Internship opportunities for young cultural policy researchers

27 November 2008

praxis

Dig policy in a serious way, and looking to get experience internationally? Does the mere mention of ‘Brussels’ send a shiver of pleasure down your spine? The European Network of Cultural Administration Training Centres (ENCATC, of which we at UCD are members) have recently distributed a bulletin listing a number of internship/traineeship opportunities available across Europe. A sample:

  • Traineeship at the European Commission in Brussels
  • Cultural Diplomacy Latin America Internship in Berlin
  • Orchestral Tours Internship in London
  • European Commission Delegation to the UN in New York

See the bulletin for details of all opportunities and application information.


Arts & New Media conference

26 November 2008

I’m back from the one-day seminar held on the arts & new media at Dublin Castle, sponsored by the Arts Council. It was a lively day full of interesting discussion and presentation– for me the best aspect was meeting others in the Irish blogging community, and hearing how various organisations in Ireland are utilising social media and other web 2.0 technologies in their work. Damien Mulley and Fearghus Ó Conchúir have already recalled their experience at the conference on their blogs. Others appeared to be blogging the conference live, but I haven’t yet found their sites or responses… in principle it’s an interesting idea, but sitting next to a blogger furiously tapping away during a presentation (or indeed surfing the web or checking email) reminds me of the kind of things we kick undergrads out of lecture for doing! A bit irritating, to be honest.

To my mind the discussions based around the opportunities offered by web-based media to organisations were more productive than those that focused on their potential within art practice. Also I have an interest in the deeper implications of web 2.0 on processes of social interaction and creativity within organisations, which were addressed sporadically but not with any particular rigour. That being said, the initial fiery exchange between keynotes Andrew Keen and Charles Leadbeater was particularly enjoyable owing to the strong feelings and ideas it provoked. Leadbeater’s boulder and pebble metaphor seemed to resonate particularly well and was repeated by others throughout the day, but I suspect many in the audience found themselves surprisingly in sympathy with Keen’s point of view. I myself am concerned about the overly American-centric view of the world presented by web 2.0 utopians, and worry about the social inequalities and new hegemonies it tends to gloss.

In terms of the ‘open’ sessions, I was a bit disappointed to realise that they had been predetermined, and not left open for participants to decide, as in true Open Conferencing style. I suppose this is more achievable in a 2-day conference environment, but given the unusual diversity of attendees it felt like an opportunity not seized. Finally, I would have loved to have seen policy addressed in a more concrete way, which the last session promised but did not deliver. I suspect many in the audience were not actually that interested in discussing policy (fair enough), and although I appreciate Andrew Taylor’s response to my question, I would have much preferred a response from the RTE and Arts Council reps on the panel, who are more familiar with the Irish policy context and the giant ‘boulders’ in that arena. So much of the conversation on the day seemed to need more time– it often felt like folks were just getting started before it was time to move on to the next session! Clearly there’s a high level of enthusiasm out there for the subject, and I’ve heard from several people disappointed there was no space for them to attend (though they plan on catching up on the streaming audio).

I find it difficult to criticise any new initiative, mostly because I’m so delighted anything’s been done at all! Indeed the large turnout to the event is testament to the hunger for these conversations, but I also think it led to the conference ‘vibe’ feeling somewhat diffuse and unfocused. That’s a personal response of course– but I think the most productive work at these events gets done when a smaller group of participants are united around a central agenda and set of concerns, though their views, approaches and experience may differ. I hope a more concentrated series of events or get-togethers will emerge out of this first effort, and that the dialogue begun yesterday will translate into a more vibrant online arts community in Ireland.

Finally a big kudos to Annette Clancy and her team who put the whole event together– well I know the difficulty in managing such an event, and it was superbly organised and run.


