Weekly round-up: 29 November 2011

29 November 2011

'Buddie and Hallie' by Mike Disfarmer (c.1940-45), part of exhibition on now at the Douglas Hyde Gallery

Glad to be back in Ireland again after many weeks of travel (well, excepting the weather today)! Today’s a bumper round-up to amend for my absence!

Following Professor Niamh O’Sullivan’s retirement, the key post of Head of Visual Culture at NCAD has been advertised.

Delighted to see that Justin Carville, lecturer in photography at IADT, has published his volume on Photography & Ireland, which will fill a significant scholarly gap in the field… congrats Justin!

In other photography goings-on… the new show just opened of Mike Disfarmer’s photography at the Douglas Hyde Gallery looks fantastic. I don’t think I’ve ever seen his vintage photos shown here in Ireland, so this is a great opportunity to have a look-see.

In today’s Irish Times, Aidan Dunne feeds the rumour mill over new director appointments at IMMA and the NGI: it’s a bit gossipy really, and focusing on only the Irish potential candidates (not all of whom are really credible candidates) distracts from the real need for fresh blood at these museums. More importantly however, he pooh-poohs the silly idea of merging national institutions that’s been mooted *again* as a cost-saving measure.

Still waiting to hear further details of plans by IMMA to take over Earlsfort Terrace for exhibition purposes in 2012… would love to see some really exciting shows there, on a scale that’s not always possible at Kilmainham.

Charlotte Higgins in the Guardian has penned a column urging the UK government to protect free museum entry, a much-lauded achievement of the Labour years that’s under scrutiny as the belt tightens.

Whoa nelly: I had to scrape my jaw off the floor after reading about the launch in rural Arkansas of the ‘Crystal Bridges Museum of American Art’, funded by Walmart’s heiress at a price tag of $1.4 billion (yes, billion). Seems not everyone is so impressed…

Woop woop! Boulder Media (a Dublin animation company well known to me & my kin!!) has just won a Children’s BAFTA for its co-produced series ‘The Amazing World of Gumball’. Congrats folks!!

On December 6th Dublin City Council’s Arts Office is hosting a meeting at its offices: ‘Unoccupied Retail and Commercial Spaces – Is this a cultural opportunity for Dublin? An open conversation for Artists, Arts organisations, City officials, Landlords and Letting agents.’ Today is the deadline for registrations…

Calling young (18-30) artists! Sky Arts (in association with Arts & Business UK) is giving away £30,000 each to five artists to help fund their work for a year (disciplines include visual art, theatre, performance art, film, music, dance or literature, and it’s open to Irish applicants). Business to Arts is hosting an information session on the scheme on 14 December from 2-5 pm at the Science Gallery, but booking is required.

It’s a few weeks old, but in case you missed it, Mick Heaney’s article on the relationship between arts and politics in the Irish Times was a thoughtful, very well written piece; I would share his ambivalence over the increasing tendency to reduce the cultural agenda to a creative industries one, and the general disregard/low valuing of cultural activity by our political class.

Rise Productions has recently developed a series of podcasts with Irish theatre-makers (so far featured are Peter Daly, Philly McMahon and Aoife Spillane-Hinks) — well worth a listen!

Building on the popularity of their various pop-up shops (and just in time for Christmas), the RHA is welcoming the Irish Design Shop as a long-term resident in its shop space from 7 December (see press release here).

From 2-4 December, Temple Bar Gallery & Studios will be hosting the Dublin Art Book Fair & Magazine Archive, featuring twenty publishers (Irish and international) of art books, a series of talks aimed at artists/publishers/designers etc, and of course the lovely books themselves!

The NOISE Sounds Music Festival is inviting applications from young performers (13-25) in all genres (pop, electronic, DJ, brass, rock, trad, classical etc) to participate in a series of live gigs alongside professional musicians. The gig’s in February, but deadline for applications is 15 December!

Stranded Aoife’s written a lovely piece paying tribute to Donal Dineen’s radio programme The Small Hours (drawing to a close this week), laced with a bit of righteous annoyance at the lack of quality music programming it leaves in its wake:

There are a small number of excellent music broadcasters on the irish airwaves, but the vast majority of the output is being dumbed down for the so called masses. We’re being target marketed to such an extend that genres and sub genres are dictating playlists, and we’re in danger of disappearing into ever decreasing circles of sameness. It’s getting to the point where it’s rare to encounter music on the radio, rare to have things suggested to you that you might like, instead of things the computer thinks we’ll like. There is nothing more infuriating than programming that doesn’t trust its audience’s intelligence, or our ability to adapt, and the disappearance of this show just adds another nail to that particular coffin.

Still flying the flag for wonderful music — Music Network’s announced details of its Spring season ticket (a real bargain) with a fantastic line-up for the beginning of 2012.

The Ark will be collaborating with the Science Gallery to develop a special ‘artscience’ exhibition for Dublin City of Science 2012, and has issued a call for creative practitioners interested in submitting ideas — deadline is 6 January!

