the notion of a mass ‘homecoming’ event (will there be cheerleaders & tailgates?), but it was heartening to see the cultural agenda as a central part of the discussions. (on a side note, it’s a pity that the live feed of the event hasn’t been archived!!)

More than 350 people have signed the petition launched by IVARO to urge full implementation of the Artists’ Resale Right (as it currently can be availed of by living artists, the petition seeks for the resale rights to extend to deceased artists whose work is still in copyright, thus bringing Ireland in line with EU conventions). Consider clicking through the link & adding your name in support??

To coincide with Dublin Contemporary, Noone Casey are offering a mentorship award worth €10k of sponsorship, financial & strategic planning advice to an emerging arts collective, organisation, etc. (the brief is pretty open!) Deadline is 12th of October.

The Arts Council has recently announced its list of new artform advisers — the folks tasked with viewing & visiting shows/exhibitions/etc. across the country, and assisting with funding applications and grantmaking decisions.

Calling all arts marketers: Una Carmody, director of the Arts Audiences project, is seeking feedback from marketers with respect to the Target Group Index Report (to be released this month)… quite a lot of relevant information and data about arts participation is contained in this report, and Una & co are taking requests for report analysis.

We’ve entered the final week of the Ulster Bank Dublin Theatre Festival… My own viewings have been mixed, from the great (Rian) to the meh (Peer Gynt), but bookings have been very solid and it’s been difficult to source tickets for many shows. The box office has been releasing 10 euro rush tickets the same day as some performances, so it’s worth keeping an eye on their twitter feed or facebook page to snag a deal! (a few interesting and provocative write-ups in the Guardian and Saturday Irish Times, as well)

The annual architectural bonanza known as Open House Dublin began last weekend; if the queues at sites in our neighborhood were representative at all, it’s been a busy launch! So many great programmes and events along with the architectural tours, it’s a must-see.

One helluva white elephant: following accusations of mismanagement the €44 million Niemeyer arts centre in Spain is set to close after opening only 6 months ago. One of our current PhD students in the department is likewise investigating the effects of ‘starchitecture’ in the Rioja region; it would seem the ‘Bilbao effect’ is not all it’s been cracked up to be…

The UK think-tank Demos have recently released a report into the creative industries sector entitled ‘Risky Business‘, suggesting that creative business have proven to be lower-risk than non-creative/cultural ventures, and calling for greater levels of government attention to fostering their growth.

Following its enormously successful application call for its BA in Acting in 2011, the new Lir (Nat Academy for the Performing Arts) has announced it’s accepting applications for its BA In Acting 2012 / Diploma in Stage Management and Technical Theatre 2012.

We knew it was coming, but, alas, IMMA will be closing its main building for refurbishment on 1 November until December 2012. What a buzzkill for all the enthusiasm generated by Dub Contemp :( :(

Booking has opened for the International Puppet Festival in the south county Dublin & Wicklow area… a series of free street events will also be taking place in Temple Bar, Bray and Dun Laoghaire on the 23rd of October– it looks like a great programme!

…and if you live in South Dublin, take a moment to complete a public survey on usage of its library systems.

It’s still a few weeks away (9 November), but consider booking in for the Irish Museum Association’s annual lecture — this year featuring Dr Penelope Curtis, Director of the Tate Britain — the tickets generally get snapped up!


Weekly round-up: 17 June 2011

17 June 2011

Rex Levitates' 'Fast Portraits' upcoming at Project Arts Centre

The updates have slowed a bit with the onset of summer, and this will be the last one until July as I’m off on holidays… however the jobs page will still be updated (lots of new opportunities added in the last few days!)

Theatre Forum knows how to throw a conference — this year’s iteration was excellent (loved Patrick Sanders’ real time illustrations of the action) but if you missed it, lots of photos, podcasts etc have now been posted on the conference website.

Presentations from the recent Visual Arts Audiences seminar held at Temple Bar Gallery & Studios have also been posted — lots of requests for these, especially Una Carmody’s run-through of recent statistics on arts participation and online engagement.

Contemporary dance may not be highest-profile art form in Ireland, but Rex Levitates is one of its best exponents — their latest production (Fast Portraits) hits the stage at Project from June 21-25: ‘inspired by the realistic observations of the true human condition by artists Bill Viola and Caravaggio… Fast Portraits explores the layers of emotion and memory that infuse captured images and transfer them into movement.’ Sounds like it will be a fantastic show!