Royal Hibernian Academy re-launched

12 November 2008
rha_22

expanded upper gallery at the RHA

On Monday the smashing new Royal Hibernian Academy was unveiled in tandem with their Annual Exhibition, and I was excited to see the new building after months of anticipation. Over the past year the RHA has been undergoing a major expansion, and its redeveloped delights on offer include:

  • renovation of the entrance to incorporate a new reception area, and removal of the old staircase, adding a significant amount of space to the massive upper gallery
  • new staircase built in a double-height atrium, creating another exhibition space with a window wall providing excellent lighting
  • new cafe run by the Unicorn
  • new bookshop run by Noble & Beggarman (who also operate the Hugh Lane Gallery shop)
  • a 9000sq foot studio complex containing group & individual studios, a reference library, common room and administration offices
  • recladding of the exterior, new signage and lighting

According to an article by architectural critic Frank McDonald in the Irish Times last Friday, the project has cost 7.8 million euro, mainly raised from private donors, with 2 million still needed to balance the books. Hopefully the spectacular new spaces will prompt potential donors to dig deep– the RHA is an invaluable & unique resource for the visual arts in Ireland, and the determination of its board and its director Patrick Murphy are to be commended. For more photos from Monday’s reopening (thanks to husband Des!), click the link…

Read the rest of this entry »


Obama and the arts

7 November 2008

As Obama now moves from political aspiration to policy implementation, the question suddenly occurred to me yesterday: what the heck does he think about the arts in America? With all talk focused on the economy and Iraq, I can’t recall a single reference to American arts/cultural policy within election discourse over the past year.

Fear not, for the internet reveals all– behold the Obama/Biden platform on the arts!

Read the rest of this entry »


New info & links added to ‘Research’

6 November 2008

Inspired by the Arts Council’s new publication indexing research on the arts & education, I’ve been busy updating the information located on the ‘Research‘ section of the blog…

Hopefully this will be of use to our students & others interested in further research on arts management and cultural policy, both in Ireland and internationally. I’ve provided (subjective) thumbnail sketches of the key resources available, and hope this will serve as a shortcut for getting stuck in to the wealth of research material out there :) Any glaring omissions, please let me know!


No Comment Necessary

5 November 2008

USA PRESIDENTIAL ELECTIONS OBAMA

… just unadulterated joy!


Drawing a blank

4 November 2008

Today is tremendously exciting for me and other Americans in Ireland who’ve been watching the US election closely. We can only hope that as the curtain falls today on one political legacy, a new, energised, more thoughtful and just one will rise to take its place. And hopefully one with a better sense of rhythm…

In honour of the day, some thoughts from leading Americans in the arts on the cultural legacy of the Bush administration:

Paul Auster – Author

I’m hard-pressed to think of a single thing the Bush administration has done to promote the arts. Things have gone on as before: novelists are writing books, people read them or don’t read them, movies are being made and people go or don’t go, artists are painting pictures, people are making music. I don’t see that the Bush people have affected the cultural landscape that much.

These past eight years have been about the worst that I can imagine. For the first time as a writer I’ve addressed, here and there, the situation that we’re living through. I’d never done that before and I guess because I’ve been so alarmed, so distraught, the pressure of this unhappiness has spilled over into my work at times.

If McCain wins, I feel like going into a cellar for the next four years or going out in the streets every day and screaming. Obama, if he does win, is going to have so many problems to deal with that the most one could hope for would be to undo some of the damage. Most artists seem to be for Obama. In fact, I haven’t met a single one who is for McCain, so our spirits would be lifted. The problems in the country will remain as serious as ever.

Art isn’t journalism. Some of the greatest historical novels were written long after the events discussed in the book. You think of War and Peace, written in 1870 about things that happened in 1812. I think there’s this confusion in the minds of the public that artists are supposed to respond immediately to things that are going on. We’ve been living through a new era. Everyone knows the world has changed, but exactly where the story is taking us is unclear right now and until it plays out further I don’t know if anyone has a clear vision of what’s happening.

(read other reflections on the Guardian website)

p.s. if you can, GO VOTE!


Follow

Get every new post delivered to your Inbox.

Join 1,653 other followers