… and if you’re at a loose end tomorrow, pop down to the Science Gallery’s next Make Night on 30 November from 6-8 pm, the casual creative/making sessions that are kicking off again — tomorrow’s theme is ‘Christmas Jumpers‘ — reindeers ahoy.


Weekly round-up: 4 November 2011

4 November 2011

Hope Painting (2008) by William McKeown (1962-2011)

Happy Friday! It’s nice to be back.

Yesterday’s symposium at the National Gallery of Ireland (‘Future Gazing’) was enjoyable & enlightening, with lots of folks in the room contributing & following on the live stream. If you missed it, you can read some of the Twitter feed of the event, or check out some of the ‘Ten Beautiful Things’ digital media projects mentioned by speaker Hugh Wallace (Head of Digital Media at National Museums Scotland).

The Arts Council has launched an intriguing microsite ‘Supporting the arts – Stories from our archive‘ that draws upon digitised versions of key policy documents/images to tell the story of the evolution of State cultural policy. Structured across decades, one of the first installments (the 1950s) has been written by my colleague Pat Cooke from UCD.

A blow to contemporary art in the North: Ormeau Baths Gallery in Belfast has closed due to financial difficulties, bringing to an end two decades of exhibitions & programming. The Gallery was beset by financial and administrative problems over the past few years, and despite earlier indications it had turned a corner, its board has decided operations are unsustainable. This is a real loss to the visual arts community in Belfast, and perhaps the biggest casualty in the vis arts in recent years.

The inaugural VUE National Contemporary Arts Fair is on now at the RHA (through 6 November), with works for sale from most of Ireland’s top contemporary galleries.

The National Dance Archive has been launched at University of Limerick, filling a serious void in our performing arts archival records — it looks to be a fab resource for students & scholars of dance!

The Dublin Contemporary reached its expiration date on 31 October, and Aidan Dunne in the Irish Times penned an extensive and insightful reflection on its genesis and outcomes: highly critical of curator Jota Castro’s own participation in an event he curated, and of the likely shortfall in anticipated visitor numbers, he nonetheless reaches a cautiously optimistic conclusion.

The Glucksman Gallery is hosting its annual Craft Fair from today until Sunday — a great opportunity to start the Christmas shopping early!

A new website for the National Arts & Health initiative has been launched, with lots of resources for practitioners, artists, and others interested in related policy, opportunities and case studies.

If you’ve an interest in the humanities and inter/transdisciplinary digital initiatives: Professor Michael Shanks of Stanford University has been visiting UCD’s Humanities Institute of Ireland to speak about his work in archaeology, pedagogy & new media and his role running the Stanford Humanities Lab and the groovy research studio and lab Metamedia. He’ll be presenting two public lectures entitled Collaborative innovation networks: how to be interdisciplinary (Nov 8th) and What it is to be human: archaeological perspectives on human creativity (Nov 9th) — download details here.

Congrats to Temple Bar Gallery & Studios on winning Best Arts Website at the 2011 Irish Web Awards! Other nominees included nch.ie, fringefest.com, irishtheatremagazine.ie, axis-ballymun.ie and ewaneumann.com (although that last one is a total mystery to me).

We may have lost out on our bid to be 2014 World Design Capital (curse you, Cape Town!) but there’s still time to catch some design action at Limerick Design Week!

Last year I took part in World Book Night UK/Ireland and had the chance to give away 30 free copies of a book I love (Beloved by Toni Morrison) — the new books have been announced for 2012, but word is that applications to be an Irish giver will be different this year (check here for updates).

I was terribly sad to hear of the untimely passing of Co Tyrone-born artist William McKeown. I visited Willie in his Edinburgh studio some years ago while writing an article on his 2008-9 IMMA exhibition for Irish Arts Review (read it here). He was a lovely, gentle and very talented painter; we talked about many things, including our mutual interest in Brueghel — I later sent him a copy of William Carlos Williams’ wonderful book of poetry Pictures from Brueghel, some of which perhaps captures a bit of what Willie’s work felt like for me, too:

The living quality of
the man’s mind
stands out

and its covert assertions
for art, art, art!
painting

that the Renaissance
tried to absorb
but

it remained a wheatfield
over which the
wind played

(from ‘Haymaking’, William Carlos Williams)


Weekly update – 19 September 2011

19 September 2011

Back on the grid… and a heck of a week ahead:

The Absolut Dublin Fringe Festival charges into its second (and final) week… I’m looking forward to smooshing in as much as I can over the next few days (and maybe even darning a few socks)!

Culture Night is the other massive event this week – Friday 23 September. The scale of the ever-expanding arts & culture bonanza is truly mind-boggling, and it’s not just Dublin — 30 other regions across Ireland are participating this year. Put on some good walking shoes, plan ahead, and plan for alternatives (since many events get packed out early)!