It’s great to see how Fund It has taken off! A special mention this week of two projects: the Butler Gallery’s book What is Art? is a wonderful project that will publish children’s creative responses to the Gallery’s programme (their Solas education programme, which recently celebrated its 10th anniversary). And in a timely riposte to certain Irish Times journalists who say the theatre has failed to address contemporary Ireland — the group THEATREclub and its young members are seeking to fund the production of their show TwentyTen, a six part epic responding to the turbulence of 2010.

The Dalkey Book Festival kicked off today and runs until the 19th– lots of great talks and readings taking place around the seaside village. Events are small and have the tendency to sell out, so get thee to the website if you’re interested in attending!

In honour of Bloomsday yesterday, Imagine Ireland launched a series of interesting and beautifully illustrated ‘imagined’ walks in a series of parks/landscapes in the US which mirror Stephen Dedalus’ peregrinations around Dublin.

Dublin has officially submitted its bid (entitled Pivot Dublin) to become the World Design Capital for 2014. There are 56 cities in the competition, with the shortlist to be announced June 21st! Best of luck (and huge congrats!) to the team involved in the pitch…

The Department of Arts, Heritage and the Gaeltacht is accepting submissions of interest for open positions on the boards of the Chester Beatty Library, National Archives, National Gallery, Abbey Theatre and Irish Film Board.

Congrats to Colum McCann for winning the €100,000 Impac Literary Prize for Let the Great World Spin! Although the award is based in Dublin (and is the largest literary prize in the world) it’s only been won by an Irish author twice.

Graduate shows from NCAD, IADT and DIT are on now — Aidan Dunne’s thoughtful response to some of the works will be much appreciated, no doubt! — and this is always a fine chance to sample up-and-coming artists; student shows are one of my highlights of the art year.

Dublin Contemporary’s programme will launch on the 23rd of June; lots of work & internship opportunities on offer there at the moment too.

The RHA’s annual Summer Fete fundraiser is tomorrow (Saturday the 18th)! I’m sorry to be missing out on the yummy cake sale, lucky dip draw and other great activities. Now, if they could only find the space for a bouncy dolmen… Temple Bar Gallery & Studios is also throwing a summer fundraising bash with DJs etc (Summer Lightning II) on July 2nd.

That’s it from me for now… headed Stateside to reconnect with the homeland and sample the delights of a west coast summer! See you in July…


Weekly round-up: 1 June 2011

1 June 2011

March 1966 - the theft of Nelson's head (image from the Evening Press)

Last night on the telly Whose Art is It Anyway? hosted by Joe Duffy explored public art in Ireland (catch it on RTE player). I found it disappointing and very narrow in its coverage of the range of work produced across the country, though people keep telling me I should be grateful they had any programme on the subject at all. Balderdash — we should (and I do!) expect more from our national broadcaster.

Still on the public art tip — on the back of last night’s programme I was sent a link to artist Sean Lynch’s online piece on a few of Dublin’s dismantled public monuments (written to accompany his public artwork Me Jewel & Darlin’) — some fantastic images there (including the one above)!

Although I missed the Queen in Cork, a visit to the new Triskel Arts Centre more than compensated — a beautiful exhibition by Vivienne Roche was there consisting of drawings, photographs, projections and some delicate glass pieces — we also ogled the new Christchurch performance space (fab!!) and envied folks attending the Cork Midsummer Festival (11-26 June) who will be able to see Laurie Anderson and Brad Meldhau there (in addition to the other great acts on the programme). We wrapped up the weekend with a wet and windy visit to the Glucksman Gallery at UCC , and finally a trip to Lismore Castle Arts in Waterford. LCA is such a stunning day out — wonderful art space, amazing gardens and public sculptures (missed the David Nash piece last time I was there, and the temp installation by Richard Wright was groovy). They’ve now taken over a small disused church in the village centre (St Carthage Hall) where we viewed a hypnotic and lyrical video piece by Martin Healy — one of the best days out we’ve had in a while (and even my toddler loved it)!

The Irish Pavilion at the 54th annual Venice Biennale featuring artist Corban Walker is opening to the public on 4 June. Looks like a stunning installation — I’m looking forward to hearing back from the lucky ducks headed over this summer.

