Next year’s a busy one for us at UCD — several staff members will be on sabbatical, including me, to work on funded research projects. As a consequence we’re currently hiring for two full-time, temporary lectureships in the School of Art History and Cultural Policy, starting in September 2011. One of these fixed-term appointments will be for 6 months, and the other for 9 months. A PhD is required, and some specialisation in Irish art history (broadly defined). The closing date is 20 June. The job spec can be downloaded here, and further application details also on the UCD HR website. Please pass on to anyone who might be interested…
I’m late this week (or early, depending on your perspective), but exam marking is finished for the year – woo hoo! Lots on the wire over the past few days (and not all Eurovision or Queen-related):
Most intriguing was the news at the weekend that the state is keen to take back Bank of Ireland’s College Green buildings ‘for cultural uses’ on foot of its bailout arrangements with the bank. Apparently the Minister wishes to turn the historic building into a ‘tourist attraction’ of some kind: ‘His plans, which are at a preliminary stage, envisage the conversion of the building into a centre celebrating Dublin’s literary heritage, incorporating an exhibition space and reading rooms as well as a cafe and meeting rooms. Mr Deenihan’s spokeswoman said he was examining a number of venues for a “world literature centre”, but that no decision had been taken yet on a location.’ An interesting proposal — but can or will the government actually stump up for such a large potential development? Such ‘grand gestures’ of the capital kind have been a feature of every government, but it’s the ongoing investment in the arts (and provision of programming, administrative overhead, etc) that’s proven more difficult to source over the years. It will take some delicate negotiation to ensure such a project doesn’t wind up another white elephant, another unsustainable or irrelevant ‘arts centre’, or a further drain on already meagre resources. And frankly, publishing a range of fairly daft public suggestions in the Irish Times (eh, they’re not knocking it down, folks) — and the short-term memories which appear to have forgotten there WAS an arts centre there until recently! — isn’t quite the discussion this project needs. The prospect exercises me greatly because in my view, this is the most magnificent civic complex in Dublin city centre, and we haven’t a great history of being sympathetic to our architectural heritage.
In further NAMA-related developments, the National Gallery is receiving the gift of a Lavery painting ‘Return from Market’ (cheeky choice!) as a thank-you from the agency for storing works to be resold from Derek Quinlan’s collection. The rest of the collection is supposedly being offered first to the NGI/IMMA/OPW (although their acquisition budgets are tiny, so I’m not sure how this will pan out!) before going to public auction. Note to NAMA: I have a very secure, dry attic, and a Roderic O’Conor would do nicely for our living room wall.
Dublin Dance Festival began on Friday, and continues until May 28th. I’m quite taken with the description of Hiroaki Umeda’s Haptic & Adapting for Distortion (and the graphics remind me of a Peter Kogler exhibition I saw at MUMOK some years ago – most groovous).
Today the National Campaign for the Arts coordinated a series of 40+ ‘meet & greets’ between arts folks and local TDs — Tania Banotti (head of Theatre Forum) was likewise recently profiled in the Irish Times on her involvement with the campaign. It’s great to see ongoing enthusiasm for the campaign — and significant fundraising achieved for their efforts.
The Irish Architecture Foundation has launched Architecture Tours Ireland, offering five new ongoing public tours: ‘Dublin Docklands’,'Georgian Dublin’, ‘Temple Bar’, ‘The Living City’, ‘Children’s Activity Tour’. Hopefully they’ll find great success with this initiative; with so much fascinating architectural history condensed in the city centre, it seems a natural fit!
Good news that imprisoned Chinese artist Ai Wei Wei was finally allowed a family visit, although his situation still looks far from encouraging — the amount of public pressure and denouncement of his detention has been quite astonishing, and the Chinese government’s lack of response even more so.
The Contemporary Music Centre will be staging its last new music salon until the fall — the final performance on 25 May sounds intriguing: ‘a music theatre piece based on the diaries and poetry of Sir Ernest Shackleton and Bill Manhire’.
I received a link today to a new blog focused on studio visits throughout Ireland — From the studio of… — sounds like a great idea, and a promising theme — I’ve got ya bookmarked!
Loughlin Deegan will be leaving the helm of the Ulster Bank Dublin Theatre Festival to take up the juicy post of Director of the Lir, the new national academy for the performing arts envisaged as the RADA of Ireland.
Gemma Tipton in today’s Irish Times wrote on grassroots/artist-led initiatives in a time of recession (a subject of one of last year’s MA theses, and another this year as well) — in related news the collectively-run space The Complex avoided eviction in the ill-starred Smithfield development this week thanks to the intervention of Minister Deenihan, as reported in Le Cool.
And finally… big congrats to Jessica Fuller, who’s currently upgrading her MA with us — she was the driving force behind the first project to be awarded funding under the National Music Education Programme — known as ‘Music Generation‘ (sponsored by U2 and the Ireland Funds and managed by Music Network), the most important scheme funding music education in the country. Three years of development are now ahead for the Sligo Music Education Programme (SMEP) in partnership with Music Generation — looking forward to great things ahead!
I’m off this weekend to visit Cork, avoid the Queen and check out new stuff at the Glucksman, Triskel and Lismore Castle Arts — may not be back with another update until next week, so behave yourselves in the meantime.
Feliz Cinco de Mayo! We’ve been up to our ojos interviewing for next year’s MA in arts management class — but here’s the weekly dose of arts goodness:
I was very excited to hear that UCD’s former gaff has been selected as the venue for much of the Dublin Contemporary. Curators will be pulling a PS1 on Earlsfort Terrace and utilising the existing fabric of the building, its long history as an institutional (and indeed exhibition space) becoming a palpable presence in the installations. Of all the news that’s circled round the DC over the past few months, this is by far the most promising! Can’t wait to see what emerges…
What are you doing this evening? First Thursdays at Temple Bar has been expanding, with a great list of venues opening their doors from 6-8 pm tonight.
‘The Fourth Wall’ programme of events on architecture and film began today at the IFI and continues until the 16th — quite a number of interesting screenings will take place over the weekend, and a fab-sounding academic symposium tomorrow.
I missed it last week, but the Triskel Arts Centre in Cork has reopened after a period of refurbishment. Part of the project involved the establishment of a new Theatre Development Centre, of which Corcadorca is the first occupant (a nice feature in Irish Theatre Magazine has details on the company’s recent developments).
An short opinion piece in the Telegraph bemoaned the lack of homegrown senior arts managers in the wake of Martin Roth’s appointment to the helm of the V&A Museum (he’s German)… apart from having the slight whiff of xenophobia, strangely enough this is also a common complaint in the US (ie the very small pool of experienced and available museum directors). It would seem to me the problem is less a British one than an international issue, especially given the natural (and correct) international mobility of folks at this level of seniority. Furthermore it points perhaps to the very demanding number of responsibilities (and often low remuneration) now required of a museum director — perhaps it is now a less appealing position than ever it was.
There was a lovely feature on artist Michael Craig-Martin in the Guardian yesterday… I like his thinking: ‘… making art is about making particulars, and that particular something can be the generator of a generalisation.”
How to support two arts organisations at the same time? Go see Pygmalion (just opened at the Abbey to great notices) and let those royalties from GB Shaw roll in to the National Gallery… there, don’t you feel better now?
An excellent chance to hear a world expert on intellectual copyright and the Creative Commons is coming up at The Science Gallery: Professor James Boyle from Duke University will be speaking on Thursday the 12th of May, and is unmissable if you’ve an interest in arts law & anything to do with creative copyright!