Nosey nellies will have their prayers answered with the Irish Museum Association’s upcoming members’ trip to the new storehouses of the National Museum in Swords on 24 September. These are new state-of-the-art collections management facilities totaling more than 200,00 sq. feet. Book soon, this is bound to be a popular visit!

The National Campaign for the Arts has a series of key events happening this week: on Wednesday the Minister will be addressing a session of the Seanad (members of the public may attend but must request admission); on Thursday constituency coordinators are meeting in the National Concert Hall to discuss next steps, and on Friday the NCFA is hosting a presidential hustings in the IFI (attendance is free, but arrive early!) Details of all these events (and contact information) is located on the NCFA’s website.

The Contemporary Music Centre’s new music series New Sound Worlds begins Weds. 21 September in the National Concert Hall, the first of eight concerts curated by Siobhan Cleary.

Anyone watching Craft Master on RTE? I’m not usually one for reality shows, but this is a canny way of getting exposure for new craft practitioners (beyond the cheesy Nationwide profile). It started on 6 September but runs until 11 October on Tuesdays at 7 pm.

Taking a page from the UpStart‘s creative General Election poster campaign, Fire Station Artists’ Studio (in collaboration with the Danish collective Kuratorisk Aktion) has commissioned a project and poster campaign entitled ‘Troubling Ireland‘, ongoing in Dublin City Centre until the 23rd of September.

Keep your eyes peeled… Open House Dublin 2011 (themed ‘The Architecture of Change’) runs from 7-9 October; this season’s brochures are scattered round the city & are beautifully designed.

I’ve mentioned it before, but it’s worth saying twice… The Irish Writers’ Centre is launching its Novel Fair Competition on Wednesday 21 September, which will give unknown novelists a chance to compete for big-time exposure and possible contracts.

Lots of interesting board positions have opened up in the North — Northern Ireland Screen (23 Sept deadline), the Arts Council of Northern Ireland (30 September deadline), and the Northern Irish Museums Council (7 October deadline, seeking a Director) are seeking expressions of interest/applications from potential candidates.

The Friends of the National Collections of Ireland have a new website! Founded by Sarah Purser in 1924, the Society still works to donate works of special importance to public collections in Ireland.

MOMA’s increasing its admission price from $20 to $25 — yeowch! Good debate follows in the comments on the NY Times’ opinion piece.

Per Cent for Public Art‘ is the title of an upcoming forum on public art in Ireland on 14 October in Wexford, presented by Articulate (a very motivated & accomplished group of former UCD MA students), and sponsored by the Arts Council, OPW, Wexford local authorities, UCD & others. The keynote speaker is Sara Reisman, director of NYC’s Percent for Art scheme, and the programme of participants looks fantastic for anyone interested in Irish public art.

CREATE (the national development agency for the collaborative arts) is looking for a new director, but they’re also running an upcoming symposium on the Arts and Civil Society at the Triskel Arts Centre in Cork on 20-21 October. Again lots of great speakers, although it’s lamentable a more affordable concession offer is not available, especially given the subject of the event.


Weekly round-up: 17 June 2011

17 June 2011

Rex Levitates' 'Fast Portraits' upcoming at Project Arts Centre

The updates have slowed a bit with the onset of summer, and this will be the last one until July as I’m off on holidays… however the jobs page will still be updated (lots of new opportunities added in the last few days!)

Theatre Forum knows how to throw a conference — this year’s iteration was excellent (loved Patrick Sanders’ real time illustrations of the action) but if you missed it, lots of photos, podcasts etc have now been posted on the conference website.

Presentations from the recent Visual Arts Audiences seminar held at Temple Bar Gallery & Studios have also been posted — lots of requests for these, especially Una Carmody’s run-through of recent statistics on arts participation and online engagement.

Contemporary dance may not be highest-profile art form in Ireland, but Rex Levitates is one of its best exponents — their latest production (Fast Portraits) hits the stage at Project from June 21-25: ‘inspired by the realistic observations of the true human condition by artists Bill Viola and Caravaggio… Fast Portraits explores the layers of emotion and memory that infuse captured images and transfer them into movement.’ Sounds like it will be a fantastic show!

It’s great to see how Fund It has taken off! A special mention this week of two projects: the Butler Gallery’s book What is Art? is a wonderful project that will publish children’s creative responses to the Gallery’s programme (their Solas education programme, which recently celebrated its 10th anniversary). And in a timely riposte to certain Irish Times journalists who say the theatre has failed to address contemporary Ireland — the group THEATREclub and its young members are seeking to fund the production of their show TwentyTen, a six part epic responding to the turbulence of 2010.

The Dalkey Book Festival kicked off today and runs until the 19th– lots of great talks and readings taking place around the seaside village. Events are small and have the tendency to sell out, so get thee to the website if you’re interested in attending!