The juggernaut that is Imagine Ireland rolls onward, with the new programme launched in the wake of Obama’s visit to Ireland (that’s me! By the Thomas Davis Statue! Did you see me waving Barack??) Plaudits for the management, scope and delivery of this initiative have been loud & plentiful — it is probably the most significant cultural initiative of the last year, and a major achievement for the lean machine that is Culture Ireland.

The programme for the 2011 PhotoIreland festival (now in its second iteration) has been announced. Aside from the great list of exhibitions & talks, I’m hankering after the workshops teaching collodion photography & other 19th c techniques (I have a weakness for 19th c. photography, especially stereoscopy!)

The unresolved saga of opera in Ireland continues with the news that the ‘Irish National Opera Company’ has been wrapped up; it was meant to be filling the shoes of dearly departed Opera Ireland, and pushing forward the production of operas nationwide. Although the remit for opera has now been returned to the Arts Council, it’s unclear who (if anyone) will be picking up the gauntlet.

Following on from two recent conferences on museums & new technology attended by lots of Irish folk (MuseumNext and Rethinking Technology in Museums) — a backlash against social media ‘gurus’ here and here?

The recent session in TBG&S on the subject of visual arts audience development was very interesting (especially the presentation from Pete Gomori, the Tate’s marketing manager ) — what also intrigued was the proportion of the day devoted to discussions of social media. A few days later Una Carmody from Arts Audiences summarised some of the latest data about Irish social media usage – lots of interesting tidbits there (84% of Irish internet users utilize social media, for example).

The RHA’s annual show is on — always one of my favourite arts outings of the year!

Tickets for the Dublin Contemporary have also gone on sale.

Next week is Theatre Forum’s annual conference! More than 250 people already signed up to attend — including me! Meanwhile the conference blog has been posting interesting links (on the recent report from Edinburgh on its festivals’ economic impact, which uses metrics beyond the hackneyed multiplier — Anne Bonnar’s blog has additional commentary).

‘The Art Books of Henri Matisse’ has opened at the Chester Beatty Library — I’ve written a piece on the exhibition for forthcoming Irish Arts Review as well — a great chance to see some brilliant, rarely-exhibited works in Ireland.

IMMA’s left its difficult teenage years behind… a full day of events took place on May 27th for their 20th birthday, but the celebrations continue with their exhibition Twenty, and the Forbidden Fruit festival this weekend (not sponsored by IMMA, but taking place on their grounds).

Finally… on 12 June the Dublin City Gallery – The Hugh Lane will be hosting a public conversation with feminist art icon Judy Chicago — bound to be packed, so get there early!


Weekly round-up: 14 April 2011

14 April 2011

The good folks at Arts Audiences were kind enough to give me a preview of their new online training programme (fully launched on Tuesday!) on digital arts marketing — the skinny is that this is a cost-effective (€20 for each module or €95 for all seven) and focused way for folks to up-skill in the following areas:

Search Engine Optimisation ~ Beginners
Search Engine Optimisation ~ Advanced
Best Practice Web Design
Web Analytics
Social Media Marketing
Online Advertising
Email Marketing
Universal Access

Funded by the Arts Council, Temple Bar Cultural Trust and the Department of Arts, Heritage and the Gaeltacht, it’s delivered by Susan Hallam and includes case studies of the ABSOLUT Fringe Festival, the Abbey, Balor Arts Centre in Donegal, Éigse Carlow Arts Festival, and the National Concert Hall. This looks to be a great resource for enhancing your online chops; other offerings from Arts Audiences have been jumped on like office candy, so let me know if you’re liking the look of these too…

Business to Arts also held a reception Tuesday night to mark the many new initiatives they’ve recently launched — Fundit (which just had its first project reach 100% funding), New Stream Project, Arts Fund for Ireland, etc. Culture Minister Deenihan was also on hand to say a few words — my notes from his short speech read ‘cultural broker’ ‘private philanthropy’ and ‘Kerry’ (the first two refer to the aspects of his pre-election Arts Plan that have been identified as objectives for the new department; the third was the term of highest spoken frequency). The BtoA core team of Stuart, Rowena and Andrew have done amazing work over the past few years and deserve all the kudos coming their way! I was delighted as well to see Mason Hayes & Curran’s lovely collection of artworks in their offices — particularly the Corban Walker piece in the atrium (he’s the next featured artist for the Irish Pavilion at Venice) and the Rowena Dring textile work I spotted on the first floor (she had a fab exhibition at the Rubicon a few years ago I wrote about).