In honour of Bloomsday yesterday, Imagine Ireland launched a series of interesting and beautifully illustrated ‘imagined’ walks in a series of parks/landscapes in the US which mirror Stephen Dedalus’ peregrinations around Dublin.

Dublin has officially submitted its bid (entitled Pivot Dublin) to become the World Design Capital for 2014. There are 56 cities in the competition, with the shortlist to be announced June 21st! Best of luck (and huge congrats!) to the team involved in the pitch…

The Department of Arts, Heritage and the Gaeltacht is accepting submissions of interest for open positions on the boards of the Chester Beatty Library, National Archives, National Gallery, Abbey Theatre and Irish Film Board.

Congrats to Colum McCann for winning the €100,000 Impac Literary Prize for Let the Great World Spin! Although the award is based in Dublin (and is the largest literary prize in the world) it’s only been won by an Irish author twice.

Graduate shows from NCAD, IADT and DIT are on now — Aidan Dunne’s thoughtful response to some of the works will be much appreciated, no doubt! — and this is always a fine chance to sample up-and-coming artists; student shows are one of my highlights of the art year.

Dublin Contemporary’s programme will launch on the 23rd of June; lots of work & internship opportunities on offer there at the moment too.

The RHA’s annual Summer Fete fundraiser is tomorrow (Saturday the 18th)! I’m sorry to be missing out on the yummy cake sale, lucky dip draw and other great activities. Now, if they could only find the space for a bouncy dolmen… Temple Bar Gallery & Studios is also throwing a summer fundraising bash with DJs etc (Summer Lightning II) on July 2nd.

That’s it from me for now… headed Stateside to reconnect with the homeland and sample the delights of a west coast summer! See you in July…


Weekly round-up: 27 April 2011

27 April 2011

Though I’ve been occupied stuffing myself with Easter chocolate, basking in the spring sunshine, and feeling the glow of two long weekends with a royal wedding sandwiched in the middle, it’s time for another round-up…

Jazz-heads are gearing up for a few weeks of delectable treats — Improvised Music Company’s 12 Points! European Jazz festival begins at Project Arts Centre on 4th of May, while the long-running Bray Jazz Festival is this weekend! Lots of chatter meanwhile on Jim Carroll’s recent blogpost on issues surrounding jazz promotion & attendance in Ireland, followed by an article in today’s IT by Laurence Mackin on the changing face of contemporary jazz. Some of the best gigs I’ve been to in Ireland have been jazz — Tomasz Stanko, EST, Bobo Stenson, and Marcin Wasilewski are a few that spring to mind –  and according to my extra-jazzy husband (who co-presents Jazz-o-rama on Dublin City FM), Phronesis is the hot ticket at 12 Points this year.

Mindfield (the ‘international festival of ideas’) begins this Friday in Merrion Square and runs through Sunday. Though to my mind a leetle on the pricey side (69 yo-yos for a full festival pass, or a tenner for each event) there are quite a few free workshops & family events. I’m a fan of the quick-fire Ignite concept of 10 speakers + 20 slides + 5 minutes, but there’s a whole range of interesting talks and hands-on events throughout the weekend.

Seriously digging the idea of Druid staging The Cripple of Inishman on, well, Inis Meáin. Locals have first dibs on tickets for the 26 July performance (sales opened yesterday to Aran Islands residents), with the remainder going on sale to the public on 23 May.

Yesterday’s Irish Times carried a special supplement featuring the programme for the Bealtaine Festival (‘Celebrating Creativity in Older Age’) which begins this Sunday. They’re also currently recruiting for Cultural Companions, a programme which matches seniors with folks interested in accompanying them to cultural events (applications are being accepted for North Dublin and Cork).

On the other end of the age spectrum, Sheila Wayman in the IT wrote yesterday about involving children in arts activities from an early age, citing the importance of introducing them to arts experiences outside of school structure. As the mama to a 18 month old little guy, I found the list of available activities very useful — with the baby boom in Ireland still in full flush, young families will be an important market & audience for arts organisations for some time…

I’ll be popping in to the Science Gallery’s new exhibition HUMAN+ tomorrow — Director Michael John Gorman recently penned a piece on the Guardian’s Science blog about the show that’s sold it to me!

The Galway City Museum is set to be re-furbished; it will be closed until early June to facilitate work, presumably in time for the Galway Arts Festival in July!

A quirky news item in the Independent last week noted that several roadside public sculptures from Kildare and Kerry have been stolen (presumably melted down for scrap). Obviously this is a distressing issue for the county councils and artists involved — though I must admit given the state of some of our public sculptures, these thieves might be doing us a roundabout favour (pun intended).

Temple Bar Cultural Trust is calling for interested participants for Culture Night 2011; deadline for expressions of interest is the 27th of May.

In an expected but warmly welcomed move, Arts Minister Jimmy Deenihan issued a call for interested applicants to apply for board positions at the National Concert Hall, IMMA, Irish Architectural Archive, Arts Council, and Heritage Council. This is part of efforts by the Department to increase transparency as regards governance and recruitment, and to avoid the sinkhole of political appointee-ism that’s plagued some of our cultural institutions. There’s no guarantee appointees will be drawn from this open application process, nonetheless it’s a great step in the right direction. Applications are due May 13th, so get cracking!

The Fundit website’s done extraordinarily well in its first month, raising about 40k! Quite a number of projects have reached their funding targets — but I’d love to see the Irish/Polish Film Project and the Open House Dublin Book Project make it over the line (their funding target has to be met for them to receive any moola) — have a look & consider sending a few euro their way??

The worst news of the past 2 weeks? The closure of the Lighthouse Cinema, after the failure to reach an agreement with the current landlords and the appeal for mediation rejected. I still have difficulty believing there’s no alternative in this case; it makes me physically sick to think of that wonderful facility lying empty. Will this be the final death knell for the Smithfield redevelopment dream?


Weekly round-up: 6 April 2011

6 April 2011

Photo from the Irish Times, 5 April 2011: Rob Dunne and Antoinette Emoe prepare Diego Rivera's Landscape with Cacti for hanging at Imma. Photograph: Alan Betson

A sooper-dooper bumper round-up for today, to make up for my absence over the past 2 weeks (travelling for conferences & wrapping up MA course for 2010-11!) I’ve made a few sub-headings to make navigating this update easier; I promise not to stay away so long next time!

Jobs / internships

Want to work for the Arts Council? Now’s your chance… currently hiring a new Director and 15 (!) new arts advisors across all disciplines, so dust off the CV….

I’ve been following news on changing practices around internships/work placements in the UK (see previous post): just yesterday the Guardian reported on Nick Clegg’s admission of the advantage conferred to him via a placement in his youth arranged by his father.  There’s been a recent push in government (as part of a ‘social mobility’ campaign) to increase application transparency, fair remuneration, and access to internships in desirable professions — an issue of importance here in Ireland as well, though this has yet to be addressed in any substantial way. Groups/blogs like Intern Aware and Interns Anonymous have formed in the UK to push for reform and improve access (although I would disagree with their distinctions drawn between ‘interning’ for a company and ‘volunteering’ with a charity as neglecting/mis-characterising the non-profit sector); is it time for similar action here in Ireland?

Awards Season

Congratulations to the Science Gallery for its recent Shorty Award (for the best Cultural Organisation) at the ‘Oscars of Twitter’, and to Vulgo.ie for its triumph as best Arts & Culture blog at the Irish Blog Awards in late March!

Budget woes & money matters

The Lighthouse Cinema is embroiled in a rent dispute with its landlord, who recently doubled the rent from 100k to 200k. The future of the cinema is of great concern to its patrons, local residents in Smithfield and taxpayers (especially since the government invested €1.75 million in its development). The petition by the landlord to wind up the lease has been adjourned to allow for board discussions; it’s also been suggested that the Cultural Cinema Consortium (formed by the Arts Council and the Irish Film Board) who initially invested in the project might take it over as a going concern… Certainly I’d be of the view it’s the best arthouse cinema in Dublin (sorry IFI!), although the decline of the Smithfield development and its failure to secure lasting tenants is obvious to anyone visiting, and a clear obstacle the cinema’s struggled to deal with. Will keep you posted…

As the Arts Council England finally sent out funding notifications to organisations,  the scale of cuts was wide enough to warrant massive coverage in all the UK dailies (I follow the Guardian mainly) and even feature on a Newsnight segment. 206 organisations had their funding cut completely, and supporters of various organisations and artforms fumed. The Arts Council itself recently came in for strongly worded criticism and an order to sell off big chunks of its collection, whilst the CEO of ACE answered tough online questions about funding decisions. It’s almost too much to digest, especially at a distance, but my impression is that ACE was in an impossible situation, with nearly every commentator convinced of his/her view that decision X or decision Y was a travesty of judgment — I would have more sympathy with Charlotte Higgins’ view that

… ACE’s behaviour is only a sideshow. The real story here is the gradually corrosive effect of a government that, while paying lip-service to the importance of the arts, seems intent on sleepwalking the nation towards cultural impoverishment. The cuts to ACE cannot be seen in isolation from the removal of public funding for humanities tuition in higher education; the absence of arts subjects from the English baccalaureate; the unstable situation among local authorities, some of which are bravely protecting cultural provision while all too many are cutting it off; the starvation of libraries.

Northern Ireland news

An Arts Hustings for Northern Ireland will be hosted by Arts Audiences NI, Arts & Business, and Voluntary Arts on 19 April at the Grand Opera House in Belfast; representatives from the various political parties will be in attendance, and Declan McGonagle will also be speaking.