The third big honking thing to launch on Tuesday was Dublin City Council’s Public Art Programme, detailing plans and themes for the upcoming round of public art projects. The four strands of the programme are (1) Dublin, (2) Interaction with the City, (3) Connecting with the Public, and (4) City Contexts; a call for proposals for Strand 2 is open until 27 June. The launch document also includes a striking series of pinhole photographs taken by young Dubliners, the result of a commission from the Gallery of Photography.

The Art Fund in the UK (the largest public endowment for the arts in the UK, established in 1903) has announced it’s increasing its funding available to museums to purchase new works of art by 50% — that’s in addition to its launch of the ‘National Art Pass‘, which for an annual subscription of £35 (and less for students etc) will offer free admission and discounts to exhibitions in museums across the UK (*wipes drool from keyboard*).

Dublin Contemporary is hiring for five temporary positions — deadline is 22 April (has also been added to the jobs page).

Don’t forget about the Visual Arts Workers’ Forum (‘Work It’) at Project next Weds (20 April) — the schedule & session descriptions have now been posted.

There’s a conference on contemporary cultural policy (with a specific German focus) coming up on 6-7 May: ‘Contemporary German-Irish cultural relations in a European Perspective: Exploring issues in cultural policy and practice‘. The conference is co-organized by the Goethe Institute Dublin and The Centre for Irish-German Studies at the University of Limerick; attendance is free!

NCAD and UCD have entered into an ‘academic alliance‘ (yeah, I wasn’t sure at first what that meant either)– we’ve been having a series of discussions with folks from both institutions about new research strands, collaborative projects, new cross-listed modules, and the possibility of joint MA programmes — the six themes are (1) the studio: from process to product; (2) the expanded academy – college and communities; (3) text and image; (4) the city: urban cultures; (5) culture and institutions; (6) arts and healthcare. I’m particularly keen on numero (5) — lots of enthusiasm and great ideas at our last meeting — on to the achievable objectives, what ho!

I’m currently working on the idea of developing a new upper-BA course on photography (history, development & theory) for UCD in 2012-3; I’ve been in lots of interesting conversations in the past week over directions it could take & possible collaborators/opportunities for cross-listing. Hugh Campbell (prof of architecture over here at the Big B) has been running an MA level module in architecture, space and photography — I’ve been inspired by their class blog ‘Space Framed’ and would be interested to see any other examples of Irish 3rd level class blogs that make good use of the online medium (Blackboard, I’m looking at you.)

I was be/amused yesterday to be contacted by a journo from the Irish Independent researching an article on ‘erotic Irish art’ (!) After ascertaining this was in fact a serious request, I was surprised by how many examples my colleagues and I were able to rustle up (ah, St George Hare of Limerick, we didn’t forget you!) Now I’ve *another* module to start developing… :p

As a coda… thanks also to everyone over the past few weeks I’ve run into who have had nice things to say about the blog! It’s nice (and a little creepy) to think how many of y’all read this every week… hope you find it useful, and I always welcome notices, job announcements, press releases, constructive critique, and chocolate.


Weekly round-up: 4 March 2011

4 March 2011

Finally catching my breath today — here’s the skinny:

  • Tomorrow’s World Book Night! I’m going to be at Starbucks Blackrock from 11 am tomorrow (Saturday) handing out 48 free copies of Beloved by Toni Morrison– come on down!
  • Some choice jobs in the listings this week — positions at Project, Audiences Northern Ireland, South Dublin County Council, etc.!
  • The Dublin Contemporary released the first list of artists who will be participating in the exhibitions– some great names there, including James Coleman, Lisa Yuskavage, and Richard Mosse. I was tickled to see another Peruvian name added to the list (Fernando Bryce) — as a half-Peruvian lady myself (one of my cousins was Miss Arequipa a few years ago in the Miss Peru paegant, hey hey!)  I’m astonished at the sudden influx led by the DC crowd! O’Brien’s will start having to stock pisco next…
  • However in one of the most upsetting announcements this week, a post on CIRCA’s website indicated that the magazine will likely disappear from March onwards. After suffering a disastrous 56% funding cut from the Arts Council last year, the magazine limped on ahead with online publishing. However this doesn’t seem sustainable any longer– it seems hard to believe that we will be without a significant contemporary art publication for the first time in 30 years.
  • Culture Northern Ireland is hosting an event entitled *Showcase on 22nd March, with the juicy theme ‘entrepreneurship and new business models in the cultural industries.’
  • I missed this last week, but Anne Enright authored a great piece in the Economist on Irish artists’ perseverance (and perhaps flourishing?) in the face of the recession.
  • I was delighted to see one of our former students in the Irish Times this week, promoting the Vantastival festival in Co Louth (early bird tickets are on sale now! I do so covet a VW campervan of my own).
  • Don’t forget the the closing date for the Clore Fellowship for cultural leaders from the Clore Foundation/Arts Council is next Friday!
  • The RDS show ‘Dearc 150‘ is ongoing but closes on the 20th of March; the exhibition is celebrating 150 years of the RDS Taylor Art Award by staging a retrospective of past winners, including Walter Osborne, Sir William Orpen, Seán Keating, and more contemporary recipients like James Hanley.
  • I was greatly saddened to hear of the passing of artist TP Flanagan — a marvellous artist who will be much missed!

Weekly round-up: 4 February 2011

4 February 2011

Blowin’ in the wind this week:

  • As seen in the last post, the Dublin Contemporary‘s appointed 2 new curators; its site has just come back online again as of today, with further details of its theme and what the heck they mean by ‘The Office of Non-Compliance’, whose explanation still sounds a bit Cheneyesque to me.
  • The director job for the National Concert Hall was featured in The Irish Times today.
  • Many were dismayed this week (not least the staff) to hear of the closure of Waterstone’s Dublin branches. I can only hope great indies like the Gutter Bookshop, Winding Stair and The Company of Books continue to thrive.
  • The new Google Art Project has been wowing everyone in these parts– more fun than ArtStor, but can the Irish museums play too? Pretty please??
  • The Model: Sligo has a great new Jack Yeats exhibition ‘The Outsider’ on show, and a talk tomorrow (5 Feb) with Brian O’Doherty and Hilary Pyle that I wish I could attend!
  • Business to Arts has published a useful evaluation of its own ‘New Stream’ project, aimed at improving development skills in the arts sector through a series of workshops and professional development activities. Our own Pat Cooke provides some of the feedback on the programme.
  • Arts Audiences has launched details of two audience development schemes: Building Your Audience focuses on cultural tourism and assisting arts organisations with attracting domestic and international visitors (in partnership with Failte Ireland), while Media Mentoring offers the opportunity to match orgs with a mentor from Google who will provide advice and guidance on using new media to best advantage. Both schemes are currently open for application by organisations large & small!
  • The Moderns has continued to attract high visitor numbers (though some mixed reviews) but an announcement that the catalogue will be AGAIN delayed until March (when a significant part of the exhibition will be closed) was deeply disappointing (and frustrating for those of us hoping to use the exhibition for teaching purposes!)
  • Alain de Botton’s provocatively titled missive ‘Why are museums so uninspiring?’ set off lots of debate & discussion in the blogosphere; personally I think Charlotte Higgins from the Guardian had the most spot-on response (and interesting comments, too).
  • In the US, NEA Chairman Rocco Landesman sparked more debate over his comments that suggest American theatre was in a state of oversupply and under-demand, and should be adjusted accordingly.
  • The Observer on Sunday had an interesting piece on the death of the critic in the face of social media, but it still sounds like the funeral may be premature.

IMA Annual Conference: The Way Forward: Sustainability and the Museum

24 January 2011

This year’s Irish Museums Association annual conference (25-27th February 2011) is now accepting registrations (full disclosure: I’m on the organising committee)! Our theme this year is ‘The Way Forward: Sustainability and the Museum‘, and we’re delighted to be headed to Drogheda, where we’ll be hosted by the Droichead Arts Centre.

We’ve a great series of events lined up– as always, Fridays will feature a selection of members’ papers (see the call for papers here) and an interactive workshop (Annette Nugent leading the group for a session entitled ‘What can the museum sector offer the visitor, and how can museums grow their visitor base?’).

Saturday will see a full roster of speakers take the podium, including:

  • RACHEL MADAN (Greener Museums and author of Sustainable Museums: Strategies for the 21st Century)
  • EAMONN McENEANEY (Director, Waterford Museum of Treasures)
  • OLE WINTHER (Head of Museums Office, National Heritage Agency, Denmark)
  • SAMUEL JONES (Policy Fellow at the UK’s Department for Culture, Media and Sport and Head of Culture at DEMOS)
  • STUART McLAUGHLIN (Chief Executive, Business2Arts, Dublin)
  • IZABELLA CSORDÁS (Head of Visitor Services Department, Museum of Fine Arts, Budapest, Hungary)
  • GRAINNE MILLAR (Head of Cultural Development, Temple Bar Cultural Trust, Dublin)
  • DR HUGH MAGUIRE (Director, Hunt Museum, Limerick)

The Millmount Museum, Highlanes Gallery, Beaulieu House and Battle of the Boyne Visitor Centre will all be welcoming conference delegates for special receptions and visits. We are offering a special 40% off concession rate this year as well.

Full details of the conference programme can be found on the IMA website. Hope to see you there!


Weekly round-up: 8 December 2010

8 December 2010

Woe is us– budget, snow, and Jackie Healy Rae. Sigh.

Here’s what been buzzing on the wire:

* edit: Laurence Mackin had CI’s budget down by 2%; I asked him on his blog about the discrepancy in his figures versus the 71% increase cited elsewhere, and here’s his response:

According to the Government estimates (available at http://www.budget.gov.ie/budgets/2011/Documents/Estimates%20Budget%202011.pdf) Culture Ireland got €4.083 million in 2010 and will get €3.997 million in 2011 – a decrease of 2 per cent. According to the Minister for the Arts Mary Hanafin “a carry-over of €3m from 2010 will be used towards the funding of Culture Ireland’s major year-long season of contemporary Irish culture, Imagine Ireland, across the US in 2011” – hence the figure of €6,997 at Theatre Forum and elsewhere.

Basically, Culture Ireland’s budget is the €3.997 and the €3 million is a once-off payment to fund this once-off programme. You could argue that their budget has gone up by that much, but my understanding, following a phonecall to the Department, is that the €3 million must go on the US programme and isn’t transferable to other projects under CI’s aegis. Hope that clears it up.

It does… sort of. Certainly it clears up the discrepancy, and the earmarked €3 million can’t really be considered a true budgetary increase… nevertheless it’s a clear vote of confidence/investment in favour of CI’s work in a difficult climate.


Weekly round-up: 1 December 2010

1 December 2010

Snow, snow everywhere! Thaw out and enjoy:


Wednesday round-up (3 November 10)

3 November 2010

This week’s digest:

  • A new iteration of the RDS Art Fair makes its debut on Friday 5th November (running until Sunday). Although usually catering to popular tastes, the Fair is including this year the Collective Contemporary Art (CCA) programme in the Industries Hall, which adds an interesting curated exhibition of selected contemporary artists to the mix.
  • CIRCA has debuted its first totally online issue, themed on the subject of ‘criticism and criticality’. I will miss the glossy (alas, the glossy screen is a reluctant substitute).
  • Today saw the launch of the first of a series of reports on the state of fundraising in Ireland (authored by 2into3 consulting in conjuction with Mason Hayes Curran. Unfortunately few arts organisations were included in the study, and it isn’t available online yet, but it should yield some interesting insights…
  • A seminar on the ‘Cultural Dimensions of Innovation‘ is being held by UCD at Newman House on St Stephen’s Green on November 15th & 16th, that will ‘analyse the cultural dynamics which will shape Ireland’s economic, technological and political innovation agenda’ (natch). No doubt terms like ‘creative economy’ and ‘cultural interfacing’ will be trotted out; let’s just hope this doesn’t happen.
  • Finally, the Arts Council has announced its strategic approach for the next three years– lots to process there, but increased funding for marketing/audience development initiatives, the heightened importance of ‘value for money’ and ‘sustainability’, and the altering/concluding of some funding relationships are all signalled.