Have to give a shout-out to all the fab folks who hosted our MA class recently during our visit to Belfast… thanks to Stephen Douds from BBC NI / Lyric Theatre, Ciara Hickey at the Ormeau Baths Gallery, Kabosh Theatre Company & Paula McKetridge, and Trevor Parkhill at the Ulster Museum for their fabulous hospitality — we had a marvellous time!

New research resources

I was recently alerted to the DHO:Discovery portal, one of the outcomes of the Digital Humanities Observatory project. It provides online access to digitised images, text, and sound recordings from a range of Irish cultural institutions, including the Chester Beatty Library, Irish Traditional Music Archive, and lots of material from TCD’s archives. The interface is clunky, but it’s wonderful to be able to access all of this material so easily, and will prove very useful for researchers.

I heart Ciaran Benson and his lovely writing, and I don’t care who knows it. The Irish Review of Books recently published his review of recent texts on Brian O’Doherty/Patrick Ireland — would that more Irish art criticism (including my own) flowed so beautifully!

The much-anticipated book Ireland, Design and Visual Culture : Negotiating Modernity 1922-1992, edited by Linda King and Elaine Sisson, has just been published. With The Moderns catalogue from IMMA also finally available, I’m looking forward to an imminent immersion in new Irish visual culture research  :)

If new Irish art historical research is your bag (as it’s certainly mine), check out the annual Irish Association of Art Historians’ Study Day, taking place this Saturday (9 April) at IMMA from 10-5. It will be showcasing new research (spanning all periods/geographies of art history) by folks working on this island, and we’re delighted to have three PhD students from our own School presenting as well: Louis Funder, Jessica Fahy and Silvia Guglielmini (download the full programme).

Launches / event announcements / calls for participation

After lots of hard work and enthusiasm Business to Arts formally launched Fundit.ie, a new crowdsourcing platform for funding Irish arts and cultural initiatives. Crowdfunding as a phemomenon recently received a nice write-up in the Irish Times, and already there’s a great clutch of projects seeking funding on Fundit.ie: so far I’ve helped fund Monster Truck’s new digital screen in Temple Bar, IMMA’s efforts to purchase new Bea McMahon drawings, the publication by Conor & David for Open House Dublin, and an Irish/Polish Film Project. One of the caveats of crowdfunding is that organisations don’t receive funds unless their target is reached — so get over there, register, and contribute what you can to what catches your fancy!!

I am gutted I missed last night’s opening at IMMA for the Frida Kahlo & Diego Rivera exhibition (complete with tequila and mariachis! In Dublin!! More exclamation marks necessary!!!!) Looking forward to seeing the show in any case (although as an Angelena I’ve seen my fair share of Kahlo & Rivera — and Siquieros and Orozco, who make up the holy trinity of Mexican muralistas). Sure to be a massive crowd-pleaser… (p.s. Aidan Dunne’s reflections on 20 years of IMMA’s history last week made for a nice recap!)

The second meeting of the Visual Arts Workers Forum (WORK IT) is taking place in Project on April 20th — the discussions and planned presentations look great, and are aimed at folks across Ireland working in the visual arts.

Friday is Love : Live Music / National Music Day, coordinated by Music Network — get thee down to one of the many events happening nationwide (the hubs will be hitting the town with junior in tow, seeing how much music he can take til he pops!)

Cinemagic Dublin is currently seeking kids and teenagers 10-18 years in age to sit on its film review jury — if you have any budding film critics knocking about the house, here’s your chance!

The Heritage Council is hosting an  EU Funding Information Event for Heritage Organisations on 13 April at its offices in Kilkenny, which will provide information for individuals and organisations on how to access EU pots o’cash — an underutilised source of funding in Ireland!

Miscellany

Aosdána recently added John Arden, Joseph O’Connor, John Tuomey, Corban Walker and Daphne Wright to their midst… @RositaBoland ‘s twitter reporting of their annual general meeting on April 4th was particularly entertaining (gardening wha?)

The Irish Times debuted its first Culture Podcast yesterday, featuring Fintan O’Toole, Jim Carroll, Rosita Boland and Shane Hegarty.

Puh-lease: 6 hours a week? Explaining what Irish academics do (and justifying the weirdness of our working patterns / heaviness of workload) continues to be the bane of my existence, especially as we’re now meant to conform to the Crazy Croke Park Agreement that’s arbitrarily imposed a demand of an extra hour spent teaching every week, across all levels of education (although I pause in my rant to spare a thought for Queen’s University in Belfast, where colleagues are facing drastic budget measures that will have a terrible impact on working conditions and consequently student experience). Much of the interesting debate on this subject has taken place over on ex-DCU president Ferdinand von Prondzynski’s University Blog (who’s since moved over to Robert Gordon University in Aberdeen). The folks over at DublinIntellectual (particularly Dr Marisa Ronan) are taking matters into their own hands, making efforts to broaden awareness of research conducted by third level academics, by hosting a series of accessible ‘salons’ — the first takes place tonight at 8.30 at the Shebeen on South Great Georges Street.

 

I’m sure I’ve forgotten something… but gotta get back to the day job! :)

 

 

 


Weekly round-up: 11 March 2011

11 March 2011

There was an election, don’t ya know:

  • Fine Gael swept the boards in a resounding victory (although the NY Times couldn’t quite figure out the gender of poor new Taoiseach Enda Kenny) — but pertinent to we arts folks was the announcement of the new Cabinet: Jimmy Deenihan (author of Fine Gael’s pre-election arts policy) was duly named Minister of the re-formatted Department of Arts, Heritage and Gaeltacht Affairs. This announcement confirmed election promises to keep the arts at the Cabinet table, but the reconfiguration of the various portfolios was more than a little perplexing (Leo Varadkar was named Minister for Transport, Tourism & Sport). Is this new nomenclature a signal that ‘culture’ will be reinterpreted more narrowly as ‘arts’? What are the consequences of losing the economic clout of tourism (and to a lesser degree sport) and becoming a warmer, fuzzier, and possibly easily sidelined department? Given that the budget of the Heritage Council was recently slashed 47% (following a reduction of 30% last year), this new configuration is worryingly low on punching power.
  • The National Campaign for the Arts provided a handy link to the two arts/culture-related pages of the new Fine Gael/Labour programme for government (click here for pdf): main points are the expansion of Culture Night to 2 nights/year [ok, achievable enough], developing 1916 centenary plan for 2016 [historians here at UCD are already rubbing their hands with glee], promoting geneaological tourism & stimulating diaspora tourism [hmm, is this really a growth area? The digitisation of census records has already had a negative impact on geneaological tourism; this aim feels very 1997], getting Local Authorities to combine arts officers’ roles [rather than providing funding for new/vacated positions], and using empty NAMA buildings for ‘local facilities for arts and culture’ [one thing we're certainly NOT short of in this country is arts facilities, Mr Minister!]. Perhaps most significant was the statement that ‘Responsibility for policy-making will revert to the Department, while agencies will be accountable for implementing policy, assessing outcomes and value for money’ — surely the Department has had little to do with actual direct cultural policy-making in recent years, asserting its interests instead through funding streams and the occasional direct cultural initiative. I’m most interested to see how this might play out in practice.
  • Music Network launched its plans for Love:Live Music National Music Day on April 8th. They’re soliciting new events to be added to the event listings on the site, and promoting a great range of offerings — more will definitely follow on this come April!
  • Most recent Dublin Contemporary news– Art in America featured a small piece on the troubled DC, claiming dismissed curator Thompson’s departure was due to a failure ‘to submit satisfactory plans’. An odd quote from the new curator Christian Viveros-Fauné: ‘”Now is not a good time for art that rubs people the wrong way,” the curator says, but he and Castro, who have collaborated previously, want to be thoughtfully provocative, or, thoughtfully provocative without being aggressive or offensive.’ Hm, this hardly sounds like a recipe for a truly ‘provocative’ programme? Still, there is much goodwill behind the initiative — even if an article in last week’s Sunday Times (no online free version, alas!) pointed out that the very established Lyon Biennale (curated this year by Victoria Noorthorn) begins about a week after the DC and has the exact same title. D’oh!
  • A piece in the Irish Times on Wednesday reported from the EU Culture in Motion conference in Brussels, noting the low uptake of EU Culture funding by Irish organisations (a subject that’s forming the thesis of one of our current MA students). Difficulties forming the partnerships required by EU funding schemes were highlighted, but the picture is definitely more complex than that (on a side note of weirdness, the article’s author seemed not to know who Jordi Savall is! )
  • There was a great article on Saturday in the IT profiling the lovely Catherine Morris, newly appointed ‘cultural coordinator’ at Trinity. Her exhibition at the National Library on Alice Milligan is fab, and demonstrates the wonderful investments made by the NLI in technology & access.
  • One of the most interesting presentations from last week’s Irish Museums Association conference was a virtual walk-through of the new museum in Glasnevin cemetery, which has recently won a major international design award for its stunning building and exhibition. The IMA is leading a tour of the museum tomorrow for its members, but in any case this new museum looks well worth a visit.
  • An event on March 14th co-sponsored by UCD and Gradcam (and featuring both Pat Cooke and Hugh Campbell from UCD as speakers) is entitled ‘Redrawing Dublin‘: ‘a special public seminar in response to the issues, ideas and challenges raised by Paul Kearns and Motti Ruimy’s recent interdisciplinary cultural project, REDRAWING DUBLIN (Gandon Editions, 2010). (…) This seminar offers an interactive opportunity to consider Kearns and Ruimy’s book project within the broader context of debates about urbanism, city cultures and Dublin’s future potential as a vibrant and dynamic metropolitan space.’