‘Arts Audiences’ new site launch & upcoming web 2.0 event

21 August 2009

arts_audiences

The Arts Council, in collaboration with Temple Bar Cultural Trust, has rolled out a new site focused on Irish arts audience development, www.artsaudiences.ie.  Here’s the skinny on their rationale for the initiative:

  1. Attendance and consumption; attendance for some artforms is falling; we need to increase the frequency with which people come to, for instance, our venue or festival and we need to keep people coming back year-on-year.
  2. Customer service and experience; customers care about more than just the show or event and we need to see what we can do to make sure their experiences are good ones
  3. Working together; arts organisations should collaborate more to speak to and attract audiences
  4. New media; All of us need to know more, to help us take advantage of the opportunities which a new media landscape have brought. We recognise that organisations operate at different levels of online activity and will strive to reflect this as we address this.
  5. Information; we need to address the gaps in our information about audiences – who they are and how they behave. Figuring out what we need to know is a key step in figuring out what to do.

(see the full manifesto here.)

Plans so far include:

  • A low-tech no-cost project where arts organisations will recommend each others work and we will report on what worked and what didn’t
  • A large-scale national promotion of the performing arts for a period of time in the autumn

Future plans include online resource material, and new training & mentoring programmes.

More imminent, however, is a series of one-day workshops on Web 2.0 and audience development to be offered in Dublin, Galway and Cork in September. They’re looking for registration ASAP, unless the slots have been filled already… it’s only €45 for a full day session, and looks to be a promising build on the excellent Arts Council-sponsored New Media & the Arts conference held last November.

  1. Attendance and consumption; attendance for some artforms is falling; we need to increase the frequency with which people come to, for instance, our venue or festival and we need to keep people coming back year-on-year.
  2. Customer service and experience; customers care about more than just the show or event and we need to see what we can do to make sure their experiences are good ones
  3. Working together; arts organisations should collaborate more to speak to and attract audiences
  4. New media; All of us need to know more, to help us take advantage of the opportunities which a new media landscape have brought. We recognise that organisations operate at different levels of online activity and will strive to reflect this as we address this.
  5. Information; we need to address the gaps in our information about audiences – who they are and how they behave. Figuring out what we need to know is a key step in figuring out what to do.

Arts Council Event Calendar Launch

30 April 2009

The blog’s been quiet lately as I’ve been preoccupied with end of term and the coming exam period– and with few jobs coming through the pipeline there hasn’t been as much need to update the jobs page… but an interesting tidbit in the Arts Council’s newsletter notes the imminent launch of their new online event calendar.

Organisations are invited to submit their upcoming events to the calendar, which may prove a handy centralised resource for all the cultural happenings in the country.


Irish Book Publishers’ Conference

5 February 2009

cleThe Irish Book Publisher’s Association is having their biennial conference on the 21st of February, this year entitled ‘The Burning Issues’.

Lots of interesting sessions planned on managing small presses, negotiating with booksellers, and identifying new markets…

For details see their flier (MS doc file), or alternatively consult their full programme (pdf).


Will you still need me, who will succeed me…

20 October 2008

A few weeks ago the Los Angeles Times carried an interesting story on the ‘graying’ of perfoming arts audiences, seeking to refute the perception that interest classical music is dying out:

[...] representatives of such organizations also offer compelling reasons why seeing gray hair — or, at least, gray roots — in the audience is (a) nothing new and (b) not necessarily a cause for panic, because, at least so far, there has always been “new gray” waiting in the wings to replace the old.

“A colleague of mine says the audience isn’t graying — it’s always been gray,” says Teresa Eyring, executive director of Theatre Communications Group, a national service organization for American nonprofit theaters.

Perhaps nothing earth-shattering here, but it is refreshing to hear the reactions of folks on the ground in response to this perennial whinge…

(read the rest of the article)


Belfastgalleries.com

24 June 2008

I’ve just been having a browse around the Belfast Galleries site, a project of Culture Northern Ireland…  intriguing, I haven’t come across it before. Lots of info on the gallery scene in Belfast, including integration of Flickr plugins, downloadable maps, etc. I think perhaps the design is too cluttered (similar to CNI’s own site), but it’s really useful to have so much information centralised somewhere.

Audiences Northern Ireland has a much better design in my opinion– clean, elegant interface, nice use of graphics:

Most Irish arts organisations still have a ways to go when it comes to utilising the web– don’t get me started on the National Institutions and the dire state of their websites– so it’s great to see some innovative examples. Long may they continue…


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