Weekly round-up: 16 February 2011

16 February 2011

  • The Dublin Culture Trail was formally launched today by Temple Bar Cultural Trust — check out the press release and download the iPhone app too! This is a new online ‘virtual tour’ of major cultural sites in the city — looking forward to exploring this…
  • The NCFA Hustings grabbed much media attention this week (Irish Times, Irish Independent, and a playback of RTE’s coverage) — in Dublin a huge crowd turned out to Project Arts Centre on 14 Feb, receiving a rather uneven set of policy statements/responses to audience Q&A, and with Mannix Flynn making a noisy exit. A full podcast of the event is available for a listen.
  • Gerry Smyth published a useful overview of the various parties’ arts policies and platforms in the Irish Times on Monday, detailing the highs and lows (Sinn Fein, seriously?!?) of party positions. On the evidence of the hustings and the policy statements, some parties have a ways to go in terms of offering adequate levels of consultation, and demonstrating they’re aware of key priorities within the sector (not to mention reconsidering some of the dafter ideas, like Labour’s misguided suggestion to merge Culture Ireland and the Arts Council). Visual Artists Ireland has also posted responses to their questioning of party positions on the visual arts, and the NCFA has posted links to all of the parties’ full statements of policy.
  • Still on the election… if you’ve been wondering what’s behind all the funky posters jostling for space with candidates’ grinning jowls, check out www.upstart.ie.
  • Are you a 15-19 year old culture vulture? Sign up to be part of SCENEnotHERD, Temple Bar Cultural Trust’s new arts collective that is going to offer you lucky ducks tickets to screenings, exhibitions, events etc.
  • The Chronicle of Higher Education (US) published an article discussing the rise of business & management training within art colleges, citing target student audiences of designers and other arts professionals who have “hit a ceiling. They want to get hired in upper-level positions or be more successful in their current roles, but they need to be able to articulate the value of their skills in a way that management can understand”. The extension of such programmes into the BA curriculum is particularly interesting.
  • The Science Gallery boasts a stellar line-up of talks this week on art, science and design — tonight (Wednesday) is academic superstar Martin Kemp, discussing “Structures and Intuitions in Art and Science from Leonardo to Now“, and tomorrow features home team superstar Hugh Campbell (UCD Professor of Architecture), screening Charles & Ray Eames’ A Communications Primer (1953) followed by a lecture.
  • The Jameson Dublin International Film Festival kicks off tomorrow (17 Feb), with an intriguing screening next week (Feb 25th at the IFI) of ‘Build Something Modern‘, a documentary exploring the unusual story of Irish architects who brought modernist architecture to Africa from the 1950s-70s.
  • Want to impress your friends with your in-depth knowledge of Hollywood’s lack of historical accuracy (or otherwise)? The Centre for Medieval and Renaissance Studies at Trinity is hosting a groovy film & discussion series ‘Filming the Middle Ages and the Renaissance‘ which will include screenings of The Lion in Winter, Kingdom of Heaven, Black Death, The Name of the Rose, Lost in La Mancha,  Elizabeth, and Alatriste. Screenings are free, take place at 7 pm on Thursday and begin on March 24th.
  • The Clore Leadership Programme has opened for applications to be a 2011-12 fellow; the scheme is open to individuals working in the cultural sector (practitioners, managers, etc) — folks in Ireland who’ve participated as Jerome Hynes Clore Fellows give the experience high marks; applications close 11 March.
  • Next week a ‘Fundraising Tweetup‘ is being staged at the Clarence Hotel to explore ideas around social media and fundraising.
  • A new group has formed to stage a Culture Hack Ireland day — in January a Culture Hack was held in the UK ‘bringing cultural organisations together with software developers and creative technologists to make interesting new things.’ (see the video) Sign up to the group & join in the discussion on how to make this happen in Ireland…



Weekly round-up: 26 January 2011

26 January 2011


Wednesday round-up (27 Oct 10)

28 October 2010

Ok, so technically it’s Thursday, but the baby’s gotta eat sometime.

Here’s what’s caught my eye this week:

  • Locally, Professor Michael Shanks from Stanford University’s visiting UCD– as the blurb goes: ‘His lab at Stanford, Metamedia, is pioneering the use of Web 2.0 technologies to facilitate collaborative multidisciplinary research networks in design history, media materialities and long-term historical trends.’ He’s giving three seminars, the last two of which on 18 November (Museum Design and the Humanities / Design and the Humanities) may be of interest to readers here? Click here to download more info.
  • As Sue Sylvester opined in last night’s Glee, ‘art’s gotta push boundaries’: see some folks doing just that at a gathering of top Irish performance artists on November 4 at Kilmainham Gaol.
  • Did you know next week is Design Week? No? Get thee to the website
  • The RHA is hosting a swanky evening fundraising do next Friday.
  • Dnote’s launched a Cultural Map of Dublin (iPhone app to follow, huzzah!)
  • Do you dream in 140 characters? Business to Arts is looking for a social media intern to join their team.
  • And finally: can Beckett Bran be far behind? Americans for the Arts cook up a new ad campaign:

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